How to unleash the artist

[Бирюза]

Here's the thing. I became acquainted with one artist. To my taste very good. Writes very soundly. For glaze layer 3, the Italian canvases, the best colors. But here the normal price for his pictures do not give (... none of the cow did not give the price). He wants to somehow start to sell in Europe, there to take out their work. But there is a lot of their artists.
First question: - Can the artist untwisted abroad himself, not knowing anyone, and if so, what to do this?
The second question is this. Because of the multiple layers of glaze increases the time of writing the picture. Increasing costs. But the best = expensive canvases, paints, etc. Do this at this stage? Or do a lot and fast?
Please describe in detail what you think about it.
__________________

[nikola]

Сообщение от Turquoise

First question: - Is it possible artist untwisted abroad himself, not knowing anyone, and if so, what to do this?

I think that from the beginning of "perestroika" that tried to make thousands of artists. Units have happened. Here you need to decide whom to ask this question, the majority or minority.

[Семен Семенович]

Сообщение от Turquoise

First question: - Is it possible artist untwisted abroad himself, not knowing anyone, and if so, what to do this?
The second question is this. Because of the multiple layers of glaze increases the time of writing the picture. Increasing costs. But the best = expensive canvases, paints, etc. Do this at this stage? Or do a lot and fast?
Please describe in detail what you think about it.

On the first question.-As they say, one chance in a thousand. When will it be to paint? It is necessary to: 1. Find there a gallery interested in such a manner of writing. 2. To go and work there, to monitor the process.
II - material hold (must take) a small part of the cost. Otherwise, this is not the art of painting, and yuvelirka ... You need to do and quick, but qualitatively, without looking at the time. And look for those who will advance in the market. Actually the system we have in the West - is one. We, however, there is no more civilized market, unfortunately.

[Сергей Дородный]

Сообщение от Turquoise

The second question is this. Because of the multiple layers of glaze increases the time of writing the picture. Increasing costs. But the best = expensive canvases, paints, etc. Do this at this stage? Or do a lot and fast?
Please describe in detail what you think about it.
__________________

As to the glaze - if three layers are needed for the film, the time should not be sorry (especially if you consider that many artists do not know how to entertain themselves from pictures to pictures and drink, for example, in anticipation of inspiration, but now know myself staining) and if it PONT this - we must calculate whether it has market value.
And at the very most, canvases and paints - paint for the artist's tool - such as "Cobalt Blue Medium Black River - is the key 12 to 16, and" yellow strontia Podil's'ki - hexagonal screwdriver.
A "Blue" № 129 some kind of an Italian - is like a hammer combined with a magnifying glass, to get used to this need.
That Matisse, for example, it is probably only the very best writing and only on the Italian canvases for him, and exhibited at the Pushkin.
(Exhibited). And then realized that not all the canvases of the Italian - and to hell with them all the pancake in the narrow corridors mansion private collections.

[Ninni]

Сообщение от netserg

And on the most-most canvas and paint - the paint for the artist-tools - such as "Cobalt Blue Medium Black River - is the key 12 to 16, and" yellow strontia Podil's'ki - hexagonal screwdriver.
A "Blue" № 129 some kind of an Italian - is like a hammer combined with a magnifying glass, to get used to this need.
That Matisse, for example, it is probably only the very best writing and only on the Italian canvases for him, and exhibited at the Pushkin.
(Exhibited). And then realized that not all the canvases of the Italian - and to hell with them all the pancake in the narrow corridors mansion private collections.

I did not understand, you are against quality?

[Сергей Дородный]

Сообщение от Ninni

I do not understand, you are against quality?

In my post (and in communications respected Turquoise) is not a word about the artistic quality. There is only words on a carrier.
I am not against high-quality Italian linens.
I - for high visual quality. If the most expensive paints help him get-well.
  Just do not think that any professional curator or artdilera Europe can be bribed so that paint Italian, or Dutch, or German. They all are.
Oh, for that matter, in Europe, maybe just better to say that everything is written with natural dyes (natural pigment), as the EEC countries, many pigments are forbidden to manufacture and even the most expensive paints contain a synthetic analogue.

[Ninni]

Сообщение от netserg

In my post (and in communications respected Turquoise) is not a word about the artistic quality. There is only words on a carrier.
I am not against high-quality Italian linens.
I - for high visual quality. If the most expensive paints help him get-well.
  Just do not think that any professional curator or artdilera Europe can be bribed so that paint Italian, or Dutch, or German. They all are.
Oh, for that matter, in Europe, maybe just better to say that everything is written with natural dyes (natural pigment), as the EEC countries, many pigments are forbidden to manufacture and even the most expensive paints contain a synthetic analogue.

Now clear.
I have all the same conviction that good can not be cheap. Fine quality and quality of art materials - things are different but the second always helps (but does not define) first.

[fross]

I am not an expert in painting, so the quality does not undertake to discuss. And why? For sales is more important than quality, and compliance needs of consumers.
In this case, you should start with the search target customer group for which the given dignity (glaze, canvases, paints) are of paramount importance and to gain their attention and location. Start with a search of analogues, with similar quality, analyze prices, where and to whom sold. Find out how these analogues in demand, if so, to analyze their shortcomings and skorektiruyte them, and then try to grab customers.
This is the shortest path - the substitution. All others require significantly more time and money.

[LCR]

Сообщение от Turquoise

The second question is this. Because of the multiple layers of glaze increases the time of writing the picture. Increasing costs. But the best = expensive canvases, paints, etc. Do this at this stage? Or do a lot and fast?
Please describe in detail what you think about it.
__________________

I would like to understand this: discussing the question of whether the prudent at the initial stage of promotion to write glaze and use vysokostoyaschimi materials. Does this mean that the artist agrees to abandon its system of work (I was more interested in the glaze, of course), if the survey revealed that all of these cases is better to wait a little bit?
If so, then this very obedient artist, for him to hold on with both hands
A similar story has been described in the article, which I translated for the forum some time ago, and which was called, I think, "He refuses to adapt to the market" or something like that.

Turquoise, but do not be offended, for God's sake, my message is not entirely personal.

[Бирюза]

Сообщение от LCR

Turquoise, but do not be offended, for God's sake,

  What an insult, for God's sake!
  These 2 questions I asked for a further 2 forums. Different words, but the meaning of a response. Even the initial investment in the promotion does not imply a further, more expensive merchantability works by the artist. In addition to still have the skill and luck, originality and style of writing, which is in demand right now and it is in the wrong place, a good dealer, and many, etc. etc. etc.
  As a result of 1000 artists who have left 1.2 untwisted.
  Ie for the artist, as I thought it seams.