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Старый 08.08.2008, 16:09 Язык оригинала: Русский       #1
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По умолчанию Art books

Here, outlined a plan of acquisitions novelties (in the shops yet, will have to wait). It turned out, that's what I want:

1. Nikita Alexeev. Rows memory
A series of "Sketches of visuality"
Moscow: New Literary Review. 2008. - 512 pp., Il.
On the one hand, this classic memoir: the story of the life of the author, built in chronological sequence. On the other - a segment of history of modern art of a few decades, because Nikita Alexeev - conceptualist painter, member of the "collective action" and one of the founders of APTART "- an active leader of the story. Memoirs, written "for fresh tracks, branching stories, private and common, turning a" book of travels, a chronicle or a chronicle of the artistic movement, then akynskoy song ...


2. Yuri Gerchuk. Hemorrhage in the Moscow Artists ", or Khrushchev in the Manege December 1, 1962
Moscow: New Literary Review, 2008. - 320 pp., Il.
ISBN 978-5-86793-597-9

Yuri Yakovlevich Gerchuk - symbolic figure in the national Art: Without a doubt, the most authoritative expert on graphic art and books, the author of countless monographs, articles and even textbooks on the theory and history of art. In this case, he tells about the famous visit by Khrushchev in Manege (1962) marked the end of the so-called "thaw": visit the famous and written about it a lot. But in this poludokumentalnom narrative of the author not only summarizes the evidence and attracts new ones are not yet available in the literature: it also combines in his person the role of the historian with the role of an eyewitness, a contemporary of the events described.


Both - http://www.nlobooks.ru/rus/books/the..._of_books/310/
For about the library of the Sixties.

3. Vladimir Sorokin "Sugar Kremlin". M.: AST, 2008
http://www.kommersant.ru/doc.aspx?Do...&NodesID=8

This new, interesting, after the "Day of guardsmen.
That has such plans. What else would one advise to read?
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Старый 13.08.2008, 15:52 Язык оригинала: Русский       #2
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По умолчанию Profession: Collector

Profession: Collector
Author: Solomon Shuster

Russian language. Publisher Trefoil. 2005. 192 p. ISBN 5-89480-088-9. Binding firm. Solomon Shuster, one of the last representatives of a galaxy of local collectors, connoisseurs, attitude toward collecting as a profession. His collection of Russian art in the first third of XX century is one of the outstanding domestic private collections. The book includes written SA Schuster stories about himself, his time and amazing enthusiasm, referred to as "collecting." The book is illustrated with works from the collection of SA Schuster and archival photographs
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Старый 13.08.2008, 17:15 Язык оригинала: Русский       #3
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По умолчанию

Цитата:
Сообщение от Eugene Посмотреть сообщение
Profession: Collector
Author: Solomon Shuster
http://www.ozon.ru/context/detail/id/2508545/ The book is worth 2000 rubles. So good?



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Старый 13.08.2008, 21:06 Язык оригинала: Русский       #4
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По умолчанию

Vladimir, It is for collectors who are doing this professionally.



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Старый 16.08.2008, 07:07 Язык оригинала: Русский       #5
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По умолчанию

Viktor Pivovarov. Love the agent. - Moscow: New Literary Review, 2001. - 288 pp., Ill.
Viktor Pivovarov. Gray Notebook. - Moscow: New Literary Review, 2002. - 384 pp., Ill.

