A series of theatrical charts Alexander Degas

[operator]

Thank you Sima for your opinion on Volkov. I have a slightly different view of his "painterly" but do not judge strictly, saying only that he had seen on screen in this section, but basically agree - someone fondles his eyes wide expression.

New Theme!

That's for starters Dear forum users decided to lay out four of the well-known NG - prapravnuchki wife of our "Poetry of the Sun"
This theater schedule NG offered to buy my friend not so long ago, he accordingly perepasnul me, strange as it is from America. I tried to dig up this matter and confirmed by all that!
This four designs NS Goncharova national Russian costumes for Sergei Diaghilev's ballet accompanied by music of Claude Debussy Russian National Ballet of His Imperial Majesty the Ballet Russes in 1918godu.

Total confirmed the authenticity of all works very distinguished British expert on Goncharova Dr. Anthony Parton, a compiler of the full catalog resonne her works, the author of a monograph on the full Goncharova "Queen of diamonds. These four works will be included in its outgoing combined catalog resonne Goncharova and her husband «Mikhail Larionov & Natalia Gontcharova»

All about Dr. Anthony Parton in a search engine yahoo.com type his full name!

The attached fotosertifikate one of these works dated 2008 Denise Bazetoux another center-expert Goncharova forthcoming independent yet another of its catalog resonne it confirms their complete authenticity.

All about Dr. Denise Bazetoux in search engine yahoo.com type its full name!
I sent this work Dr. Parton, and he thanked me, confirmed that include them in its catalog resonne! Where any more guarantees!
"Thank you for your e-mail and thank you too for the images that I can now open very easily. Yes, I remember the pieces now.
The four costumes designs that you have here for "St. Sebastien" are not typical of Goncharova's stage practice but she worked in a variety of styles and in my view the attributions to Goncharova are correct. Bakst had worked on a production of "St. Sebastien" for Ida Rubinstein in 1911-1912 and it is highly likely that Diaghilev or, indeed, one of the ballet /theatre impressarios of the 1930s commissioned Goncharova to make designs for the production. Sometimes, it was the case that in the course of time the original costumes for a production went missing or were destroyed. In cases such as this Goncharova was asked to make new costume designs (this was the case with the ballet "Sadko"). So, in my view, the attribution is correct. In my opinion these are by Goncharova and were executed for a previously unknown project.
Thank you for the good quality images - I have added them into my files.
With every good wish,
Anthony Parton "

Now my question: How many of these works will cost in Russia?

Thank you for your attention!

[Сима]

Operator,

1. It would be nice if you honored us as "good quality images", as distinguished international Dr. And then, sorry, can not see anything, especially a very important French expertise, beginning with "Je". It would be nice for a complete picture approach to the examination of imported graphics and lay her.
2. "I have added them into my files." - You wrote Dr. But this does not mean that he will put them in her, God forgive me, it is reasonable.
3. "known NG - prapravnuchki wife of our" Sun's Poetry »,

and

"That's four design NS Goncharova national Russian costumes for Sergei Diaghilev's ballet accompanied by music of Claude Debussy Russian National Ballet of His Imperial Majesty the Ballet Russes in 1918godu." --

You are careful, after all contact with the well known facts of Russian history and culture. This is somehow similar to what is called in Russian "sculpt hunchback."

Representations images keep silence. Enjoy your confidence!
In Moscow there is a great expert on Goncharova, why do not you post here her opinion?

No reply needed.

Dear forumlyane! And you somehow to me "have driven" about the "attributed Stozharov in Gelos, where there was no signature. This poshibche will be - no?
Waiting for your opinions.

[LCR]

Сообщение от Sim

Operator,

1. It would be nice if you honored us as "good quality images", as distinguished international Dr. And then, sorry, can not see anything, especially a very important French expertise, beginning with "Je". It would be nice for a complete picture approach to the examination of imported graphics and lay her.

Sima, the text of the French expertise is read easily (if you want, putting a larger image), here's his translation:

" I, the undersigned, certify that the work is reproduced" Draft costume for "St. Sebastian", about 1918, watercolor and gouache on a pencil drawing, 29.5 x 18 cm, signed and titled in Roman letters in the right upper corner, will be included in a "union catalog" of works by Natalia Goncharova, which I prepared with the cooperation of Mr. Yves Shovlenom.

Maisons-Laffitte
  May 20, 2008

D, Bazetu "

His views on the sketches I do not, I'm not an expert (and not even trying to pass himself off as such - so deep my ignorance in the field of theatrical costumes and even of some of the other areas).

