Старый 12.11.2012, 09:54 Язык оригинала: Русский       #11
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Сообщение от Seriy Посмотреть сообщение
Peter, unfortunately, masters widely, bold, flamboyant than the youth.
If we are sad, it is not the quality of the painting, there are a lot of very decent, fine, technically painting (which still life with two porcelain figurines and dark colorful drapery - Konchalovsky resting Cezanne jealous :-), and that for Salakhov, Tsereteli, Konysheva no artists, coming hot on its heels. Why? Paints, canvases lacking in shops like.
Seriy, my usual reaction to your message - Nitsche not understand.

First, in a photo next to you is an artist who with specified men and do not have to compete - at different scales, and the competition (sorry for the sports tone)
respektno with-me-respected N. Konysheva this artist wins outright (well here abs voluntaristic IMHO, of course).

Second, if there is "a lot of fine art and technology" - that what is not "stepping on the heels"?

Third, I noticed that you often generalize his person with broader concepts - such as "All of Moscow." There was the opening of "the whole of Moscow." I know a large number of artists, which is a damn.
(That's me, not for detraction exhibition, and to korrrektnosti lighting issue). I went to an exhibition in an hour after the opening -
there were empty rooms. Artists rubles gained some wine and ran - that "All Moscow".

Fourth - I wonder who you think "masters," and any of "young people" do you know? Once in your post "cultural layer" artists tonkovat and a thought - and a fairly representative sample of whether you make your conclusions?

Sobsno it all to the fact that the Russian painting is alive, artists work, there is a lot to see and who learn.
If someone does not see good pictures (including "bold" and "sweeping") - that's his problem.




Последний раз редактировалось Сергей Дородный; 12.11.2012 в 10:06.
Сергей Дородный вне форума   Ответить с цитированием
Этот пользователь сказал Спасибо Сергей Дородный за это полезное сообщение:
DSF (14.11.2012)
 

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