Relationship and mutual obligations between the artist and gallery owners

[AlexanderG]

Paintings, of course, sells. But as a result of the artist, not as an end in itself.

Absoliutnaia chepuha! Tsel 'liubogo bisnesa, vkliuchaia galerei, poluchenie pribyli. Vsio ostal'noe - lapsha.

Rabota s hudoznikom vygodna galeree, esli ona raskrutit hudoznika i povysit tseny na prodazu ego /ee kartin, to galereia budet poluchat 'bol'she deneg.

Odin iz vidov rabot galerei - pouching (vorovstvo /peremanivanie) raskruchennyh hudoznikov is drugih galerei, ostavliaiia poslednih nis chem.

Podumaite: vsio, chto galereia sdelala dlia hudoznika - ostaiotsia s nim navsegda, a esli hudoznik reshit peremetnut'sia, to galereia ne imeet nichego!


After all, you can sell practically everything.

Sovershenno verno, no kto-to vybiraet prodazu kartin. Raznitsy net nikakoi.

It is important for the gallery name and the future.

Eto vazno dlia liubogo biznesa.

And with net sales no future ...

Tol'ko s prodazami est 'buduiuschee, i chem bol'she prodaz, tem svetrlee buduschee.

[color="# 666686"]Added after 2 minutes[/color]
Kstati, ochen 'nemnogie hudozniki mogut sebe pozvolit' naniat 'professional'nogo menedzera /raskrutchika.
Ia s bol'shim by udovol'stviem zanimalsia by tol'ko etim, no bednye hudozniki .....