I really hope that you will not think hitting the fact that I put this hastily made version - we are people of peace

[Сима]

LCR, that you know you! On the contrary, is grateful. Some reason I could not make out into a fuss, I think.

[Кирилл Сызранский]

Сообщение от operator

That's four design NS Goncharova national Russian costumes for Sergei Diaghilev's ballet accompanied by music of Claude Debussy Russian National Ballet of His Imperial Majesty the Ballet Russes in 1918godu.

Indeed, some salad, Seema right. What is "Russian National Ballet" moreover "His Imperial Majesty" and then "Ballet Russes in 1918godu." You pile up, hell will break a leg.

[Кирилл Сызранский]

Сообщение от operator

all known NG - prapravnuchki wife of our "solar Poetry»

"Prapravnuchka"-much ...
Can read from Larionova in "Memoirs of Diaghilev. 1930."
Quote: "Just autographs Pushkin, 11 letters to his fiancée Natalia Goncharova, great-grandmother famous artist Natalia Goncharova. (Mark I).

[Кирилл Сызранский]

But there was no "San Sebastian" in 1918.
Oh and do not know what to think. Maybe it's San Sebastian? City in Spain, where in the theater Eugenia Victoria really worked Diaghilev ballet.
In 1918 Gocharova /Larionov, worked on "Russian Fairy Tales" to music by Liadov. Actually even doing enough new version of the suite with the added miniatures.

[color="# 666686"]Posted 10 minutes[/color]

Сообщение от operator

Bakst had worked on a production of "St. Sebastien" for Ida Rubinstein in 1911-1912 and it is highly likely that Diaghilev or, indeed, one of the ballet /theatre impressarios of the 1930s commissioned Goncharova to make designs for the production.

I am not strong in languages. But Bakst is working on "St. Sebastian". It is well known. But Goncharova ...

[LCR]

Сообщение от Cyril Syzransky

But there was no "San Sebastian" in 1918.
Oh and do not know what to think. Maybe it's San Sebastian? City in Spain, where in the theater Eugenia Victoria really worked Diaghilev ballet.
In 1918 Gocharova /Larionov, worked on "Russian Fairy Tales" to music by Liadov. Actually even doing enough new version of the suite with the added thumbnail.

This may not be the city of San Sebastian, which is written in San-Sebastian, and the figure is written in French St (Saint)-Sébastien.

"Martyrdom of St. Sebastian," D'Annunzio drama set to music by Debussy commissioned Ida Rubinstein, was set up like in 1912 in the Paris Theater du Chatelet, in costumes by Bakst.

Suits on the sketches, placed by the Operator, a little surprising, but perhaps she was inspired by the Byzantine images?

Сообщение от Cyril Syzransky

[color="# 666686"]Bakst had worked on a production of "St. Sebastien" for Ida Rubinstein in 1911-1912 and it is highly likely that Diaghilev or , indeed, one of the ballet /theatre impressarios of the 1930s commissioned Goncharova to make designs for the production.Dobavleno 10 minutes[/color]

I am not strong in languages. But Bakst is working on "St. Sebastian". It is well known. But Goncharova ...

He writes: "Bakst worked on the production of" St. Sebastian for Ida Rubinstein in 1911-1912. It is extremely likely that one or the Diaghilev ballet or theater impresario in 1930. Goncharova commissioned to create sketches for this production. "

It is strange that Parton wrote about the 1930's., A Frenchwoman dates these pictures in 1918

Indeed, the intricate story.

Incidentally, Diaghilev, who died in 1929, it would be difficult to order these costumes Goncharova in 1930-ies., Eh? This is such a Parthian shot in the back Parton.
In general, the farther into the forest the more trees

[Кирилл Сызранский]

Сообщение от LCR

Indeed, complicated story.

But interesting.

Сообщение от LCR

and French dates of these sketches in 1918

And who is it? What the French?

[color="# 666686"]Added after 1 minute[/color]

Сообщение от LCR

It is extremely likely that one or the Diaghilev ballet or theater impresario in 1930. commissioned Goncharova create sketches for this production ".

We'll see everything is still working in the theater in the 30-ies. this pair.

[Сима]

Cyril Syzransky,
the fact is that the first sketch - orange - and the songs and the characters actually goes back to Bakst, only simpler in all senses. Production in 1911 alone can not be there all these women on either side, the more that the last woman at the top is written, another name. I have read the entire list of productions tripled. Perhaps you with something sootnesete this title. Though I Zoom, but could not make out.
We employed a funny thing - "expertise" expertise. A must - originals, with the first drawing, watercolor. manner, paper, and then you inscriptions and signatures. Believe signatures and inscriptions - very much the last case. (in my experience).