Цитата:
Сообщение от Pavel
To do this long and hard working, college, institute, then the hard work is subject to the availability of talent.
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I can assure you galereist too somewhere studied and continues to learn, because you should always keep abreast of constantly tying the right contacts and, of course, to work no less an artist.
Цитата:
Сообщение от Allena
The ability to sell works of art ...
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And here: look for artists, staff recruitment and training, preparation of exhibits, the selection of frames, advertising (brochures, catalogs, magazines, television ...), invite the right people ...
Цитата:
Сообщение от Pavel
Owners of galleries usually sell well-known artists. This implies that these works will be fed much more expensive than purchased.
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I can assure you that this is not so. Target galereista - to make the artist, which began to work, to be known. Here's the necessary contractual relationship that we have yet to honor ... And we still get (often) - you begin to work with the artist, who may be aware, but do not buy very much, invested in the promotion, the album, introduced the influential people with the work of the artist, persuaded them to buy it and like it And then ... we ourselves with a mustache. As they say: Eat your first, and then - each his own.: Rolleyes:
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Цитата:
Сообщение от Pavel
so you can vtyuhivat anything.
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We're talking about the good galleries and a good artist. Many artists think so - and, so come down, "shavayut. And "vtyuhivayut" semi-finished products. Especially if the work is custom and money already received (I am speaking about such artists as those galereisty, as you say).