I propose to create a new partition

[Allena]

At the forum often asked to assist in the attribution and evaluation of the picture. I propose to create a separate partition on the main forum page and call it "Who is the author and how much can cost" because it is so often framed the question.

In this section as the shape /form /questionnaire for the very first message threads hang that list of issues which Eugene did. To people immediately fit into the appropriate fields that he was aware of the picture, and placed the required photo.

Thus a novice, before you ask, even though the ruler now measure up if the documents are not, finger rubs (watercolor or reproduction) and will give everything on the Provenance knows (from his aunt got at the flea market, bought, etc.. Perhaps I, ever the same question is addressed, but provenance is outstanding: D: painting (an unbelievably beautiful landscape, in my view, XIX c., wood /oil) discovered 50 years ago in a remote village as coasters kettle with hundred Grandma.

And incidentally, the same way will be immediately cut off at least part of dishonest users forum, have fun at the expense of desire.

Who thinks about this?

[SergeiSK]

Allena,
Logical. But the section "Prices, assessment already exists. Maybe just rename this section "Who is the author and how much it costs."?

[Allena]

SergeiSK, perhaps you're right. But my suggestion about the shape /form is preserved. The more formalized the request will be in this section, including a more precise answer, I think you can give.

[SergeiSK]

Сообщение от Allena

my suggestion about the shape /form stored

This should be mandatory, will be much easier to understand.

Сообщение от Allena

amazingly beautiful landscape, in my view, XIX c., wood /oil) discovered 50 years ago in a remote village as coasters kettle with a hundred Grandma.

Do not want to show? Just yesterday on TV looked a report about the exhibition in Moscow works Russian village naive. I liked very much, but still very dear to me Sawa Yamshchikov commented.

[Allena]

Not in Moscow, and in the Tretyakov Gallery, perhaps?
http://artinvestment.ru/news/exhibit...slawl_art.html

But I have not rustic naive, but genuine classic. Maybe I'll show you when.

[SergeiSK]

Сообщение от Allena

Not in the Moscow region and in the Tretyakov Gallery, perhaps?

Exactly! This I misled, Yamshchikova heard

Сообщение от Allena

natural classics

Or maybe it is you thing, which since the war with Napoleon in the village preserved? Very curious ...

[Кирилл Сызранский]

Сообщение от Allena

Not in the Moscow region and in the Tretyakov Gallery, perhaps?

And not naive there, and provincial art.

[color="# 666686"]Added after 1 minute[/color]

Сообщение от antip

I fully agree with our authoritative forumistkoy Liana
(where she, incidentally zapropostilas?), for Gerasimov.

Rudeness some participants could not stand it, went to the forum.

[artcol]

Сообщение от Allena

Not in Moscow, and in the Tretyakov Gallery, perhaps?
http://artinvestment.ru/news/exhibit...slawl_art.html

What a pity we did not turn out to get to the exhibition.

[Кирилл Сызранский]

artcol, "a special section of the exhibition includes pictures of Efim Chestnyakova (1874-1961) from the funds of the Kostroma Museum. The name of the artist's first loudly sounded in the late 1970's, when the exhibition of his works were held in Moscow and Kostroma, and then in Paris, Turin and Florence. Several years were needed to assemble and restore the legacy of the master kept in village huts and very injured from time to time. Through the joint efforts of the Museum of Kostroma and Moscow restorers over a hundred paintings and several hundred graphic sheets Yefim Chestnyakova were back to life. "
    Similarly, the cottages literally went and collected what was left of him.

[artcol]

Сообщение от Cyril Syzransky

artcol, "a special section of the exhibition includes pictures of Efim Chestnyakova (1874-1961) from the funds of the Kostroma Museum. The name of the artist's first time was heard in the late 1970's, when the exhibition his works were held in Moscow and Kostroma, and then in Paris, Turin and Florence. Several years were needed to assemble and restore the legacy of the master kept in village huts and very injured from time to time. Through the joint efforts of the Museum of Kostroma and Moscow restorers over a hundred paintings and several hundred graphic sheets Yefim Chestnyakova were returned to life. "
    Similarly, the cottages literally went and collected what was left of him.

Yes, I know. Very original and interesting artists.