How to create a good gallery?

[Marta]

Сообщение от Cyril Syzransky

Just in my opinion, we must return to the understanding that art, above all, this is a common human activity and discusses the problems she is not a national identity, and some more underlying problems. Of course, this does not exclude any specific national. But this is not the main thing in art.

  I think that is modern art in general, more or less clear.
  All that speaks the language of images using any means at hand from new technologies to transfer from outside the exhibition hall with a falling fence docked with a piece of wood - all art.
 It is now harder to figure out what place in art devoted to painting.

[Pavel]

Сообщение от Marta

I think that is modern art in general, more or less clear.
  All that speaks the language of images using any means at hand from new technologies to transfer from outside the exhibition hall with a falling fence docked with a piece of wood - all art.
 It is now harder to figure out what place in art devoted to painting.

All prostozhivopis is a painting by categories and what is not napisanokraskami this theatrical or dekorativnoetozhe categories.

[Peter]

Сообщение от Marta

I think that is modern art in general, more or less clear.
  All that speaks the language of images using any easily available from new technologies to transfer from the street into an exhibition hall with a falling fence docked with a piece of wood - all art.

Not-all art.

[Marta]

Why, if you have an idea and a figurative language, done professionally, it is art.

Here I am on some forum asked how acceptable to print photos on canvas (or photo-collage), and refine and has not received a clear answer. And today was absent at the forum on the exhibition Seeds Faibisovich.

But I am personally all sorts of different experiments can induce thought-provoking, interesting, hit, to touch, but touch, so that all the strings of the soul rang - never. Only in art is something inexpressible words, but at the level of energy that can be so close to ecstasy or pain.

[Peter]

Therefore painting live for centuries and will live for a very dolgo.Eto God's gift to mankind.

[Buscador]

Сообщение от Pavel

what is not napisanokraskami this theatrical or decorative

I'll tell you how nehudozhnik artist - Theater and decorative paints also write (in secret).

[vall]

Сообщение от Peter

Therefore, painting live for centuries and will live for a very dolgo.Eto God's gift to mankind.

If painting gift of God is a painter conductor gifts to the masses, and the gallery shop where you can buy Divine
In the Middle Ages it was popular to buy, sell or assign the right to place in Rayskik booths - an indulgence (Gift of God for the money), if an analogy is gallery sells contemporary indulgence

[artcol]

Сообщение от Peter

Therefore, painting live for centuries and will live for a very dolgo.Eto God's gift to mankind.

It is tempting to paraphrase the famous saying. But I will not

[Peter]

Сообщение от vall

If the painting gift of God is a painter conductor gifts to the masses, and the gallery shop where you can buy Divine
In the Middle Ages it was popular to buy, sell or assign the right to place in Rayskik booths - an indulgence (Gift of God for the money), if an analogy is gallery sells contemporary indulgence

Explore the gifts in the mass-gallery owners.

[Кирилл Сызранский]

Сообщение от Cyril Syzransky

I like all this art Genis-called "candy wrappers" (read the book of the same name).

Heroes of a new book by Alexander Genis became the most famous paintings of Russian painting. Become familiar, like candy wrappers, they entered into the DNA of the nation and became its mental furniture. But as lovingly and carefully re-examine axiomatic paintings, as for each open a mysterious abyss, and a fascinating history. About happy "ninth wave", perovskite gods of hunting, Ivanovo Christ stranger, manumission crowd from boatmen, Russian trio shishkinskih heroes, Vrubel Neanderthal Pan or indestructible savrasovskih rooks.

Repin, however, is not interested in transportation, and national problems. In Boatmen he sought his native exotics. In essence, it was not a Populist, as Nekrasov, a colonial, like Vereshchagin, art. Therefore Repin going on an expedition, like Stanley in Africa: "Camyyu bolshyyu tyazhect in moem chemodane coctavlyali cpiptovki, kactpyuli and zakyplennye in dostatochnom kolichectve makapony, cyshki, pic and bickvity" Albept. We exali in dikyyu, covepshenno not izvectnyyu mipy oblact Bolgi, Where is, verily, naught like of esche not only knew ".

The reality did not disappoint expectations: some farmers have taken visiting artists for foreigners, others - for the devils. Even their Russian language does not yield mutual decoding. Characteristically, instead of a stockpile of books Pisarev and Turgenev artists took up the Iliad.

Once on the Volga, Repin has found that education deprives us direct access to that timeless, prehistoric mentality, which holds national archetypes. Hoping to find them in the Boatmen, Repin, as later unit, called the Russian Scythians and depicted the primitive horde. There is nothing offensive, because the total chained bridle, they are against it, kept the limit feature of identity. Repin all haulers - are different. This is their main advantage and a striking contrast to the sedentary men, from generation to generation reckless life in the land.

 This chorus, as they said, Repin's painting became the most famous in Russia, a group portrait, but - unlike, say, from "Night Watch" - who knows. Simple, is not able and not willing to express themselves people always asked the artist to the riddle. So on Repin Boatmen we know only what is described by the author himself - not on canvas, paints, and words in his memoirs.

"First, - quotes them every tour guide - is-defrocked priest by the name of Kanin. In the center - the young rebel, the bar. Before him on the strap leaned Fisher-sailor. The latter was staring straight into the camera, which then served as the eyes of the artist, and thinks of himself the same thing, denounced us as Repin, all employed by them in the sitter boatmen: "sold his soul for kosushku.

Maybe that was it. By stealing the souls of the living, critics have ordered them as dead, having adapted to their own needs.

Stasov saw in the Boatmen a suffering people. Dostoevsky was not so sure: the first two, it seemed to him, almost smiling. Administration was embarrassed in front of foreigners, but the Grand Duke Vladimir Alexandrovich, who bought the painting at the Repin, do not hesitate to hang it in the billiard room.

http://www.novayagazeta.ru/data/2010/006/12.html