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Costs, valuation, attribution Discuss artworks’ prices and attribution. |
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Язык оригинала: Русский #22 | ||
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Canvas or stretcher is sobstvennst and mark her signature, is one thing.
A signature on the painting itself - this is to show the authorship of his work Цитата:
Why, then, are the same I. Aivazovsky, Repin, so any author - signed on the painting itself? Цитата:
A stretcher, canvas, so as not to be confused and not rested, clear But please explain, why does he own his work behind podisat decided? And the show, please, if there is a photo |
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Язык оригинала: Русский #23 | |
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First, the canvas is stretched DO that as it paints a picture. Secondly, as a rule, the artist himself stretches, and before it selects a canvas, I mean the structure of the canvas - its density. To make it clear bag of potatoes from the "coarse" sackcloth, canvas for painting - from the more "shallow". Third, what is the point to take someone else stretcher? To the neighbors think badly of you? Fourth, but for what you name? You do this like other people, as you distinguish? If practical, the artist signed on the front side to curious spectators did not touch the picture on the wall, peering from behind who wrote it. : p ![]() |
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Язык оригинала: Русский #24 |
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The picture was signed by the artist because he painted it to be signed, like any author.
The works are usually signed, painting, sculpture, theorem, poem, etc. Or do without a signature. A stretcher and canvas, as I understand it, before writing signed by the picture, or there is evidence of life, such as Aivazovsky, that - by writing "A ship in the bay .." Ivan Konstantinych unrolled the canvas and signed on a stretcher ..? Why Levitan on a tiny sketch in the corner scratch out his signature? not wrote in a big way at the back of the cardboard? By signing, what they have created, rather than something from what he is going to create. These things are simply marked signature. On the stretcher can be written by anyone, and the author as well. Is not it? But the picture of the author only, and no one else. Because this is so? (not talking about fakes). |
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Язык оригинала: Русский #26 | |
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I think that the most important thing to see the quality of painting. If highly artistic painting, it makes sense to bother the definition of the author. From a distance - the sky and water - clean Aivazovsky. Close yet seen. |
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Язык оригинала: Русский #28 | |
Старожил
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Canvases are signed back mainly on those works that are sent to the exhibition. It is easier to understand, what-where-someone. And the paperwork is less. Naturally, Levitan no point was not to sign the little sketches in the back, because he never planned to send them. |
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Эти 3 пользователя(ей) сказали Спасибо DSF за это полезное сообщение: |
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Язык оригинала: Русский #29 |
Banned
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annacz, unfortunately for the photo that you sent could not understand anything.
I think that you should remove the picture from the frame and carefully examine the bottom edge. It often happens that the signature of the artist hidden behind the projections of the frame and not visible to the viewer. |
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Язык оригинала: Русский #30 |
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According to the plot (Crimea?) And the manner of painting was written much earlier than the date of purchase. Then, among the artists was not accepted to sign anywhere. And buyers, too, appreciated the signature on the painting. But, perhaps, the picture was much "поновлена" before selling, lacquer and recording potershihsya edges and unobtrusive signature disappeared, we need an X-ray ... Or is it a copy, then the absence of a signature on the well-preserved picture is more clear ... This is the case when the attribution requires this "museum" of knowledge, ie professionals, through whose hands and eyes is a lot of painting ... a certain period
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Тема | Автор | Разделы | Ответов | Последние сообщения |
Please help us to determine the identity of the author and the cost of | Odysey | Costs, valuation, attribution | 7 | 07.02.2009 00:46 |
Help evaluate the author's picture Polozkova, 1963 | Creator | Costs, valuation, attribution | 3 | 20.01.2009 00:31 |
Help find and evaluate the author's picture | Орлангур | Costs, valuation, attribution | 1 | 14.10.2008 23:19 |
Please help us to evaluate now Krestina L. | SDN | Costs, valuation, attribution | 10 | 02.09.2008 10:51 |
Please help us to evaluate now | Nata | Costs, valuation, attribution | 1 | 21.08.2008 10:39 |
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