How to unleash the artist

[Ninni]

Сообщение от netserg

And on the most-most canvas and paint - the paint for the artist-tools - such as "Cobalt Blue Medium Black River - is the key 12 to 16, and" yellow strontia Podil's'ki - hexagonal screwdriver.
A "Blue" № 129 some kind of an Italian - is like a hammer combined with a magnifying glass, to get used to this need.
That Matisse, for example, it is probably only the very best writing and only on the Italian canvases for him, and exhibited at the Pushkin.
(Exhibited). And then realized that not all the canvases of the Italian - and to hell with them all the pancake in the narrow corridors mansion private collections.

I did not understand, you are against quality?

[Сергей Дородный]

Сообщение от Ninni

I do not understand, you are against quality?

In my post (and in communications respected Turquoise) is not a word about the artistic quality. There is only words on a carrier.
I am not against high-quality Italian linens.
I - for high visual quality. If the most expensive paints help him get-well.
  Just do not think that any professional curator or artdilera Europe can be bribed so that paint Italian, or Dutch, or German. They all are.
Oh, for that matter, in Europe, maybe just better to say that everything is written with natural dyes (natural pigment), as the EEC countries, many pigments are forbidden to manufacture and even the most expensive paints contain a synthetic analogue.

[Ninni]

Сообщение от netserg

In my post (and in communications respected Turquoise) is not a word about the artistic quality. There is only words on a carrier.
I am not against high-quality Italian linens.
I - for high visual quality. If the most expensive paints help him get-well.
  Just do not think that any professional curator or artdilera Europe can be bribed so that paint Italian, or Dutch, or German. They all are.
Oh, for that matter, in Europe, maybe just better to say that everything is written with natural dyes (natural pigment), as the EEC countries, many pigments are forbidden to manufacture and even the most expensive paints contain a synthetic analogue.

Now clear.
I have all the same conviction that good can not be cheap. Fine quality and quality of art materials - things are different but the second always helps (but does not define) first.

[fross]

I am not an expert in painting, so the quality does not undertake to discuss. And why? For sales is more important than quality, and compliance needs of consumers.
In this case, you should start with the search target customer group for which the given dignity (glaze, canvases, paints) are of paramount importance and to gain their attention and location. Start with a search of analogues, with similar quality, analyze prices, where and to whom sold. Find out how these analogues in demand, if so, to analyze their shortcomings and skorektiruyte them, and then try to grab customers.
This is the shortest path - the substitution. All others require significantly more time and money.

[LCR]

Сообщение от Turquoise

The second question is this. Because of the multiple layers of glaze increases the time of writing the picture. Increasing costs. But the best = expensive canvases, paints, etc. Do this at this stage? Or do a lot and fast?
Please describe in detail what you think about it.
__________________

I would like to understand this: discussing the question of whether the prudent at the initial stage of promotion to write glaze and use vysokostoyaschimi materials. Does this mean that the artist agrees to abandon its system of work (I was more interested in the glaze, of course), if the survey revealed that all of these cases is better to wait a little bit?
If so, then this very obedient artist, for him to hold on with both hands
A similar story has been described in the article, which I translated for the forum some time ago, and which was called, I think, "He refuses to adapt to the market" or something like that.

Turquoise, but do not be offended, for God's sake, my message is not entirely personal.

[Бирюза]

Сообщение от LCR

Turquoise, but do not be offended, for God's sake,

  What an insult, for God's sake!
  These 2 questions I asked for a further 2 forums. Different words, but the meaning of a response. Even the initial investment in the promotion does not imply a further, more expensive merchantability works by the artist. In addition to still have the skill and luck, originality and style of writing, which is in demand right now and it is in the wrong place, a good dealer, and many, etc. etc. etc.
  As a result of 1000 artists who have left 1.2 untwisted.
  Ie for the artist, as I thought it seams.

[Сергей Дородный]

Сообщение от Turquoise

  As a result of 1000 artists who have left 1.2 untwisted.
  Ie for the artist, as I thought it seams.

 
Who left the artists who have talent, personality, or call it what you like, in Europe and America have far more chances. As it is not lost, and even here we can see - Kabakov, Tselkov, Grigory Bruskin, Anton Arkhipov.
A undistinctive and below are heavy and hopeless struggle.

[Артём]

Сообщение от netserg

who left the artists who have talent, personality, or call it what you like, in Europe and America have far more chances.

Brilliant.

[ранжер]

Сообщение от Turquoise

What kind of insult, for God's sake!
  These 2 questions I asked for a further 2 forums. Different words, but the meaning of a response. Even the initial investment in the promotion does not imply a further, more expensive merchantability works by the artist. In addition to still have the skill and luck, originality and style of writing, which is in demand right now and it is in the wrong place, a good dealer, and many, etc. etc. etc.
  As a result of 1000 artists who have left 1.2 untwisted.
  Ie for the artist, as I thought it seams.

Сообщение от Turquoise

As a result of 1000 artists who have left 1.2 untwisted.

If the word "roll", you understand the material security, ie profit from the fruits of their labor at least 40-50000 thousand euros per year, then such artists originating from the former Soviet Union, Europe is 0.2%and about 10%. In any case, in France, where it is so, and this country is the most difficult in the professional career of the artist from the former empire. In Germany, where conditions for izozarabotkov more gentle countrymen than in France and the UK less, but there is "our" honored to portray the queen and as a result, mentioned as a criterion, the house, first in Old English and then at the French coast, which befits a true gentlemen vacations.
It is interesting to note that one of the Russian artists in France, described himself in a radio interview "as may be most successful in the material sense French artist. At the same time (perhaps to his credit), he did not say about art or about art, but only about the profession. Who's that attended. One - to bake bread, the other - to put the wall, the third write still lifes and landscapes. This suggests that the foundations of craft, in other words what earn the bread, gave the Soviet Union is not bad.

For reference. In New York, where artists more than in the entire former USSR Union of Artists, those who live with the results of their work 3%, France - 5%.

[Laura]

Сообщение от missart

What recommend to buy? Many paintings by unknown artists yet? Enough to have a more serious pictures of artists (for example, those who have exhibited abroad, who have the catalogs, awards, etc., but let's say even a small scale) or buy something like one ...

If it can be a few words about how, when the artist is buying.

Thanks in advance!

Approximately as stocks, you can not put all your eggs in one basket, and take both pomalenku.Po move their invest-art portfolio can be adjusted.
Then write about the progress. But this is only for those who have been in an art-brewed pot has a connection and start-up capital. As a novice collector to do? Indeed, not only want to buy something for the soul, but also in the future, it has grown in value.
If there is no base relations, it is better not to indulge in promoushingom-invested funds not only return but also obonkrotishsya.
I think you ought to study the market and global trends in the art world, going to auctions, to analyze what is bought, look for the causes of success /failure of a picture of an artist.
But it's sooo tedious, long process, you need a lot of patience to learn it all, to analyze, to weigh. But the result certainly will! <! - ~ 1 ~ ->