Продано: R. V. Bylinski

[Glasha]

Bylinski, Rimma V.
(B. 1929) member of the Studio Belutin in Abramtsevo,
work 68,
oil on cardboard, 70 x 50 cm,
(everything else in the work itself and the year of its creation)
2000 $

[Samvel]

Interesting work, for the times, a bold decision!

[Glasha]

Thank you, Samvel, is particularly pleased to receive an assessment from you, because I know that you are doing "new reality" Elia Belutin and the Studio
www.bielutin.ru

sale from my section selling quickly, but there appeared to give option /sell - it does not matter - a friend from France, in connection with the following question:
 
How belyutintsev know, appreciate the west now?


as far as I know, they states have recognized abroad much earlier than at home, I mean, we ... for obvious reasons ... is from the materials from the site:

Читать дальше... 

All the exhibited works of artists "new reality" had been arrested. Exposure immediately after Khrushchev's departure closed and evacuated. Only a year of the paintings has been returned to the authors, the rest was gone. Stoning was carried out blindly. For all 2000 participants of the "new reality" - most of them were members of the Union of Artists of the USSR - circulated the most severe sanctions. Thus a single mention of their names in print, the more the name EM Belutin Over the next nearly 30 years. During the same period, no art did not dare appear in the classroom and the annual exhibitions in Abramtsevo where the dacha EM Belutin move the center of the direction. In total, the New Abramtsevo worked and exhibited up to 600 artists. In each exhibition involved 60 artists, many dozens of paintings, sculptures and graphics.

New Abramtzevo become an international art center. Are coming here to work together artists from Italy, France, Poland and all the republics of the Soviet Union. "New Reality" has become known overseas since 1958, along with personal exhibitions EM Belutin in Paris, Warsaw, Rome ... .. The change in official position of "new reality" occurred only in years of "perestroika».


I would like to, of course, if I send her there, in addition to itself is interesting, it had some significance, some invest.privlekatelnost and liquidity there.

[ФАИв]

There is a woodcut by J. Plavinsky, "Dilapidated church" is called. So there is Christ in the same position. If anyone is curious.

[Glasha]

FAIv, thanks, curiously, of course, once the engraving Plavinsky see-scary ...

Yes, the very posture - the symbolic, that fills a philosophical sense, then there rodenovsky "Thinker" associative pops up (sorry for ..),


as already mentioned about the urgency, the price can still be adjusted easily,
 
and since the issue with the possible shipment has not yet made up his mind my previous question has arisen (How belyutintsev ...)
remains relevant,
in general, I think it is interesting,
I will be grateful for answers.

[Кирилл Сызранский]

Сообщение от FAIv

So there is Christ in the same position.

This "attitude" is called "Christ in prison.
Here are some of Perm wooden sculpture:
1. Christ in prison
Eighteenth century.
121x40x50
Wood (pine), gesso, tempera. Sculpture in the round.
Entered from the Church of the Resurrection in Solikamsk in 1923

    Christ is depicted frontally, with a slightly hunched back, and sadly bowed his head. At the head - embossed crown of thorns large weaving. Pale faces of small, correct. Expression face of grief and anger at a time. In his left hand - a long knobby branch, right hand raised it to his temple in a protective gesture. Modeling sculpture thorough and detailed. The thin lines cut through the mass of hair, elaborated musculature of the chest, back and limbs, clearly marked with ribs and a large swollen belly. Hips covers low tied chreslennik.
Karnatsiya bright, slightly greenish tint. Hair greenish-brown. Chreslennik white. On the face and chest shows a dark-red drops of blood.
There is a slight loss of wood, rubbing the paint layer, the later recording.

 
      
2. Christ in prison
1 half. Nineteenth century.
103x31x30
Wood (pine), gesso, tempera. Sculpture in the round.
Entered from the chapel at the Church of St.. Nicholas, pp. Redikor Cherdyn Area in 1923
3. Christ in prison
Eighteenth century.
129x41x46
Wood (pine), gesso, tempera. Sculpture in the round.
Entered from the chapel of the Transfiguration Cathedral in Usolye in 1923
4. Christ in prison
Eighteenth century.
132x55x57
Wood (pine), gesso, tempera. Sculpture in the round.
Entered from the Church of the Transfiguration in with. Ust-Kosva Elias region in 1924.
5. Christ in prison
Beginning. Nineteenth century.
122x43x51
Wood (pine), gesso, tempera. Sculpture in the round.
Entered from the Church of the Savior-Transfiguration with. Lower Vortsevo Cherdyn Area in 1923

[Glasha]

Yeah, forgot: the work has not been submitted, therefore, go back to selling.

Price is ready to discuss in l /sec.

[Glasha]

Wow - time flies ... rising from the interior theme.

Urgency of the matter has disappeared - the work remains, oddly enough.



Belyutinka - Rimma Bylinsky,

50 TR



offer on the occasion of my supposedly week stay in Moscow (work in MACS).

[Glasha]

Added information.


The work is really beautiful - the auction is that it, too, arrange it? ...)