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Язык оригинала: Русский #1 |
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June 1, 2009 on the veranda of the Moscow Museum of Modern Art held a round table with the organizers and participants of the Russian program at the 53rd Venice Biennale. World review of Contemporary Art opened on 7 June and will last until November 22, 2009. The event is geographically distant, not very open because the property qualification, and therefore easy-prone mythologizing. As they say, I have not read Pasternak, but from the press know that ...
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Эти 5 пользователя(ей) сказали Спасибо Vladimir за это полезное сообщение: | Glasha (04.07.2009), lusyvoronova (04.07.2009), Евгений (04.07.2009), Кирилл Сызранский (04.07.2009), Синица (04.07.2009) |
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Язык оригинала: Русский #2 |
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... the main come down to us from Italy, the scandal was the episode with a gesture of the artist Andrew Molodkina. You should be aware of its distinctive pump installation - inside the plexiglass sculptures pumped liquid (usually oil), turning the sculpture quote (usually political) in the absolute metaphor. For each such phrase (G8, COLD WAR II, etc.) or image (the crucifix, Nike, etc.) can write an essay of 48 pages.
While it was cool - it was fascinating. Slogans on our age will suffice. And technological ideas are born every day. So Molodkin had to be repeated, squeezing to infinity the same engineering discovery. Therefore, those who had seen his work before, is unlikely to be speechless with surprise at the sight of the sculpture "Red and Black". Two hollow transparent Nike of Samothrace, and things as usual - is circulating in the blood and oil, respectively. Works piece - and thank God. But no such luck - Molodkin had prepared a surprise. According to the victims in the evening on the opening day, having lulled the vigilance of the curator, artist "signed" their work by placing two inscriptions: in aglitski "Chechen crude oil" and "the blood of survivors of the Chechen war." Op-pa! And this policy in the public hall, but also on the sensitive issue. Gesture by gesture, but also get a hat - easily. Molodkin lives in France, may not be familiar, but in Russia to receive the cap is often not the case, namely gestures ... Classic "propuskat. Someone in the ribbon is not that cut off the Turkish hotel, someone "good operative" who was shot in supermarket praise or worse in the climb with the business policies of the past. And what this Molodkina not enough? And at the Biennale invited, and on the cover of the catalog Nick was placed. And he, you know ... hardly intercepted. It's a miracle cost joke, and only ... And, incidentally, very well done out Molodkin: some gray hair, he added, but was more than all the references in the foreign press. |
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Эти 5 пользователя(ей) сказали Спасибо Vladimir за это полезное сообщение: | Glasha (06.07.2009), Sandro (04.07.2009), Бирюза (05.07.2009), Евгений (04.07.2009), Кирилл Сызранский (04.07.2009) |
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Язык оригинала: Русский #3 |
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First, the curator of Russian Pavilion Olga Sviblova reported the situation. According to the press - a success. By the number of references: Molodkin - 125, Ostrecov - 28, Pepperstein - 41, Kalima -92. In addition to all Russian leader on quoting the illustrative material - it's painful to us spectacular pictures.
And all was decorous, noble and dull, until the word did not take art Tar: - In recent years the territory of art included many people not from the scientific environment .... They can not blame the fact that these people were much more understandable public relations laws than laws of art as a critical intellectual activity. It's hard to imagine the curator said in a speech as Olga Sviblova. Mentions in the press - it is positive. But it seems to me that the curator of Russian Pavilion should not talk about it. He must put a completely different problem. Not every organization of exhibitions is coaching. Supervision - is the production of meanings, intellectual work. The purpose of curatorial work can not be promotion of anything there. Whether it's the brand of the artist or brand of contemporary art in general. We are a mixture of everything. The curator does not dare to explain to the sponsor that the task of the exhibition is not promotion, and artistic. An aggressive public relations policy leads to pressure on the criticism. It seems that if progress is being made in the promotion, the critical statement is impossible. I think this is absolutely unacceptable. |
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Язык оригинала: Русский #4 |
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Line Tar continued Milena Orlova:
On the cover of our magazine ( "ArtChronika") placed boxer Vladimir Klitschko, who was officially named the curator of the Ukrainian pavilion, which he in fact is not. In essence this is a PR triumph over art. In order to get good press to hire a good PR agency. It is a pity that in Venice I came through the Moscow House of Photography. So be it. It was not my desire, and desire of my former guide, who did not want to pay for my trip. This ties the hands of journalists. Everything you read about the Venice Biennale in the Russian press - divide it into four or five. Our hands were tied and gagged their mouths. I do not know how to continue to develop my personal relationship with the Moscow House of Photography, but the situation in which I had to choose the interests of journalism before the interests of all Russian art probably was not very easy. But I decided that I'd rather remain a journalist. I mean the story of the incident with the work of Andrew Molodkina. Many foreign journalists were interested in this work, as politicians on the Biennale was little, the reference of the Chechen theme is such an interest. I agree with Olga L., it was a PR move by the artist. But I honestly do not understand how the curator may not know that the artist is making a PR move of this kind. |
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Язык оригинала: Русский #5 |
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... I am grateful to Milena for the fact that thanks to her I saw the inscription, which Molodkin hung at the end of the first day, when the pavilion was already open. He hung up the signs, which apparently were stored in France, because in Venice the letters can be done about the blood of Chechen soldiers. I was shocked .... I asked a simple question of the artist: "Can you tell me the names of the soldiers, who do you take this blood? Can you prove that oil is a Chechen, and not some other? If you can not - take off their hands, and I'll help you. Blood of this - the usual blood from the French Hospital
- Shame Molodkina! (it is already connected Ostrecov Gosh, who successfully avoided controversial subjects). .... Each is responsible for himself. But what he did - a simple human weakness, which is understandable. Well, on a replica Tar Sviblova answered somehow unconvincing Journalistic trip did not require him to write a plus or a minus. Katja Tar imposed direct censorship on me. When negotiating with me for an interview, she said that she will print it or print, depending on whether or not she's interested or not. |
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Язык оригинала: Русский #6 |
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... I think Olga L. should be more critical attitude toward this very Molodkina. Quintessence creativity Molodkina - this is this inscription. And it is this total and unconditional PR. ....
