S. Platonov

[Alex6775]

We assume that Lagorio with no luck. 'll Show on this picture. Known, judging by the signature, that Platonov S. I do not know the name, I do not know the year, the cost. Do not know anything. Canvas. Oil. Size 90x60

[SergeiSK]

Alex6775,
According to the authors' signatures your pictures can be Platonov Semen Sergeevich (1860-1925). Russian painter, author of genre paintings and landscapes. In 1889 he graduated from the St. Petersburg Academy of Arts. Lived and worked in Kiev. Her works are in Perm XM and Yaroslavl, Rostov-historical-architectural museum-reserve.
But the photo is difficult to say whether the original or a copy of \ fake. Please show the reverse side of the picture, a single large photo signature and a large picture of any part of the picture ..

[Alex6775]

Faster not work, because paintings far. Waited until the send photo.

[sergejnowo]

Сообщение от Alex6775

Let us assume that Lagorio no luck

then you likely have more luck.
The picture you have to show the specialist.

[SergeiSK]

Alex6775,
All, thank you. I hold my opinion:

Сообщение от SergeiSK

the author of your pictures can be Platonov Semen Sergeevich

[ANTIK]

How much do you want?

[sergejnowo]

ANTIK, In all seriousness, you never call or ask price for the bullshit.
For beginners should take note, ANTIK interested in, then good standing.: D

[Alex6775]

Look, please, two more pictures. I know that one copy of Aivazovsky. Not known author in both pictures. