Photo: Exhibition of nominees "Kandinsky Prize-2008"

[Кирилл Сызранский]

Сообщение от artcol

but part of the public will kontemporari him ...

This public-fool? What are you?

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Сообщение от Emmanuel Gedeonovich

will not find it all ...
And the prospects ... God forbid you ...

"Flashing a bubble, iridescent blue-white-red flag of the motherland with a golden double-headed eagle, ringing the bells of Ivan the Great. Sipping tea with raspberries, view news: in the North Caucasus area of the southern wall back stealing clerks and district, Far Eastern Pipe and will be blocked until Pleas from the Japanese, the Chinese expand settlements in Krasnoyarsk and Novosibirsk, the trial changers from the Ural Treasury continues, the Tatars are building to the anniversary of the Emperor's Palace intelligent, runt of the doctor's Academy of completing work on the aging gene, Murom guslar will give two concerts In the white stone, Earl Trifon Bagrationovich Galitzine beat his young wife, in January at St. Petrograd in the Haymarket will not be whipped, the ruble to the yuan has appreciated a further polkopeyki. "
Sorokin Day guardsmen.
All very similar ...

[SergeiSK]

Сообщение от artcol

but part of the public will kontemporari him ...

Most anti-kontemporari ...

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Сообщение от Cyril Syzransky

This public-fool?

Yes.

Сообщение от Cyril Syzransky

V. Sorokin Day guardsmen ".

Putin Day KGB agent.
Life goes on ...

[artcol]

Сообщение от SergeiSK

Most anti-kontemporari ...

Only if he does not confine itself to the media tools. And hires, for example, an apprentice craftsmen of Palekh, or blacksmiths from Simbirsk: D

[Эммануил Гедеонович]

Сообщение от Cyril Syzransky

V. Sorokin Day guardsmen.
All very similar ...

I say: God forbid ...
And on television at this time - foaming at the mouth Mikhail Leontiev ...

[SergeiSK]

Сообщение от artcol

Only if he does not confine itself to the media tools. And hires, for example, an apprentice craftsmen of Palekh, or blacksmiths from Simbirsk

By the way good idea! A mixture of Russian nationalism with Russian folk art Let matryoshka strangling an illegal migrant

[artcol]

Сообщение от SergeiSK

By the way good idea! A mixture of Russian nationalism with Russian folk art Let matryoshka strangling illegal migrant

Outright Koshchei Immortal and Terminator.

[Кирилл Сызранский]

Сообщение от SergeiSK

Putin "Day KGB agent".

Letters from the Hague.

[Wladzislaw]

Judgments from the first person on the award can be found in LJ. Surname and the name does not indicate, as shared in the same are not called by the helper.

http://melanholerik.livejournal.com/

[Кирилл Сызранский]

Poor Vasily flips in his grave, probably.
http://zvezdanews.ru/video/day_events/0024443/

[Евгений]

Alexey Belyaev-Gintovt told about the background of the liberal-fascist hysteria surrounding his nomination for the prize Kandinsky.
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The appearance of the names of Alexei Belyaev-Gintovt shortlisted for award Kandinsky provoked heated debate in the media and the Internet. Artist accused of right-wing views, and jury awards have addressed the question: Can a person with a political orientation generally qualify for the award named Kandinsky. That is, liberal critic undertook to judge the artist for dissent.

Perhaps never hitherto figure Belyaeva-Gintovt did not cause so much noise. But he is "in service" for over 20 years. In the recent past, the Moscow representative of the "New Academy" Timur Petrovich Novikov, Belyaev-Gintovt learned a lot from the guru neoakademizma. Elder Timur St. Petersburg in the late 1990's, waving an ax, called for a chop cabbage sovrisk whole, and even burn the "sins of youth." Belyaev-Gintovt too shocking the audience with an ax and appeals to the fire. But now anyone somehow not funny. In his paintings come alive "great style" - in addition to the Coliseum appear two-meter red stars, the Palace of Soviets, topped with the figure of Apollo, marching in Red Square - all on a gold background. Whether another totalitarian utopia, or psychedelic vision terribly beautiful.

This is - a provocation? Where does "Role" of the artist and begins social responsibility for artistic expression? As far as the social habits of the artist declared in his art and can for them to judge? And in general what to really looks Alexey Belyaev-Gintovt, tried to find Elena Fedotova.

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Alexey Belyaev-Gintovt was born in Moscow in 1965. In 1985, he graduated from Moscow Architectural and Civil Engineering (Department of residential and public buildings). In 1985-1988, he studied at the Moscow Institute of Architecture (Faculty of Urban Development). Lives and works in Moscow.

Q: You joined the short list of prizes Kandinsky. Is it important for you?