... Do the curators in Russia in general? I think not. This is a very rare profession. In the world, perhaps we could call the man 10-15. In Russia there are 2.3 of the applicant. For example, Viktor Misiano. Display against a non-existent PR profession Russian curator - is an attempt deliberately dirty. ... Throughout the world, national pavilions serve as a serious representation of prominent authors who have influenced a particular national culture. For example, it was like when exhibited Kabakov. It is not necessary in general to stop all these PR stories, but simply refer the pavilion one artist. It is easy to understand, who can so represent. For example, a monastery, or Andrei Ivan Chuikov, or, for example, Bulatov. Let the artist, one with the curator will do it one good exposure. And, do not need anything more. And so seven artists, five artists - is absurd. Give authors deserved at least somewhere to exhibit, when they were 55-65 years old. The young artists 15-20-30 exhibitions a year. Why did they draw? So the artists get there, sorry, not sewn mare's tail. Artist Sergei Shekhovtsov (foam): And you would have refused, Toll? Osmolovskii: Refused! And Alimpieva offered - refused! Shekhovtsov: Come on tales to tell! |
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Язык оригинала: Русский #7 |
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... I have since 1996, travel to Venice and the first time in my practice for the first time this year at the opening of the Russian pavilion was the minister. As a private initiative, not important. Came, opened the pavilion - and the glory of God. Previously, came at the best department head for something there. Case a state.
... Russian pavilion has become a representation of artists. What's happening? Should have seen how artists run after by collectors and show their own work. Should have seen how working artists, when the pavilion comes Roman Abramovich - that's really a shameful spectacle. Perceive this as an opportunity capitalization own art, then to a higher price to sell it. PS Molok now - Development Director, Stella Art Foundation. |
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Язык оригинала: Русский #8 |
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For quotations, everything looks sharper than in life. In the realities on the antagonism of any such forces will not suffice. So cute curse - is upset. Sviblova, which can attract such projects alone, long accustomed to criticism. Do not "miss" the one who does nothing. Disassembly and a clear division of roles, institutions, media, PR, curators - is "City of the Sun by Tommaso Campanella. How to remember it was an order that the drivers Autoline on the road watched, and the money only at bus stops to take? Viability and no more. Well, that someone is on someone's professional territory and interferes with people "PR" is talking, so who is to blame for this? Articles on contemporary art art have long read?
Normal PR displaces sophisticated nonsense as advertising drugs displaces medical encyclopedia. Such a prospect too - or the future that more and more difficult to win. Dating Russian landing in Venice 2009: http://russian-pavilion.info/rus/default.html |
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Язык оригинала: Русский #9 | ||
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![]() Цитата:
[color="# 666686"]Added after 1 minute[/color] Цитата:
![]() [color="# 666686"]Added after 3 minutes[/color] And this just strange. "Creative" or something?: D Some greetings from the past. |
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Этот пользователь сказал Спасибо gans за это полезное сообщение: | Евгений (04.07.2009) |
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Язык оригинала: Русский #10 |
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Difficult to say. But to the subject of growing attention. Here and colleague Molodkina on her work: http://www.ng.ru/style/2009-07-03/8_politic.html
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Этот пользователь сказал Спасибо Vladimir за это полезное сообщение: | Евгений (04.07.2009) |
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Тема | Автор | Разделы | Ответов | Последние сообщения |
Art Biennale 2009 in Venice | ArtKristy | Exhibitions and events | 0 | 11.06.2009 10:08 |
The American collector found thousands of stolen property in Italy | SergeiSK | Art Kaleidoscope | 0 | 09.06.2009 11:51 |
National Art Museum of Belarus will present his exhibit in Italy | Евгений | Exhibitions and events | 0 | 03.05.2009 06:45 |
Venice Biennale | Ася | Exhibitions and events | 3 | 16.04.2009 16:10 |
Shvydkoi, Sviblova, Venice Biennale | Vladimir | Chatter | 0 | 27.08.2008 15:03 |
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