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| Costs, valuation, attribution Discuss artworks’ prices and attribution. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #23 | |
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Гуру
Регистрация: 19.05.2008
Сообщений: 2,976
Спасибо: 9,079
Поблагодарили 4,731 раз(а) в 1,133 сообщениях
Репутация: 7675
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Цитата:
It referred to the famous artists, of course, have no relationship (not everyone that Tower-- that Bilibin) but this is the most that neither is working sketches of costumes for a production. You will ever designed theater artists working even seen? not the ones that put up for Christie's /Sotheby's? Only yesterday I was at the auction by Serge Lifar (photos, documents, books, software, sketches) with regards to Russian Ballet and the Paris Opera: Dobuzhinskiy (Mstislav) working paper bag - did not believe it would be looking at those pocherkushki? sketches - who and what there just is not: and Russian, and French, and finished, and only the quest - to varying degrees of elaboration. In the working papers Rostislav Dobuzhinskiy were sketches and Andre Leon Bakst, and Nicolas Benoit - they were friends, and Annenkov, and Erte, and Ivanov .... - Too many as they had. They exchanged a reason, not just for the work situation. So if these were in Kuznetsova and Benoit, it absolutely does not mean anything - there could anyone get sketches and completely random. Excluding the path proposed by Jane Doe, you can dance on the inscriptions and monograms, more carefully, in my opinion. But not hopeless. For the specialist and for the corresponding reward. Maroussia, the discussion ended with something like the will of Default ("Film is over now <! - ~ 1 ~ ->"). Добавлено через 20 минут And it would have believed that Fedorov? Yes, yes, the one Fedor (if familiar, of course). And not the "ethnographic sketches" (<! - ~ 1 ~ ->), and working sketches of the Bolshoi Theatre. Последний раз редактировалось Glasha; 23.04.2013 в 17:10. Причина: Добавлено сообщение |
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