Vladimir Andreenkov exhibition of paintings and sculpture.

[Евгений]

ROSIYSKAYA ACADEMY OF ARTS
   Gallery Shazina presents an exhibition of paintings and sculptures of artist Vladimir Andreenkov

"Geometry of Life

"Vladimir Andreenkov, closing the form, respecting the clarity and apparent mathematics, does not close the space of life, and miraculously transforms it, going abroad smeared human consciousness. He manages a fuzzy, make clear, and makes, if not think about it internally to meet. A person usually focuses simply by looking at a flat line. Line - a step. Step - step. Action - trace. "

Vladimir E. Andreenkov was born in 1930 graduated MSHSH at the Academy of Arts, the Art Institute Surikov. Member of the Artists' Union since 1962

In the 60 years of 20 century, he, together with the outstanding representatives of the "other art" today is recognized and famous, such as Ilya Kabakov, Ivan Chuikov, Vladimir Yankilevsky, searching for a unique way in art.

Creativity Andreenkov continues the tradition of Russian Constructivism and echoes the works of famous western neokonstruktivistov Josef Albers, Max Bill, Richard Lohse.

The works of the author is stored in the State Tretyakov Gallery, Moscow, State Russian Museum, St. Petersburg, art museums, Tula, Orel, Kemerovo, Russia, Belarus, the Museum of Modern Art in Padua, Italy, as well as in private collections in the United States, France, Italy, Switzerland and in other countries

Vernissage on Oct. 30, 2008 at 19.00
Address: Moscow, 3rd Frunzenskaya Street, Building 19
The exhibition is open by appointment
Tel: 7 495 509 8336; 7 495 233 7458
info@shazina.com
http://www.shazina.com/News.aspx

[Wladzislaw]

Сообщение от Eugene

The works of the author is stored in /.../art museums, Tula, Orel, Kemerovo, Russia, Belarus, /.../

Excellent listing: rolleyes:

[Евгений]

Urs Häner

Vladimir Andreenkov is a landmark figure in the Soviet underground. For a certain range of artists and art Andreenkov name immediately associated with his work - lean and vivid geometric compositions, each of which contains a special, "andreenkovsky" world.

But while the creation of this major masters of the past amazingly coherent and uncompromising way in art, not very well known to the public as Russia and abroad. I find it extremely unfair and I hope that this publication will help readers become better acquainted with the work of this great artist.

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My personal acquaintance with Vladimir Andreenkov happened in Moscow. At first, seeing his work, I was amazed at the order - the powerful geometric designs struck power color harmony and rhythms. Certainly, for me, a citizen of Switzerland, a country where constructivism has found fertile ground and received an excellent development, these works were extremely interesting. Until then, I have always had the impression that constructivism in Russia has not found its followers, as they say, "did not" stick "it seemed that everything remains in the distant 20-30-ies. Confirms this - the lamentable state of the beautiful, in terms of architecture, constructivist buildings. Each time they passed them, I involuntarily shudder from Unexplained "forgotten" and "unclaimed" these helpless and neglected, but still nice cubes.

So for me a great artist constructivist. Initially reticent and somewhat morose, which seemed to me, is always busy so that builds in my head a certain geometry and tries it on the sound. More of our conversation, I learned that in the early 70-ies the famous Swiss artist constructivist Richard Vine, being at that time in Moscow, was a guest of Vladimir Andreenkov. As is usual in Russia, they were sitting in the kitchen, talked, then went to the studio - to see the work of Vladimir. Richard Lohse view thumbnails, and Vladimir genuinely surprised at how well he does. Oh, how they understood each other, these two artists! It all seemed so easy, and there were no boundaries, and the friendship that arose in those days, will remain forever ...

But everything in life was much more complicated. There were limits, and two different social systems. As it is not easy for Soviet citizens, it was difficult to communicate with foreigners, usually followed, and their Russian friends could have very serious trouble for such contacts. There was a bottomless chasm between people who are on opposite sides of the border. But here, people lived, worked, though, almost semi-underground - many artists were not even dreamed about exhibitions in the country, and even more so in the West.

Gone are the days, came the new - something he felt better, something more difficult. And so there was destiny that now live in the work of these two remarkable artists in Zurich in the neighborhood. A pity that Richard Lohse did not live up to these days.

I am sincerely grateful to all who worked on this project, and I hope that this edition will bring the true joy of acquaintance with the works of Vladimir Andreenkov.

http://brykina.teletype.ru/gallery_s...ndreenkov/urs/