The buyer and the artist: Ritual purchase

[Pavel]

Сообщение от Seriy

LCR, there is a simple solution, is part of a closed forum for the elected. However, experience shows that nothing in this super-chosen parts do not occur.
Regarding the low level of artists: When you knew of a litter ...
Well talk only about Rembrandt, Leonardo and Picasso. Because they choose not to you, they chose the time on your part is just simple and pleasant task, admire .. And speaking of the contemporary routine, very difficult to separate the wheat from the chaff, even professionals ... We have to wallow in all the liquid, stirring piece of butter ... Observing the practice of auctions in Europe with pictures of the 19 th century for Multi base hundreds of euros, it could be argued, has always been so. Can, as a gallery owner, said recently in an interview Artinvestmentu - throw in the trash portfolio beginning artists, not looking. And you can, as Saatchi, to find in this slush and worthy predyavlyat people. I pretty Saatchi.

That is correct, because the limitations of traders lies in the fact that they do not see buduyuschego. can not determine what will and therefore paddle podsebya only commerce. Grab now. That debris was once the 19th century because expensive cost and it is he did not like the Van Gogh. Seems high matter. but in our case is not a talented one that everyone likes. and kakoyto uglasty. small. consistently leading their line, an ugly man. in whose soul. light is.

[artcol]

Сообщение от Pavel

That is correct, because the limitations of traders lies in the fact that they do not see buduyuschego. can not determine what will and therefore paddle podsebya only commerce. Grab now. That debris was once the 19th century because expensive cost and it is he did not like the Van Gogh. Seems high matter. but in our case is not a talented one that everyone likes. and kakoyto uglasty. small. consistently leading their line, an ugly man. in whose soul. light is.

In the cases to trial rather than the light in the soul. Another mind - the darkness.

[Кирилл Сызранский]

Сообщение от Pavel

That's right, because the limitations of traders lies in the fact that they do not see buduyuschego. can not determine what will and therefore paddle podsebya only commerce.

And what should be "grersti under him? Beginners artists? And then what?

Сообщение от Pavel

grasp now.

And when? A hundred years? Or in another life?
Unfortunately, Horse Guards, a century is not long,
and because he is so sweet.
Singing pipe, thrown back the curtain,
and somewhere heard the sound of sabers. (c)

Added after 3 minutes

Сообщение от Seriy

You can, as a gallery owner, said recently in an interview Artinvestmentu - throw in the trash portfolio beginning artists, not looking. And you can, as Saatchi, to find in this slush and worthy predyavlyat people. I pretty Saatchi.

Gallery owner assesses the situation here and now, he reported this, and you, "Saatchi, Saatchi nice to me.
I, too, London is nice, but I live in Samara and Samara life around me.

Added after 26 minutes
Seriy, when you're in the gallery prinisut regular-4 portfolto with the name of

RUSSIAN OKOZOR - NEW NAPRALENIE in fine art.

, I think that you throw it.
A? Or just throw in the 7-m?
Or you try to "find in this swill worthy"?

[kozhinart]

Still, not all terrible, there are people in Russia are engaged in modern iskusstvom.No given the historical features of the country and its other features, I think we can do that. Even if we just consider the fact that the culture collection should peredovatsya from generation to generation. The collector should feel socially zaschischennym.Inache on any investments to speak trudno.Pro contemporary artists who support them must be, at least through foundations give grants. We have this tendency to eat and speak Rossii.No that always wants more.

[Seriy]

Cyril Syzransky, I'll take it as a cross :-) time to choose a job ... In America, never sellers disgruntled buyer, why? I asked, answered, - but if we did not like the buyers, we would have chosen another job, we're free people. Therefore, gallery owners are sending American Free advice to artists from Russia and from themselves to the art all right, they understand their work, how to work with "raw" artists. And we throw in the trash ... and art too, so my painting so miserable. And in abundance only conceit.

[artcol]

Сообщение от Seriy

Cyril Syzransky, I'll take it as a cross :-) time to choose a job ... In America, never sellers disgruntled buyer, why? I asked, answered, - but if we did not like the buyers, we would have chosen another job, we're free people. Therefore, gallery owners are sending American Free advice to artists from Russia and from themselves to the art all right, they understand their work, how to work with "raw" artists. And we throw in the trash ... and art too, so my painting so miserable. And in abundance only conceit.

It's all words. It's not the point.

[Кирилл Сызранский]

Сообщение от Seriy

I'll take it as a cross

And what about the "cross"?

Сообщение от Seriy

In February 2009, I again took up a brush.

Something is you "torknulo" in February? Himself wanted to take the same brush?
Or, sigh, directly or adopted, "as a cross", and declared a home?

Added after 4 minutes
And.

Сообщение от Seriy

Watching the practice of auctions in Europe with pictures of the 19 th century for Multi base hundreds of euros, it could be argued, has always been so.

But not everywhere. It can be argued, observing the practice of auctions in Russia, where Russian painting of the 19 th century is not there.

[Seriy]

Cyril Syzransky, about the cross is to your question about the flow of raw material at gallerists-like attitude.
Classes in painting for me does not burdensome, but interesting, with all the stage-from the primer, before meeting with customers.

Added after 2 minutes

Сообщение от artcol

This is all words. It's not that.

but what?
Why do Americans spend their galeristskoe time writing and sending out free advice amateur painter, satisfied vebseminary and he is not the only one in America, land of lucre and greed. And we have - if only one worthy to ...

[Кирилл Сызранский]

Сообщение от Seriy

about the cross is to your question about the flow of raw material at gallerists-like attitude.

Why are you these gallery owners?
Galleries is a kiosk at the corner, which sells everything neodhodimoe. There exists a need in the galleries-grow like mushrooms after rain. And the need for galleries will only need painting. And it's not, can see.

Added after 8 minutes

Сообщение от Seriy

Why American galeristskoe spends his time writing and sending out free advice amateur painter, satisfied vebseminary and he is not the only one in America, land of lucre and greed.

I recommend to these issues apply to local connoisseurs of American realities, and political information for this sector is responsible comrades Tjutchev and Posav.
All tell about the "country of lucre and greed."
And only then will catch up with comrades from the Gaza spirituality and catholicity and explain about the

And we

[Seriy]

Cyril Syzransky, I am deeply convinced, galleries and the buyer is just as much an integral part of the process, as an artist. There can be no let-painting will then appear and galleries, and buyers. It was written here that you see a few large buyers, collectors in Russia in the late 19 th century, then perhaps Russian paintings in this volume would not exist.
In Moscow, there is no grounds for beginning artists, and no major non-commercial exhibitions, all sharpened by big money. At Winzavod have a program start-effectiveness is unknown, as are selected for display less than 1%of work-that is, that no. In St. Petersburg is the center of the Northwind, although some may exhibit non-profit. In Moscow there is no order ...