Viktor Pivovarov - a wonderful artist. Some know him for the wonderful pictures of children's books, for example, andersenovskomu "Ole" and "Black Hen" Pogorelsky made yet in the 70 years and have become classics of the national picture. Many of us grew up on them. For others, Pivovarov - especially one of the founders, along with Ilya Kabakov, Eric Bulatov and Vladimir Yankilevsky, Andrew monastery and Lev Rubinstein, the so-called "Moscow conceptualism" - an artistic phenomenon, who formulated in the 80 years of our contemporary art into the international arena.
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issued a UFO book convinced that he - very interesting and very original writer. "Love Agent" and "Gray Notebook" - about the same. About half-starved childhood in postwar Moscow, about how to become an artist Pivovarov, about friendship, about love, about art and about the Soviet regime, the countries of emigration in 1982 in Prague. In the preface to the "Gray Notebook" he writes that this book should be read with his left eye, and "Lover agent" - right. Of course, this is difficult. Not all are endowed with such gift stereoscopy. Books can be read one after another, no matter in what sequence. "Agent Love" is written in the first person, it is autobiography. "Gray Notebook" - a collection of documents, and the present, and invented. Here the letters, notes left by friends at the door of the studio, essays, photographs, drawings Pivovarova son Pasha, who is now a well-known artists and writers under the pseudonym Pepperstein, lists of people who visited Victor's guest. And the wonderful "Filimon, or Notes from the Underground" - a blog mouse Philemon, who lives in pivovarovskoy studio, and tells the story of Victor and his friends. Lyrics Pivovarova remarkably observant and accurate. They - the most valuable source of knowledge about cultural life in Russia in the last third of the twentieth century. But it is very fine, remarkably genuine literature. Here, perhaps, lies the gift Pivovarova: telling a very intimate and delicate things, he never for anyone not hiding and not break down in the turning out of the soul inside out. And it is very difficult when writing in his autobiographical, even confessional genre. Pivovarov able to see the little things in the universe. And he knows how to make friends and love and clear talk about it. His words about his first wife, who died early in the poet Irina Pivovarova and Milena Slavitskoy, his second wife, a son Pasha, on his friends Evsee Drize, Henry Sapgir, Igor Holin, about Ilya Kabakov, for those whom the reader can not know for sure or not knows - piercing and full of kindness. Somehow, even embarrassing to praise the writer for what he is a good man, but in the case Pivovarova not escape: his literary skill is directly linked with human qualities. And if you add that both books are beautifully illustrated works Pivovarova, then one can conclude: the books to read. Do Right eye, left - not important. Better - head and heart.
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Старый 17.08.2008, 06:05 Язык оригинала: Русский       #6
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По умолчанию Gallery Elysium represents catalog Falk, RR

Elysium Gallery presents a complete catalog (Catalog - reason), paintings by Robert Rafailovich Falk, who belongs to the Russian artists, whose name was raised to the rank of the great masters of decades after his death. His work - an example of a tortuous climb to the deserved recognition.

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The book has circulated in recent years to the track: a brief chronology of the life and work (artist's widow AV Shchekin-Krotov) and a monographic study of creativity (RAS Academician DV Sarabyanov) precedes the album (compiled by Art. Researcher GTG S . Didenko) of perfectly printed color reproductions, each accompanied by an annotation. Published with the support of the publisher "Computer-Press and« RA ».

Subject to the publication of the catalog-reason in landscape part reproduces only paintings RR Falk, arranged in chronological order. All works reproduced in 1210. Each reproduction reflects a certain period of creative biography Falk-painter. Here is the first published work of the artist's early period 1903-1906 from the funds Rossiyskogo State Archive of Literature and Art (Moscow), as well as several works of the Paris period, recently discovered in private collections overseas. Many of the paintings reproduced equipped documentary commentary artist's widow, AV Shchekin-Krotov.

The main work on the dating and attribution of works, most of whom at that time still preserved in the family of the artist, was implemented in 1960-1970-ies. connoisseurs of art Falk - DV Sarabyanovym and AV Shchekin-Krotov. Compilers catalog significantly supplemented and clarified the movement of collections of paintings, the current location and participation in exhibitions.

The support apparatus contains a list of exhibitions with the participation of RR Falk, a detailed bibliography and an index of works by genre (small pictures), which is very convenient for the ongoing analogies refinements.
Elysium Gallery
http://www.elysium.ru/view.asp?dd8b6...6cf9a0059caaa6
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Старый 21.08.2008, 17:12 Язык оригинала: Русский       #7
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По умолчанию RUSSIAN PAINTING XVIII - early XX VEKA.Saratov.

RUSSIAN PAINTING XVIII - early XX century. Full academic catalog Saratov Chersonesus Museum im. Radishshev

  The catalog, training which lasted for many years, includes all 1,051 works of Russian artists, stored in the museum collection.

Format: 22х28 cm, 560 pages, illustrated., Hardcover, M., 2004
-------------------------------------------------- ----------
Very useful book for art dealers, collectors.
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Старый 25.08.2008, 05:09 Язык оригинала: Русский       #8
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По умолчанию Three-volume edition, dedicated to the works of Dmitry Krasnopevtsev

Dmitry Krasnopevtsev - one of the outstanding Russian artists of the second half of the twentieth century. His work has received international recognition, and created their works have taken a worthy place in the expositions of the largest museums in the world, have become the pride of collectors for more than thirty countries in Europe and America. Over fifty years of creative life, he became the author of nearly a thousand paintings and etchings and works of graphic art. Personality and creativity of the artist are so significant and interesting that his studio became part of museum displays of personal collections GMII im. AS Pushkin. Along with his work there are carefully stored collected Krasnopevtsev bizarre objects: ancient tomes and blood vessels, shells and stones, dried fish and sea stars, twigs and roots of trees, prompting the artist to the images of his surreal still lifes.

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As for the literary sources on Krasnopevtsev, they are extremely rare. In several smaller catalogs and books have been published just over a hundred reproductions of paintings Krasnopevtsev partially published schedule, fragmentary - diaries. Poor printing quality of published materials are not allowed to appreciate the skill of the artist, the subtle glaze, which became famous krasnopevtsevsky "Antique color. Published with the support of the Cultural Foundation "Ekaterina" three-volume publication is intended to fill this gap. It is devoted not only Krasnopevtsev - artist, but Krasnopevtsev as a multifaceted personality, reflected in his works of philosophy and high purpose of art. For the first time succeeded in so completely present not only paintings Krasnopevtsev previously largely unknown, but also to publish his graphic and literary heritage.

In the first volume of diaries submitted Krasnopevtsev illustrated by drawings of the artist. The transition from personal experiences to the images, allowing a better understanding the artist's creative world - the essence and content of the first volume. Second volume - reproductions, etchings and graphics, early work Krasnopevtsev. In the third volume also - painting, most clearly represented "metaphysical Still Life", combining the traditions of symbolism and surrealism, for many years to become a dominant genre of the artist. In the second and third volumes also included articles art.

The book may be of interest not only for specialists and collectors, but also for a wide range of art lovers.

http://www.ekaterina-fondation.ru/ru.../index.shtm?16

Authored by the three-volume "Dmitry Krasnopevtsev. Blogs. Graphics. Art »- Ushakov, Alexander G.
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Старый 25.08.2008, 16:43 Язык оригинала: Русский       #9
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По умолчанию Edvard Munch: A Biography of the artist

