Продам: Selling now Salomon van Reysdaela

[Тютчев]

Сообщение от sergejnowo

well look at the work on the walls of museums, which in fact belong to the hand restorer.
And then you look at the pictures in the internet works that belong to hand restorer.
Then look at the prices artprayse seeing nature: the proportion of preserved hand of the master at work and actual work history.
And it turns out that the auction will probably not find out who his brother and who is the matchmaker and дуде игрец.
In total with reflections on the theme that the more the price of the two concepts of "brand" or "painting", falling asleep ....

PS
Tjutchev let it be true to you

sergejnowo, I can not understand why look at the pictures, "which in fact belong to the restorer hand, when you can look at the pristine restoration work? They are in museums and private collections. They exhibited both on a permanent basis, and at exhibitions. And most importantly, their much greater than zarestavrirovannyh works! This applies even more to the work of Ruisdael. I do not see that problem on which you specify.

The problem is, but it lies in a slightly different plane. And it is connected with the fact that there are changes in the paint on the picture. This problem was originally founded in the properties of oily ink and features of the soil at that time (16 th - the first floor. The 18 th century). In the aging process of painting a layer of oily paint becomes more transparent, that the liaison The grounding affects obshy coloring product. Restoration is powerless here. This is unavoidable due to time.


In Artprayse not indicate the amount produced by the restoration, but I think that before you purchase landscape of 3,191,857 EUR, the buyer, usually examines work for possible restoration. That's reasonable. Why are not cheap to buy these images dark?
 
If the sellers at the auction "does not understand who's brother and who is the matchmaker and дуде игрец", it is a chance for collectors to buy work versed inexpensive. Well, if the collector can not understand where the work of one Ruisdael, and where else, why would they need him at all?
 
If we talk about the art market of the old masters, the word "brand" to it applies least. You carry on a situation that has arisen from the sales of modernist and post-modernist art. This is a common mistake.
 
P.S. "To study - is to understand the correctness of what others think. But you can not learn things, if initially come from their falsity. "

Hegel, Georg Wilhelm Friedrich