Старый 08.11.2008, 19:52 Язык оригинала: Русский       #7
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Регистрация: 10.04.2008
Адрес: Перрисбург, США
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Afterword.
I do not understand this so-called "contemporary relevance" art ", so I do not love him. Well, or do not like, and therefore do not understand. Just believe that you need to be aware of what is happening on the contemporary art scene. And a campaign for such an exhibition is quite enough. This is a good, big dose of "aktualschiny" (forgive forgiveness from those who enjoy this activity). Once again, I became convinced that it is not mine. Impressions year is enough, until the next award.
Let's wait rewarding.

At snack funny story.
Читать дальше... 
The same day, November 6, in the evening and 1 channel in the news gave a report on the opening of the exhibition. In an interview with Shalva Breus (publisher of the journal Arthrornika, see website Award) said that this art possible and surprising and shocking someone. But the picture of Manet "Luncheon on the Grass" is also at one time caused a scandal by their appearance, and now a classic.
Last night, watching "Gordon Quixote, where have criticized the Comedie-Club. So, Garik Martirosyan said that "Manet painting" Luncheon on the Grass "is also at one time caused a scandal by their appearance, and now a classic," only a few other words.

http://impressionnisme.narod.ru/MANE/mane_big.htm

Without going into details of the difference between Man and all that was photographed, I will say:
He would know Eduard Manet, that with the aid of his masterpiece will try to justify the various manifestations of modern ... well, let's call it culture, would not have written his "breakfast" at all.

See you at the forum.



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Эти 12 пользователя(ей) сказали Спасибо Ilona за это полезное сообщение:
Allena (10.12.2009), dedulya37 (08.11.2008), DSF (08.11.2008), fross (08.11.2008), iosif (19.11.2008), LCR (08.11.2008), Meister (10.11.2008), Ninni (11.12.2008), Sandro (08.11.2008), Tana (08.11.2008), Кирилл Сызранский (08.11.2008), Самвел (11.12.2008)
 

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Art Moscow, Olivier sen, contemporary art, CHA, exposure

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