Book a Norwegian historian and writer Atle Ness "Edvard Munch. Biography of the artist, "he wrote in 2004, is designed more for a wide range of readers. By attracting sources: diaries, letters, literary texts from the archives of the artist MM in Oslo, as well as the published correspondence Munch.
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The book gives a complete picture of the historical and cultural situation in Norway and Germany throughout the life of the artist. Particular attention, as befits a biography, given the events of Munch's personal life and their evaluation in the light of his personal qualities. One gets the appearance of a person with a fragile health, intellectual development and delicate kind, but not weak, and unrestrained in his work and confident of his genius creator, despite the constant need. On the basis of correspondence tells about the relationship of Munch and his family, women and friends. The details are set out with patrons, allies and volunteers. Step by step unfolds the creative life of complete lack of understanding during the first two decades of creativity through a huge success in 1910's to the absolute international recognition in the 20's and 30's. Some interesting statistics from the financial area - the prices of sales at the pictures, the amount of income and tax returns. In short, the book Ness covers all the points that art historians largely sidelined from the professional or ethical considerations. The book is not determined by ownership of Munch to one or another direction of art, the consideration of motives and images of paintings is to describe and create stories, although there are small Glaucus, on the portrait, self-portraits and monumental paintings. Opinions about the creative method, limited quotation of letters and conversations with friends Munch. And although the book is not art history perspective, this does not detract from its value as a full-fledged biography. Among its advantages include unobtrusive articulation of a principled position, which in scientific monographs of the second half of XX century remains, as it darkened. Of all the vicissitudes of a difficult fate of the artist, it is clear that the host country is not very Munch complained, and the success and recognition came to him first to Germany and then in Norway and in France, he had not managed to achieve sustained attention to the person. Another merit of Ness is debunking the myth of the reclusive lifestyle of the artist in the last decade in his estate Ekele. Described in the book numerous contacts with friends, exhibition organizers and buyers of travel abroad, show that he actively communicated, protecting themselves through this myth, only from unwanted contacts. Among the shortcomings include a small number of color illustrations, although they are of good quality. Ness The book was translated into Russian and has appeared on sale in late 2007. The last book of Munch (R. Stenersena), not counting the three small albums that came out in the country in 1972. So the appearance of the first full-scale biography of the artist in Russian can be considered a welcome development.
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Старый 02.09.2008, 06:35 Язык оригинала: Русский       #10
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По умолчанию Grisha Bruskin. "Life Is Everywhere"

Anthology

Publisher: Palace Editions, 2008
Jacket, 276 pages
ISBN 3-935298-00-5
Coated Paper, Colored illyustratsii.format 25h31sm.
-------------------------------------------------- ------------
"The work of the artist Grisha Bruskin, we face two issues. One of them is connected with the myth of Judaism. The other - the Communist myth.
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The works of artists - paintings and sculptures - images of phantom, emerging as if from sleep, leaving memories or resurrected in memory of the depths of consciousness. The characters of his paintings and sculpture groups are enclosed in the envelope of those plastic forms that are so familiar to generations Bruskin. At the time of his childhood in parks and squares of cities, towns throughout Russia (then Soviet Union) were plaster figures of athletes, pioneers, heroes, usually ugly, in its inexpressive. Their intention asexual, which has become the aesthetic of socialist realism module, replicated in different types of posters, textbooks and other so-called visual propaganda, invaded the life of every Soviet citizen. background, reinforcing the impact of such education, have been politicized and ideologized newspaper text, slogans, inscriptions.
Grisha Bruskin, like many artists, who grew up in the Soviet Union after the Second World War - from this life. His artistic mind, which denied imposed aesthetics, reconstructed shaped the world in which the usual modules used as archetypes, paradoxically transformed into its opposite. Characters Bruskin - this is not parody. Appeal to the stereotypes - is a technique that helps to concentrate, to focus the audience, put them in an atmosphere in which there are images created by the artist.
It was already in the history of world art (Bosch, Manerrists, Pre-Raphaelites). Accommodation past life, myths, ancient legends and stories through artistic transformation of established styles of previous eras - understandable and well-known phenomenon. Usually it appears in the history of art on the verge of the emergence of new directions.
Perhaps the work of Grisha Bruskin, brilliant graphics, masters of plastic forms, the artist-intellectual - is one of the bright reflections of the artistic mentality of the second half of XX century. Artworks Bruskin - metaphorical, regardless of the topic. They are laconic and expressive through seemingly simple, but bright plastic means.
Despite the social scheme, used by the artist, creativity Bruskin, formed in the atmosphere of Russia 1970-1980-s, - no specific time. His work is personal "code", which is characteristic only for Bruskin. The images created by the artist in painting, drawing, sculpture, porcelain, there is always a reflection, enriching the external stiffness and schematism his image, lyrical on the merits ".
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