A: I am extremely surprised that reached the last round. But given that the work of all three candidates turned to the Soviet past, I realized I was in place. Despite the fact that I was nominated for the prize gallery, I was an important part in the prize bearing the name of Kandinsky: I still feel a continuer of the work of the great avant-garde artists of the past.

Q: How do you react to recriminations in the soil "and even" fascism "?

A: Judging by what the reproaches showered upon me, I suddenly realized that it reproaches, please refer to our country from outside. In this sense, I believe that I was able to present the image of the homeland, and I feel a continental scale (laughs). I am a convinced Anglo-Indian. We, the Eurasians, believe that the three totalitarian ideologies, rooted in the modernist project had been implemented in the twentieth century - fascism, communism and liberalism. We are equidistant from all three. I am accustomed to answer accusations of communism, socialism, and accusations of Nazism and fascism in this country, for our social and political movement today represents all faiths, all the traditional worldview.
Q: Do you really advocate communism or socialism?

A: We stand for social justice, multicultural and economic system and multipolar world.

Q: Do you deny that nationalism and, in particular, anti-Semitism - one of the components of Eurasianism?

A: This is madness. In the inner circle includes the head of the movement of the Eurasian Federation of Jewish Communities of Russia Ber-Lazare, the supreme mufti of Russia Tajuddin, Avigdor Eskin, of course, Orthodox hierarchs, as well as Buddhists. As soon as someone enters a valid distinction, it removes the natural course of history. We, you know, a short conversation with the Nazis.

Q: You - Chairman of the Eurasian Union of Youth?

A: No, you I have been promoted. I just am a stylist of the International Eurasian Movement.

Q: You are making promotional materials?

A: Of the successful interventions will name its founding congress of the International Eurasian Movement in the halls of the monastery of St. Daniel of Moscow Patriarchate, a few conventions and common fine effect, I'm not talking about print products. I gradually grope Great style great Eurasian project. Nobody knows how he looks. The situation is inherently so avant-garde that it really invigorates. All this happens before our eyes.

Q: How do you see this next great style?

A: One of the main features of the Eurasian - is continuity. It is much nicer than antiquity than the last century or the distant future, that is, in essence our project conservative revolutionary or agricultural space. In this sense, the Soviet Union provides a wealth of tips and offers project held agro-space empire, concentrated, perhaps in VDNH.

Q: You nostalgiruete on Stalin's imperial style?

A: This style is suited to the vast majority of its inhabitants, has been recognized internationally, and since we can not produce anything that would amount to even one hundredth part of its power. And I am perfectly aware that he paid for with blood. This is the price that takes great style, different in history does not happen. The same can be said of the French Empire, it is possible to find analogies in the civilizations of antiquity. Whether we like it now or not.

Q: You drew the aesthetics of power, the will?

A: I am attracted to the aesthetics of perfect forms. I - apollonist. Artifacts VDNKh - a synthesis of popular will and the power plant. It is difficult to understand for Europeans, their tradition clearly distinguishes between one and another, so I was describing the environmental reality in the visual images, I choose them held part where traditional and powerful component inseparable. If the artist was doing great traditions of analytical work in his studio and produce, as a rule, the result, the twentieth century took it upon myself to amuse the audience by some inexplicable piece of reality in the exhibition halls, offering the viewer to do analytical work for him. I think this is the position of a parasite.

Q: Do you think that beauty, estetiziruyuschaya totalitarian views - it is socially irresponsible position?

A: Direct connection of classical aesthetics with totalitarianism is not visible. At the same time, the beauty does not negate the presence of horror.

Q: When at the beginning of zero, you created a utopia, facing the future, such as the project "Novonovosibirsk" (with Andrew Molodkin), you drew a ballpoint pen. Now you refer to a particular Soviet past, using the technique of printing on gold, which to a large extent, this past canonizes.

A: I try to bring their images from the yoke of time. I appeal to neoclassicism as the universal language of modern times, intelligible to any inhabitant of planet Earth, or almost anyone. He is the unifying planetary artistic language. "Worker and Collective Farm Girl" in my opinion - is a symbol of the twentieth century. She inherits the best examples of European classicism, based on the Greek classics - this is a European culture in its highest manifestation. I appeal to the high samples. Now I am preparing two futuristic project for Moscow and Grozny.

Q: In one of your projects contained provocative slogans such as: "We will treat you yadom.

A: The common name of this series, created in the spring of this year - "an eschatological poster. Eschatology - the science of the end of the world. This assertion applies to all and to anyone. Kurehin his last in the interview said: "We will teach you to think." Linkman Kurehin - the secret he carried to the grave. I like most about the call "We all come back." This time and space intersect.

