Photo: Exhibition of nominees "Kandinsky Prize-2008"

[fross]

Сообщение от Ilona

Last night, watching "Gardon Quixote, where have criticized the Comedie-Club". So, Garik Martirosyan said that "Manet painting" Luncheon on the Grass "is also at one time caused a scandal by their appearance, and now a classic," only a few other words.

U-di-vi-tional talent, and innate., In any other way to find such insolence impossible: to compare themselves and Manet.

[Евгений]

Gregory Yushchenko
  R. 1986. Lives in St. Petersburg.
Member of the "prosthesis" (together
Igor Mezheritsky
and Alexander Vilkin).
Member of the creative association
"Gallery" Parasite "(2005-2006).

  Art of Yushchenko and his supporters on a group of "prosthesis" originally done so that no one liked: a software luzerskoe art.

Читать дальше... 

The artist has deliberately cast-off material (he is stealing posters from street stands and "improve" them in gouache or acrylic), treshevaya Technology (Yushchenko draws like a chicken claw) and unpleasant scenes: angular, toothed Gopnik or copulate different unnatural ways, either as imaginatively urinate each other. Keyword Project "Advertising of drugs" is not "drugs", and "advertising". Yushchenko is trying on the strength of the moral boundaries of advertising coercion. He himself wrote: "Are there any face, the limits of shamelessness invading the consciousness of commercial advertising in a world where everything is bought and sold?" However, instead of the cold study in Homeric Yushchenko turns funny grotesque. Using as raw material itself advertising - concert posters, - Yushchenko inverts it inside out, bringing up a completely infernal absurdity.
http://www.kandinsky-prize.ru/hronik...ok/07/yushenko
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Site "Kandinsky Prize -2008"

[Евгений]

Katerina Belkin
Вложение 58125
Member of the Union of Photo Artists of Russia. Participant in international exhibitions in Canada and the United States.
2 nd place in the nomination
"Photomontage" contest
International Photo Awards2007, Los Angeles
Three draft Catherine Belkina combines reading different cultural subjects through the women's optics, as well as the portrait of a woman, acting as a metaphor for these subjects. Emotionally saturated works reconciled to the last pin and remind magazine series. Looking around gaze mother of two beautiful daughters, Katherine finds in the modern world models of women's destinies, described a century ago in the famous fairy tales.

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In the project "Nemuzhskoy world" she takes her heroines from the crumbling fairy tales, both from the old house, and clarifies their role. "Sleeping Beauty" or the heady dreams, "The Little Mermaid" or sacrifice, "Little Red Riding Hood" or justified cruelty - the artist leaves the universal exact formula by which hopes to raise the ideal of women and say to them: Welcome to the real world. In the project "Famous hunters" the real world is subordinate to women through a variety of strategies for women's power, manifested in the portraits of young artists and metamorphosis of their bodies. The viewer sees a woman's creativity as a stuffing, as the idea of the fruit inside a woman. Project Paint - is a homage to Magritte, Petrov-Vodkin, Malevich, Klimt, Schiele, Lempicka. To get closer to him, to comprehend the feelings of the great artists at the time of the highest take-off, humbly Belkin cites their works, by substituting itself as a character, becoming a muse dead genius and a model for itself. External beauty and elegance of the inner secret of severe pain - this is the portrait of a young woman who lives among us.

  http://www.kandinsky-prize.ru/hronik...vok/07/belkina

[Евгений]

Dmitry Vrubel and Victoria Timofeeva
Personal exhibitions in galleries in Moscow. Group Exhibitions:

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«Soviet art around 1990" (1991-1992. Duesseldorf - Jerusalem - Moscow), Cetinjski Biennale (1997), "The hidden art. Nonconformists in Russia. 1957-1995 "(Moscow - Kassel - Altenburg), participation in special project 2-nd Moscow Biennale (2007), etc.
http://www.kandinsky-prize.ru/hronik...ubel-timofeeva

[Wladzislaw]

Сообщение от Ilona

I do not understand this so-called "contemporary relevance" art ", so I do not love him. Well, or do not like, so I do not understand.

In general, "modern" and "relevance" - are two different species. Here on the forums, where some have more written about the difference.

[artcol]

Сообщение от Eugene

Gregory Yushchenko
  R. 1986. Lives in St. Petersburg.
Member of the "prosthesis" (together
Igor Mezheritsky
and Alexander Vilkin).
Member of the creative association
"Gallery" Parasite "(2005-2006).

  Art of Yushchenko and his supporters on a group of "prosthesis" originally done so that no one liked: a software luzerskoe art.

Poor work. None.

[Ilona]

Сообщение от Wladzislaw

In general, "modern" and "relevance" - are two different species. Here on the forums, where some have more written about the difference.

On terms.
"Modern" and current "do not contradict each other. Actual always contemporary, and others can not. And the modern means its only a temporary membership and is not necessarily relevant to the content. Therefore, in my opinion, the joint use of the word" contemporary relevance Art fully and accurately defines the phenomenon, but you can just say "the actual art."

[Tamila]

Сообщение от Ilona

41-46. Oleg Dou. : cool: Proekt.Toystory. Flexible photography, mixed media. 8 photos exhibited in a separate room.
Personal opinion: perhaps the most interesting thing on this show. I do like this photographer. By the way, he is in the statistics of auction sales on this site.
The fact that such plasticized picture, read here.
http://www.fotozoom.ru/fb/fbnews1614.htm

Here is what now defines the modern photographer: not only the idea of photography, and computer processing of images in the original technique, plus printing method plasticization - all developed: rolleyes:

[Wladzislaw]

Сообщение от Ilona

ABOUT terms.
"Modern" and current "do not contradict each other. Actual always contemporary, and others can not. And the modern means its only a temporary membership and is not necessarily relevant to the content. Therefore, in my opinion, the joint use of the word" contemporary relevance Art fully and accurately defines the phenomenon, but you can just say "actual art".

Formal logic is often flawed. You present a conceptual misunderstanding of the difference.

[Ilona]

Сообщение от Wladzislaw

Formal logic is often flawed. You present a conceptual misunderstanding of the difference.

Dear forum users.
1. Let's remember why I go to the exhibition with a camera. I do photos, so you Tell A about some event that a site on which I work was interesting, so that together we can discuss the exhibition, paintings, artists. With this I can express my personal opinion. But never anyone does not prove anything and not trying to convince the right.
2. Is not the first time confronted with a sarcastic reflection on the words and terms. However, some of you have admitted that they are not art critics. So why spend time and effort to prove that art is not right? But I said nothing, when someone wrote Nouveau and Art Nouveau comma - as a listing of styles ... From my side it would be unseemly to teach unfamiliar to me a man who may have older and wiser than me.
3. In my experience I know that people who use the word "concept", are often adepts of modern art and fiercely defend it.
Thank you. The debate on this invite to complete.