Damien Hirst again in Kiev II

[SAH]

Сообщение от Vladimir

and had to deal with a defensive reaction of the prior system of values.

I thought that the system is the concept of unchanging values, such as there is good - evil, light - darkness, he sort of hymn to illness, death and decay, it turns out, I saw that.

[Buscador]

Сообщение от Vladimir

- an innovator, the whole problem which is that he is far ahead of her, and forced to deal with a defensive reaction of the prior system of values.

Innovator - is someone who creates something new or moving the process forward with new ideas (the artist is there any side lying?). This did not move at all and he probably do not care to think about. They cut their grandmother and "thick" Dedok. I'd like to hear from the fans herstovschiny if its shit brought some Vasya Pupkin from under Poltava ... And someone had put up (not sure Pinchuk, Ukrainian shit because he is not interested) in the gallery. The point would tazhe (solid stink) - resonance of another (zero press - who's going to invest millions of shit?)

[color="# 666686"]Posted 6 minutes[/color]

Сообщение от SAH

I thought that the system is the concept of unchanging values, such as there is good - evil, light - darkness,

A value system is not changed - and can not change. Media are changing this system (first of all planes, and the girls then, the morning of money - in the evening chairs ....) So instead of sweet cotton wool, some "genius" produce "masterpieces" ...

[SAH]

Picture Goya, Witches' Sabbath "- 1798, I explained, revealed the essence of the values presented in Pinchuk Center. : eek:

[Yaya]

SAH, but the essence of values that Goya's painting in front of you not disclose?

[SAH]

Сообщение от Yaya

SAH, but the essence of values that Goya's painting in front of you not disclose?

Yaya You know what I mean.

[Konstantin]

I'd like to hear from the fans herstovschiny if its shit brought some Vasya Pupkin from at Poltava ...

There is not so clear. It often happens that contemporaries are not ready for the new in art. I personally Hirst calmly and contemporary installations usually do not like me, but let me remind the reaction of his contemporaries on the Impressionists.

underlying "Olympia," Titian Manet simplifies the design. Instead, the interior behind the woman - almost pushed to the curtain, in the lumen of which are seen a piece of the sky and the chair. Instead of maids, standing at a wedding chest, a Manet appears negress with a bouquet of flowers.

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It is a big, massive figure further emphasizes the fragility of the naked woman.

But still no picture has provoked hatred and ridicule, the general scandal surrounding it is reaching its peak, the official critic called it "immoral invasion of life. Man turned away from the familiar, it attacked all the newspapers ... "Never and no one had ever seen anything more cynical than this" Olympia "," This is a female gorilla, made of rubber ", " Art, fallen so low, not even worthy of condemnation ", - so wrote the Parisian press. One hundred years later, one French critic testified that "the history of art does not remember such a concert of curses, which led to hear the poor" Olympia ". Indeed, it is impossible to imagine just what bullying and insults have not changed this girl, this black woman and the cat. But the artist wrote his "Olympia" very delicately, gently and cleanly, but the agitated crowd criticism subjected her cynical and savage mockery.

Now all this is strange to read.

[SAH]

Сообщение от Konstantin

It's not all so clear. It often happens that contemporaries are not ready for the new in art. I personally Hirst calmly and contemporary installations usually do not like me, but let me remind the reaction of his contemporaries on the Impressionists.

With Hurst just the opposite it is not abused and bought a lot of money, contemporaries just ready for "new art" affirming that his purchases, vykladyvaya large amounts .. stories differ.

[Buscador]

Сообщение от SAH

Picture Goya, Witches' Sabbath "- 1798, I explained, revealed the essence of the values presented in Pinchuk Center.

Like this, like this, as it ......?

[color="# 666686"]Added after 2 minutes[/color]

Сообщение от SAH

P Hurst just the opposite it is nerugayut and bought a lot of money, contemporaries just ready for "new art" affirming that his purchases, vykladyvaya large amounts .. stories differ.

This somehow reminds that you want to see and hear, but do not want - no. Who is buying - it is a small fraction of those who do not want to buy it, but actually have.

[color="# 666686"]Posted 11 minutes[/color]

Сообщение от Konstantin

It's not all so clear. It often happens that contemporaries are not ready for the new in art. I personally Hirst calmly and contemporary installations usually do not like me, but let me remind the reaction of his contemporaries on the Impressionists.

The Impressionists - were the basis of its artists, who know how everything in his profession. Why they were able to find a new form of perception and transmission seen, they are eligible. No need to compare professionals with outstanding talent and managers, whose task - promotion with aim of obtaining profits. It has a right to exist, but where is the art ...

[Vladimir]

Сообщение от SAH

I thought that the system is the concept of unchanging values, such as there is good - evil, light - darkness

Rather, it is an evolving concept in the development of (Old Testament - New Testament -....). Agree, notions of good and evil for thousands of years of great change. In the short historical period is also noticeable, although without contrasts. Maybe Hirst - it's not a hymn of decay, and the idea of overcoming fear, division of physical and spiritual?

[Nedogonov]

Сообщение от Vladimir

Maybe Hirst - it's not a hymn of decay, and the idea of overcoming fear, division of physical and spiritual?

Indeed, a number of radical Buddhist sects, the contemplation of the corpse, a mandatory exercise for the neophyte who wants to become enlightened.

Do Well in the European tradition is not aware of other ways to overcome the fear of death?

And in general, are the lofty functions and meanings of art can speak for "creations" marginal and clearly clinical personalities?