Shillingovsky help, please deal with the signature!

[тандем]

On the sketch depicted an arched most.Arka - the invention rimlyan.Italiya abounds arched bridges . In Turkey, several of them in remote places , one or two of them are known arochnye.Samy Kirk Gez Kemer ( photo) . Nothing to do with the image.
Now, on a boat with a crescent moon . Trading towns in the Apennines prospered through trade with the East and the boat with a crescent moon on the sail have been an integral part of the landscape of Verona , and Venice ....

[Сима]

tandem, did not want to spend more time on this bridge, but will have to ... About Crescent -

Сообщение от tandem ; 1646843"

... trade with the East and the boat with a crescent moon on the sail have been an integral part of landscape of Verona , Venice ....

Well , consider what a boat ! They have the goods on the boats that sailed there from the East ? Look at the architecture on the banks ? And who sits under a bridge - the Montagues and the Capulets ? And why ? I will take my word, his " fellow " back . >

Over the arches outside Rome I guess. did not understand what you mean . Then the entire Byzantine architecture has no place at all . Some Italians have used the arch until the 16 th century ? Then how did Sophia in Constantinople ? Strangely , in general. Putting pictures Mimar Sinan ( 16 century) and the arches , and bridges . Look at the bridge ...

[Кирилл Сызранский]

Сообщение от Sima ; 1646913 "

They have the goods on the boats that sailed there from the East ?

And what is there to swim for? Venice even with the Ottoman Empire on land and bordered ( Trieste Austrian their share ) , but most of the Adriatic coast in front of the Apennine peninsula ( the coast of the Balkan Peninsula - the current coast of Bosnia , Montenegro , Albania ) had been under Turkish ownership in those days .
We are about the times of Romeo and Juliet are talking about? Of the 16th century ?
And although , by the way , and land borders: Istria and Dalmatia (now - Croatia and Slovenia) were part of the Venetian Republic, then, as Verona . >

[Сима]

Cyril Syzransky, I realized: dragged the boat with the goods on the existence of red tape.
Then to run into the river near the bridge in Verona, and themselves were under the bridge.
Most of the bridges I do not think.
Let's about the theater.

[Кирилл Сызранский]

Сообщение от Sima

dragged the boat with the goods on the existence of red tape.

I do not know how they're dragging them , but they were swimming nearby. >

Сообщение от Sima

To then run into the river near the bridge in Verona , and themselves were under the bridge .

Who's there under the bridge - do not know either . >
Although , I agree , " a Turkish citizen , " perhaps , in Verona, though they were , but not so much to get on the backdrop of the play the feud in this city of two families . >

[антонсоя]

Many thanks to everyone who was involved in this constructive conversation and helped identify the author.
Where else would look at other works of Peter N. Shildknehta?
Yes, and information about him would like more.
So far managed to collect the following:

"Peter N. Shildkneht - by origin a German, a theater artist, stage designer, since 1924, lived in France and Spain. He has worked in film, was a decorator for the film" Un Chien Andalou. "

"Catalogue of the exhibition of artists 'art world'. (Society of "Down with Illiteracy"). 1924.
Participants: Adamovich, M., Belkin, VP, Al-Benoit et al. N., Benoit, NA, Braz OE, Bushen DD, Verey, GS Warriors, VV, Voloshin, A., Voloshin VA, Golovin A. J. , Gromov, VA, Dobuzhinsky MV Zamirailo VD, Zandin NP, Ilyin LA, Karev, AE, Konashevich VM Kostenko KE, Kravchenko AI, Kruglikova ES, Lancere NE, Lahovsky AB, Lions P., Matveev, T., Mitrokhin DI Morozova, NE, Mostov-Matveev 3. Ya Neradovoky PI, Ol, AA, Ostroumov, Lebedev, AP, Petrov-Vodkin, KS, Pokrovsky BN Psheslavskaya-Govorova Radloff NE, Radlov Elsa Serebryakov 3. E., Smirnov, Ivanov EA, Somov, Mikhailova AA, Ulin, AA, Fomin IA, Chekhonin SV Shede Hope Shenderov SS Shildkneht P. H ., Schiffers, Legrand O., Yaremich SP "
"... In Berlin Rappaport met his future father-in - Pyotr Nikolayevich Shildknehtom, who was known in France, Germany and Spain as a recognized costume designer, whose services are used by many of the then stars of the screen."