Post photos and paintings Mitrokhin Dubovsky.

[Ирина Геннадьевна]

Post photos of those paintings that I have available.

[SergeiSK]

[Игорь Гурьев]

Pictures - more than doubtful.

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It seems somewhere in a shop opened ...
 

[SergeiSK]

[Кирилл Сызранский]

Recently told smeshnost:
our thin. museum, too, turns out, they brought these holstiki with test tubes.
Headmistress-man in the museum (and in museum) new (in September only 3 years will be), and about those holstiki knew nothing. The first influx she called specialists, they all told, the carrier sent to return home, the second time already specialists did not ask the third-headmistress became nervous and began to see in these machinations nedobrozhilateley brings in the fourth, gave a scolding subordinates like this:
- If Panikovsky let another cuckold, not to serve more Panikovsky. Laid off without pay. (c)

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Russian landscape painter NN Dubovskoy born on 5 (17) December 1859 in Novocherkassk in the family Cossack sergeant Don Army Region. Dubovskoy boy was in a military school in Kiev, but it is so drawn to art, that every day he got up two hours earlier and painted. Director of the school advised parents to send her son to study painting. Seventeen Dubovskoy went to St. Petersburg and entered the Academy of Fine Arts, where in 1877-1881 he engaged a professor of landscape painting Baron MK Klodt.

Landscape painter by vocation and keeper of the sacred traditions peredvizhnichestva of conviction, NN Dubovskoy belonged to the younger generation of the Wanderers. His devotion to the art of telling jokes. Once he got so carried away working on the etudes with nature, that he forgot about his wedding and came to the church when it had almost ceased to wait.

Already in 1884 Dubovskoy - among the Wanderers. Then, in 1884, held the first performance of the young landscapist a traveling exhibition, which was highly appreciated as an art critic at the time, in particular, V. Stasov and collectors: PM Tretyakov acquired for his gallery of his painting "Winter". This is already quite independent work of the artist was influenced by his teacher, MK Klodt. But perhaps even more remarkable continuity with the creativity AK Savrasov, FA Vasiliev and AI Kuindzhi. "It seemed Vasiliev Kuindzhi put together the best of their talents, to pronounce this masterpiece" - art magazine columnist, wrote: "Artist" VN Mikheev.

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Following the "winter" was followed by the painting "Early Spring" (1886), "hushed" (1890), "Morning in the Mountains", "Winter Evening", "On the Volga" (1892 and 1903), which brought Dubovsky fame and made him to the ranks of the Russian landscape. There are many enthusiastic comments about the works of the artist in print, in the memoirs of contemporaries. That's one of them, Professor VA Wagner. "I remember it was long ago, a traveling exhibition appeared Dubovsky painting" The Volga, "- he wrote in 1918. - Vast expanse of water, over which hover a few gulls, ghost of a distant point of the ship, and above all this purple clouds, spread out and distances and heights in the sky. That's all. But about the picture is constantly crowded and the audience stood for a long time, obviously, did not immediately aware of what attracted her to the canvas. The painting technique is not impressed, though perfectly good, is not skill, which, however, was evident, namely the artist's mood, his emotional symphony, is not transmitted sounds and colors of his palette. The audience was chained to the picture not the picture itself, but that was its soul. "

All these works were purchased Dubovskoy Tretyakov. But one picture stands out from this series, and the history of Russian art Dubovskoy came primarily as the author of landscape "hushed" (1890, Russian Museum, repetition - the Tretyakov Gallery), created by sketches made on the White Sea. The artist opened a new motive for the Wanderers, he said - "Silence before the storm", "when breathing is difficult, when you feel your insignificance when approaching disaster." To implement this motive, he found a novel solution. Enlighten sunlight thunderclouds pull heavy horizontal line, occupying almost the entire upper half of the picture, above the blackened water, reflected in it. Far away - a dark strip of the coast, as it were hemmed top and bottom elements of sky and water. Earth loses its materiality, the most tangible, tangible here, "body" are storm clouds - bright and luminous. Among the best works of world art, there are not many paintings in which such perfection, with a truly classical clarity would have been expressed that called mood. Upon learning that the painting "hushed" with a traveling exhibition in St. Petersburg became the king of the gallery of the Winter Palace, the Tretyakov left for Moscow to order a repetition of the artist as the picture is not available to the general public. "Repetition of me came out better and more in size, making the motif became grander," - shared his impressions Tretyakov in a letter to Repin.

Tretyakov has closely followed the creative development Dubovsky, adding to his collection of his works. The final product of the artist, he acquired during his lifetime, was the painting "Quiet Evening" (1898). "Poem of gold" called it the reviewer's Russian statements "AN Selivanov:" The picture makes an unusual effect. The sky, the faint clouds, sea-distance, air, water - everything shines with gold and golden tones of hot clear day. The richness of these colors coming from a single, basic, and merging in it, amazing. "

NN Dubovskoy - one of the most prominent representatives of Russian landscape school abroad XIX-XX centuries, a prominent social activist, and teacher. Creativity of the artist was very popular, and his paintings were going to major pre-revolutionary collectors. And yet, among the many now almost forgotten artists that formed in his time the glory of domestic painting, the name of Nicholas Nikanorovich Dubovsky stands alone. What we now know about him? Who today remembers about him?

"It is possible that the changed conditions will no longer be our Association, it is sprayed, but it will revive the idea of the immense mass of artists, young and strong. And note: we will have some reproach in every way, with utter disregard for our name, but not noticing it in new forms, new realism, will preach that constituted the essence of honest peredvizhnichestva: his life the truth and serving the people. Are we liberating his art is not a human feeling, not led to the freedom of the spirit and achievements of the human rights? "Without this, our art would be idle fun and they would not be worth deal.
NN Dubovskoy, 1917

Fully entire article http://funeral-spb.narod.ru/necropol...dubovskoy.html

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