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| Costs, valuation, attribution Discuss artworks’ prices and attribution. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #31 | |
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Гуру
Регистрация: 26.07.2008
Адрес: РФ, Самара
Сообщений: 75,439
Спасибо: 27,871
Поблагодарили 55,339 раз(а) в 24,289 сообщениях
Записей в дневнике: 133
Репутация: 102399
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Цитата:
It happens. Suddenly , like a fairy tale door creaked All became clear to me now ... ( c) >
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Язык оригинала: Русский #32 |
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Banned
Регистрация: 11.12.2010
Адрес: Москва
Сообщений: 1,968
Спасибо: 13,069
Поблагодарили 5,390 раз(а) в 1,566 сообщениях
Репутация: 10982
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Yes, it happens ..
And sometimes even worse ...... >
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| Этот пользователь сказал Спасибо Santa за это полезное сообщение: | Игорь Гурьев (14.09.2011) |
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Язык оригинала: Русский #33 | ||
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Гуру
Регистрация: 01.07.2009
Адрес: город П.
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Спасибо: 6,544
Поблагодарили 6,620 раз(а) в 2,829 сообщениях
Репутация: 13305
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Цитата:
It happens. In the history of art connoisseurs . And there is no commodity researchers . Because commodity researchers and atheists in general, nothing can be AS - goods managers atheists - it's just protein body , not the individual. At the same individuals are different ryaktsyi and turns, while the commodity researchers and atheists can be only one or another composition moleykul or neurons in the mosk. But it's unlikely anyone interested, but vivisectors overseeing the protein bodies. Ha . Цитата:
Последний раз редактировалось Игорь Гурьев; 14.09.2011 в 05:17. |
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| Этот пользователь сказал Спасибо Игорь Гурьев за это полезное сообщение: | Santa (14.09.2011) |
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Язык оригинала: Русский #34 | |
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Banned
Регистрация: 25.01.2010
Адрес: Россия, Санкт-Петербург
Сообщений: 685
Спасибо: 1,264
Поблагодарили 1,593 раз(а) в 587 сообщениях
Репутация: 3233
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Цитата:
Kozminykh - Lanin Ivan Mikhailovich graduated from the Imperial Moscow Technical School ( IMTU ) in 1899, a mechanical engineer. Factory inspector of the Moscow province . Moscow, Tikhvin . per. , 11, 23. link, link2 The inscription on supplies made after the revolution (without compliance with the rules of pre-revolutionary orthography). It is possible that he became a professor in the Soviet era. He taught at several universities of Moscow. intart1, good luck in search ! Can glance churches of Vladimir? |
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Язык оригинала: Русский #35 | |
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Гуру
Регистрация: 03.06.2008
Адрес: Москва
Сообщений: 5,170
Спасибо: 14,182
Поблагодарили 6,377 раз(а) в 1,656 сообщениях
Репутация: 13104
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Цитата:
The first picture - a fragment of the phone book "All Moscow" for 1911. Scan not really, but thank you though this is. A second picture - a fragment of the same handbook, but for 1923. And - the professor. I agree with tivat in all its assumptions, but what about churches of Vladimir - starting only from the fact that the owner of a lot of work there - very shaky assumption. On the other hand, the monastery's wall is very recognizable, so you can try to find the monastery on the old photo on it and look for the author. No matter how hard, but the pre-revolutionary orthography not spotted. I suppose that this owner's inscription made by hand, an elderly person. Another suggestion: the inscription "№ 14 Carry icon" and owner's inscription made around the same time, obviously, after the revolution - perhaps for a large (posthumous?) Show large well of a Moscow artist, so even if study with an icon (!) On this exhibition ended. Perhaps the inscription needed because The exhibition was very large and the owner was afraid that a small plaque, although with a catalog number, get lost. Still very shaky assumption: the show was highly formal, pompous (but there's quite explain their motives will not >).intart1, you know something about the provenance of work? Judging by the number of rooms at the back (the more modern hand made and modern ink and pencil) work in life was very rough, with a trip abroad in the past (marked QRO). And it seems to me that not all rooms - exhibition (auction?). I wonder: was the owner of a collector, there is really a collection? No one accidentally similar possessory writing does not come across? In any case, it is clear that the work had value to him - either as a memory (probably still about the artist, not the places, events, donor) or as part of the collection. So another way to search is viewed through a biography of the owner. Последний раз редактировалось Allena; 14.09.2011 в 17:11. |
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Язык оригинала: Русский #36 | |
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Banned
Регистрация: 11.12.2010
Адрес: Москва
Сообщений: 1,968
Спасибо: 13,069
Поблагодарили 5,390 раз(а) в 1,566 сообщениях
Репутация: 10982
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Цитата:
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Язык оригинала: Русский #37 | |
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Гуру
Регистрация: 03.06.2008
Адрес: Москва
Сообщений: 5,170
Спасибо: 14,182
Поблагодарили 6,377 раз(а) в 1,656 сообщениях
Репутация: 13104
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Цитата:
>. It seemed to me that in the absence of additional information on the work it makes sense to say out loud all the possible observations and suggestions - they lie on the surface , of course , but then someone will develop them and offer a new way of searching .
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Язык оригинала: Русский #38 |
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Гуру
Регистрация: 14.10.2008
Адрес: ОДЕССА
Сообщений: 4,095
Спасибо: 10,539
Поблагодарили 8,270 раз(а) в 1,817 сообщениях
Репутация: 15226
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QRO - Queretaro, Mexico Airport, if not mistaken.
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Язык оригинала: Русский #39 |
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Гуру
Регистрация: 03.06.2008
Адрес: Москва
Сообщений: 5,170
Спасибо: 14,182
Поблагодарили 6,377 раз(а) в 1,656 сообщениях
Репутация: 13104
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And what kind of risks around the perimeter of the work?
This study could not have the squares on the grid and move to something larger? |
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Язык оригинала: Русский #40 | |
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Гуру
Регистрация: 13.11.2008
Адрес: Стокгольм
Сообщений: 2,829
Спасибо: 2,474
Поблагодарили 2,597 раз(а) в 943 сообщениях
Репутация: 4971
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Цитата:
The idea is good! Mark - on a completely equal distance from each other. |
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| Этот пользователь сказал Спасибо Eriksson за это полезное сообщение: |
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