Sketch "bring an icon," the XIX-XX

[intart1]

Etude . Bear icon. The turn of XIX-XX. Oil on canvas. 13.5 x24
From the collection of Ivan Mikhailovich Kozminykh - Lanin , a social scientist . Author of numerous works on factory statistics of the Moscow province .
Similar to many. The numbers on the back of the exhibition clearly . Can anyone have any suggestions ? Thanks in advance.

[Игорь Гурьев]

Hand, training school - felt.

Perhaps some of the students Repin.

[Евгений]

Сообщение от intart1

The numbers on the back of the exhibition clearly.
Can anyone have any suggestions?

This topic http://forum.artinvestment.ru/showthread.php?t=7665, too many "rooms" on the back .. "pictures."

[intart1]

Clever.
Here, this normal study, which would be nice to return to the author.
And you are transferring the theme to the spread of low-quality cheap imitations.

[redbor]

Сообщение от Eugene ; 1764373"

in this thread . Too many " rooms " on the back .. "pictures ".

 Rooms are not there . And here the work of an entirely different level.
Probably right Guriev , Igor - it looks like a student essay Repin, if not his own
That is , about meeting Ivan Mikhailovich Kozminykh - Lanin is not very clear .
Where such a picture could show during the Soviet vlasti7 and where he was Ivan Mikhailovich after 1918 ?

[Кирилл Сызранский]

Сообщение от redbor; 1764413"

student essay Repin, if not him

Repin, his " Procession ," conceived in 1877 in Chuguev , where it began and is the first version [1] , there is a subsequent designs (see " Religious Procession in the oak forest. Appearance of the icon ," 1878) [2] .
But as Repin in the 77th has not yet written , like, so he began to sketch in such a "fast " manner later , after a trip to Paris in 1883 was (see his " The annual memorial rally at the Wall of the Communards in Pere Lachaise in Paris, " from TG) [3]. Or write? He has such quick studies ? By "Sadko" like , no?
Although he is " Summer landscape in the province of Kursk " in 1881 - c /m , 14h20 - preparatory sketch for " procession " [4]. It is interesting to compare to them .
Bring to the sketch of an icon of a monastery. The icon itself resembles that Repin tolerate [5].
If we take the version of the authorship of Repin, to look for images of places around the Kursk, thence to watch the monasteries with entrance gates.
That's right, thinking out loud . >

[tivat]

Сообщение от intart1

Etude.
Bear icon.
The turn of XIX-XX.
Oil on canvas.

intart1, we can look at pictures of this end of the plywood?

[Артём]

Сообщение от Guriev , Igor ; 1763733"

Perhaps some of the students Repin .

Do not pull at all.
Who ? Chahrov ? Kustodiev ? Buchkuri ? Murashko or Valentin Serov ? Who do we remember these artists had not only the prospect of huge concepts , etc., but also aesthetics , culture swab. None of that shown in the paper.
Take a look , compare .
Actually , the feeling - a remake .

[khmelev]

but perhaps in red on the back is not signed?

And much like the famous artist's signature >

[artcol]

Сообщение от Artem

Do not pull at all.
Who ? Chahrov ? Kustodiev ? Buchkuri ? Murashko or Valentin Serov ? Who do we remember these artists had not only the prospect of huge concepts , etc., but also aesthetics , culture swab. None of that shown in the paper.
Take a look , compare .
Actually , the feeling - a remake .

Agreed. Maybe not a remake , just - Study shtudenta . Very weak painting ( s).