I propose to create a new partition

[Allena]

SergeiSK, perhaps you're right. But my suggestion about the shape /form is preserved. The more formalized the request will be in this section, including a more precise answer, I think you can give.

[SergeiSK]

Сообщение от Allena

my suggestion about the shape /form stored

This should be mandatory, will be much easier to understand.

Сообщение от Allena

amazingly beautiful landscape, in my view, XIX c., wood /oil) discovered 50 years ago in a remote village as coasters kettle with a hundred Grandma.

Do not want to show? Just yesterday on TV looked a report about the exhibition in Moscow works Russian village naive. I liked very much, but still very dear to me Sawa Yamshchikov commented.

[Allena]

Not in Moscow, and in the Tretyakov Gallery, perhaps?
http://artinvestment.ru/news/exhibit...slawl_art.html

But I have not rustic naive, but genuine classic. Maybe I'll show you when.

[SergeiSK]

Сообщение от Allena

Not in the Moscow region and in the Tretyakov Gallery, perhaps?

Exactly! This I misled, Yamshchikova heard

Сообщение от Allena

natural classics

Or maybe it is you thing, which since the war with Napoleon in the village preserved? Very curious ...

[Кирилл Сызранский]

Сообщение от Allena

Not in the Moscow region and in the Tretyakov Gallery, perhaps?

And not naive there, and provincial art.

[color="# 666686"]Added after 1 minute[/color]

Сообщение от antip

I fully agree with our authoritative forumistkoy Liana
(where she, incidentally zapropostilas?), for Gerasimov.

Rudeness some participants could not stand it, went to the forum.

[artcol]

Сообщение от Allena

Not in Moscow, and in the Tretyakov Gallery, perhaps?
http://artinvestment.ru/news/exhibit...slawl_art.html

What a pity we did not turn out to get to the exhibition.

[Кирилл Сызранский]

artcol, "a special section of the exhibition includes pictures of Efim Chestnyakova (1874-1961) from the funds of the Kostroma Museum. The name of the artist's first loudly sounded in the late 1970's, when the exhibition of his works were held in Moscow and Kostroma, and then in Paris, Turin and Florence. Several years were needed to assemble and restore the legacy of the master kept in village huts and very injured from time to time. Through the joint efforts of the Museum of Kostroma and Moscow restorers over a hundred paintings and several hundred graphic sheets Yefim Chestnyakova were back to life. "
    Similarly, the cottages literally went and collected what was left of him.

[artcol]

Сообщение от Cyril Syzransky

artcol, "a special section of the exhibition includes pictures of Efim Chestnyakova (1874-1961) from the funds of the Kostroma Museum. The name of the artist's first time was heard in the late 1970's, when the exhibition his works were held in Moscow and Kostroma, and then in Paris, Turin and Florence. Several years were needed to assemble and restore the legacy of the master kept in village huts and very injured from time to time. Through the joint efforts of the Museum of Kostroma and Moscow restorers over a hundred paintings and several hundred graphic sheets Yefim Chestnyakova were returned to life. "
    Similarly, the cottages literally went and collected what was left of him.

Yes, I know. Very original and interesting artists.

[iosif]

artcol,
in Kostroma, a large permanent exhibition Chestnyakova. Really interesting. But I do not understand what they Repiinym not shared.

[artcol]

Сообщение от iosif

artcol,
in Kostroma, a large permanent exhibition Chestnyakova. Really interesting. But I do not understand what they Repiinym not share.

Did not get me and to Kostroma, although it was close ...

They sort of had nothing to share. Chestnyakov was a pupil of Repin in any salon. At the owner of Salon interest does not exist, the salon was closed. Chestnyakov returned to the village of his.
The only thing that Repin not too spoke of the ability Chestnyakova. But on an amateur