22-th Moscow International Book Fair

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Сообщение от Chernomashentsev Vladimir

... Ben - it just happened.

  What book about Benoit do you mean?

[Черномашенцев Владимир]

Сообщение от Tjutchev

What book about Benoit You mean

Sorry, of course Benoit. Sorry, but with an abundance of books I would like to answer only those books that he purchased. And got a lot more than 250 kg for two days. Or if they are in directories publisher.
But about Benoit, I can not inform you - remember what happened, but what a publisher and author who, alas .... moreover, that sometimes one and the same books are sold at different booths, and often at different prices. Confusion terrible.

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Сообщение от Chernomashentsev Vladimir

Published Art-XXI century »www.iskusstvo21.ru phone 7 (499) 241-64-65

Despite the current name, skate publishers are artists-emigrants early 20 century. Perhaps, this company has no equal - they make serious and colorful book-study series "Artists of the Russian emigration":
Example: Chaim Soutine, 376 pages, edition 1500. Author of the book - St. Petersburg art critic MY Herman.
Serebryakov, Larionov, Chagall and others complement the thick monograph on this subject.

It is worth noting other publications:
Lansere, Diaries of 3 books.
E. Dempsey Styles schools, direction "
Yakymovych "Flying over the abyss. Art, culture and world view. 1930-1990
A. Assumption "Author realizm.Iz history of Russian painting of 20-30s"
K. Carriere "Consumption and pop-art"

Vladimir You forgot to mention the two-volume "Nikolai Krymov" (directory-reason, painting, drawing, theater.) By Ivan B. Porto. He went in the same edition, about which you write ( "Art-21") literally in those days (the book is worth 6,500 rubles).
The book deserves attention if only for the fact that creativity Krymov one of the most significant artists of the early 20 th century has demanded a serious light. Curious history of this publication. The fact that the book was to be released in the late 80's early 90's in the series "Masters of our century. In this series had already reached serious scientific albums-prospectus on Mashkova, Kuznetsov, Konenkova, Kustodiev (say, was Saryan, but I have never been seen, must be specified). So the following should have been released album Krymov. But well-known political events prevented those plans. Then Ivan Borisovich prepared and issued (small edition) catalog-reason in an abbreviated form (no reproductions). And then, finally, there is something that should have been published 18 years ago.
I should add that I am particularly pleased to write about this edition, as it posted my pictures.

[Черномашенцев Владимир]

Сообщение от Tjutchev

Vladimir you forgot to mention two-volume "Nikolai Krymov»

Do not forget, he is in the directory publisher. But I can not write everything about everybody!
I tried to find the most interesting. Krymov interest to you, I understand. Can you more about your pictures?

I hope that all interested in books about art can find complete information on the sites of all these publishers. But I only write short summaries.

PS

I want to add about the album Vol Islands WORD "Russian Museum". It is very different from the familiar to us on this album to the museum. The new edition, the focus (at least 50%of the folio) paid to the art of 20 century. A member of the publishing house, with whom I spoke, believes that it is bad. Like, people were accustomed to the 18-19 century. I dared him to argue that Russia's 19 century painting - a pursuit race for Europe. But the 20 century - largely our own. And so interesting.

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Сообщение от Chernomashentsev Vladimir

I dared him to argue that Russia's 19 century painting - a pursuit race for Europe. But the 20 century - largely our own. And so interesting.

This is a very controversial statement. Recall, creativity Ivanova, especially his studies and sketches for "The Appearance of Christ to the people."

Why do we need to look at art as a kind of race. Who was the first who is second, what's the difference? This artist is always a phenomenon in itself no matter who greatly influenced him.
Cezanne, for example, has had a tremendous impact on all subsequent art. What now all the artists considered secondary? About Malevich, Kandinsky, Turner could say the same thing.

[Pavel]

Emigration is not interesting to me. There is always some kind of dependence on the circumstances, a sense of inferiority, the desire pokazt - this is what I own. There is no freedom, and art is impossible without freedom.

[Черномашенцев Владимир]

Сообщение от Tjutchev

Why do we need to look at art as a kind of race. Who was the first who is second, what's the difference?

Somehow championship greatly affects the price and popularity of the artist.

Impressionists early 21 century - it is somehow not listed.

When I saw Turner - I was amazed at his courage.

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Сообщение от Chernomashentsev Vladimir

Somehow championship strongly influences the price and popularity of the artist.

  All this is fairly conventional. Valued should not superiority, but the real strength of impact. Craftsmanship. Today is the first, and tomorrow - the forgotten and vice versa.

[Черномашенцев Владимир]

Сообщение от Tjutchev

All this is fairly conventional.

Sorry, that already can not answer on the forum. If suspended, the virtual world, I'm already dead.

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Сообщение от Chernomashentsev Vladimir

Impressionists early 21 century - it is somehow not listed.

   
Why, there are contemporary artists who are decent money. Of course, these amounts are not comparable with those who paid for the work of meters. Time must pass the image could not immediately be costly - it is unnatural. Van Gogh's paintings, too, began to cost millions at once.

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Сообщение от Chernomashentsev Vladimir

Sorry, that already can not answer on the forum. If suspended, the virtual world, I'm already dead .

     Well, you! I think everything will be fine. Take a deep breath ... Let's suppose you were in a virtual coma and has regained consciousness. This is good and virtual ...

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Сообщение от Chernomashentsev Vladimir

When I saw Turner - I was amazed at his courage.

   
I also thought about that when I saw his paintings. And in fact, can not believe that he worked in the early 19 th century.