Q: This project is very glamorous style. Everything looks like a poster design. A Russian arms symbolizes the glamorous golden ax. Why?

A: Gold rebellion. Great style, as it seems to me, is the front component, but has not the front. The fact that you caught the eye belongs rather to the first than the second category. These posters were made on the occasion of the Serbian March in Moscow to defend the territorial integrity of Serbia.

Q: You epatiruete?

A: The shock has never been for me an end in itself, but often the only result in the information field.

Q: Before you turned to the Tradition, you were an active participant in the alternative club culture, visited the club Ptuch. What attracted you to it?

A: That was long ago ... I was always one way or another in the epicenter of events. There were going to entertaining people. As a graduate school of avant-garde, I could not meet with other avant-garde of the time.

In: Club Ptuch "was associated with psychedelic practices.

A: Do pay attention to here reached the limit. Since trezvlyusya.

In: Elena Selina wrote in a press release to one of your exhibitions in the gallery XL in mid-1990 that you have traditionally occupied a psychedelic square. Do you agree with the definition of Celine?

A: It was a total time of experiment. Our group was called "Laboratory of permafrost. We, together with Cyril Preobrazhensky and Sergey Kuskov experimented with metaphysical cold and freezing installations. The result of the experiments was the dedication of Joseph Beuys - Ju-87 aircraft from the boots. He put an end to unbridled experimentation. Perhaps there Tradition winked the first time. We would like to express a great idea in the vast space. This is a way of reunification.


Q: Why are you tied him up with a way Beuys, fascist aviator?


A: Anxious in all respects an image. Biography of Joseph Beuys overlaid on the bloody madness of the time: in 1994, then started the Chechen war. We often someone buried. Here's a monument of this period he became.


Q: The images on your paintings created prints of your palms. Why?


A: In mid-1980 I - then a student of architectural institute - with 2.3 textbook decided to study the art of the West in the sequence, assigning to each style of 2-3 weeks. I redrew all of these systems have not yet reached the pluralistic 1980. Suddenly it became clear that the very subject of the image is not as important as the periphery, just a fingerprint. It remained to grind some figurative system that would allow any object assigned by print. It was important that this way of assigning it myself. No one person can not repeat my line of life.


Q: What is involved in the 1980's?


A: In 1985-1987, I began to exhibit with the informal. It was such a magnificent conglomeration of hippies, punks, metal, Pskov Indians Nothingist, which were organized in a group and managed to do some exhibitions, Pelevin participated.


Q: Do you have a collision with the KGB at the time?


A: In 1984 I was admitted to the "system" (in Soviet times, the "system" refers to a kind of underground, consisting of non-formals. - EF) and received initiatic name Evgraf. Then as time went Grebenshchikova song "Boy Evgraf." I've traveled around the country, certainly with a camera in each city had its own branch of the "system", and I rented this life from the inside. It would be strange if I had not been detected, captured by our bodies. I was taken in Moscow, St. Petersburg, Kiev, Lvov, Vilnius, Riga, Tallinn, Simferopol, Sevastopol. Moreover, some of my film somehow penetrated to the West.



Q: What ended your stay in the KGB?


A: It was difficult, but interesting. Then I already began to take without cause, then I was forced to go to explain to the district department of the KGB, just like now, there are only about 30 calls. But I am proud that I did not betray anyone.


Q: You say that now, too?


A: No, but I got used to the fact that at any moment some organization may be interested in me intently. Now I understand that there was an ideological enemy of the Soviet government in general, but it was hateful shape, I have encountered - they were not acceptable: total degeneration, armor cools, the death all around. No one came out to defend that power.

Q: And now you are in the reincarnation of the symbols of the Soviet system.

A: I'm talking about bubbling, about the attack style of the heroic spirit of creation. The Soviet Union was unprecedented in the history of ejection passionary energy, which crushed millions and spawned an unprecedented scale cosmic structure of universal brotherhood of workers.

Q: Your socialist views do not prevent you to work with one of the most bourgeois art galleries in Moscow?

A: I have great pleasure to work with States or other structures that can provide the necessary scale. Gallery "Triumph" me sympathetically metaphysical scale, and themselves its owners - lovely people. I like the interior: his palace style - memories of a beautiful era. I have always gravitated toward the aristocracy and the proletariat, least of all to the bourgeoisie.

Q: On your site doctrine.ru in the section "Allies" you put the magazine ArtChronika "in the same row with the newspaper" Tomorrow, "portal" Arktogeya "movement" Eurasia ". Ideologically, it is not close to publication and people.

A: And yet, read "ArtChronika" was interesting. If we describe a layer of modern culture, "ArtChronika" is certainly one of the poles of modern plastic culture.
http://rossia3.ru/culture/klokochusch