Art totalitarian

[Евгений]

Сообщение от qwerty

fans of social realism

Dear what have Socialist Realism? "Do you like Russian avant-garde, I (and many others here on the forum), a traditional Russian painting, based on the traditions of Russian culture of 19 century.
If we consider the period when there was a Soviet empire 1918-1989, then in this period was a talented, high-quality, take zhivopis.Mozhno period 1918-1930, to see the dynamics of prices for Russian artists, (who held the traditional Russian school), at SodBi, Kristi with 2000-2008, growth is good.
Just be aware that counterfeit Russian avant-garde in times longer to sell all of western auctions (as compared with traditional Russian painting), including the SodBi, Kristi.I investment component of this bullshit is zero .. to argue about it meaning net.Pokupki auctions, we, too, with you not once discussed ..

1. Fakes Russian avant-garde
The more popular and, consequently, more expensive product made by a particular school, the more likely the emergence of scandals - such as the one that erupted after the publication of Konstantin Akinsha and Grigorii Kozlov. An article in the American magazine "ART news" called briefly and clearly: "Falshak" - and telling us about the incredible and intricate story surrounding the Russian avant-garde art of the first quarter of the XX century.

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The reason for the journalistic investigation proved exhibition "Berlin - Moscow", as held in Berlin, the retrospective included a few questionable products (for example, "Blue kontrrelef Vladimir Lebedev and dynamic composition, Alexandra Exter, originating from a German private collection). For several months the authors had to travel the world, collecting the views of knowledgeable experts, collectors and dealers before they could publish the first in a proposed series of articles.

According to the authors, the famous boom of 1987, when the prices of works by Russian avant-garde artists have achieved vast sums, there was no accident. Those who managed to earn a sharp spike in prices a huge profit, seriously preparing for this for many years. By the way, the end of 1980 the number of counterfeits has been drastically increasing. Today the number is difficult even to imagine. The owner of the famous New York gallery Ingrid Hutton calls the figure of six to eight thousand: a number of forgeries, in her view, is circulating in the market and settled in the private and public collections. One only fake watercolors and drawings Rayonism founder Mikhail Larionov, thrown on sale in 1980, more than a thousand. There are hundreds of paintings by Kazimir Malevich (Suprematism father is among the most expensive artists, and his paintings can cost two to three million dollars), the paintings of Lyubov Popova and Aleksandr Rodchenko (prices for their great work ranging up to half a million dollars); works Barbarians Stepanova, Lazarus Lisitsky, Ivan Puni and Alexandra Exter. There are carefully planned action, when all the adulterated artistic heritage of the artist, including even his biography. This hoax was carried out with a little-known student of Malevich Nina Kogan, many works which have been successfully implemented in the market.

Geography of production of fakes is the most diverse: Moscow, Leningrad, Prague, Warsaw, Berlin, New York. Lack of reliable origin of things, as a rule, due to the illegal export from the USSR. The best way to "cleanse" the forgery was to put something up for auction, and then the very same to buy it, thereby legalizing frank falshak. Drank and fake examinations, allegedly signed venerable art critics. There are even papers, printed on most of these forms of the Petrograd Institute of Artistic Culture of surviving to the present antiquated typewriters.

The first book about the Russian avant-garde art has appeared in the West only in 1962. It still does not have complete catalogs of even the most venerable artists, not companies, such as Kandinsky's society, which meets all of the information, there are no special committees (committees like Chagall, Matisse and Picasso), followed by the last word, because without them, any certificate thing just a piece of canvas or a piece of paper.

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  2.Poddelki Russian avant-garde (Lazarus Khidekel)http://www.lenpravda.ru/today/251373.html
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3.Poddelki Russian avant-garde (Marc Chagall) and it is in the museum, but what then can govarit on auctions ?????
Japanese museums that take the exhibition of Russian avant-garde of the Moscow Museum of Modern Art (MMSI), will not be exhibited three paintings by Marc Chagall: "Family", "Fiddler" and "Portrait of a Woman." Rights holders of these works from the "Committee of Chagall's" claim that they - a fake. It was reported today in the administration of the Osaka Museum Temposan "which opens the exhibition MMSI September 25.

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The interviewer noted that "the Japanese public would not be able to see the Chagall painting as long as Moscow Museum and the Chagall Committee did not come to a consensus." "If the authenticity of the work is confirmed, then the more it is likely that museums in Gifu and Saitama, where the exhibition will be held after November, still be able to provide them. However, while this is impossible," - he added.

The newspaper Asahi reported today that three holders believe fake Chagall painting brought the Moscow Museum of Modern Art in Japan, said Itar-Tass. "Technology, which carried out these works and other times they say that they do not belong to his hand," - said "the Committee Chagall", which includes the descendants of the artist.

June 21 MMSI, founder and first director who became president of Russia Academy of Arts Zurab Tsereteli, opened Japan's first exhibition of Russian avant-garde. In it, in addition to Marc Chagall, works by many other artists, including Natalia Goncharova, Niko Pirosmani and Kasimir Malevich.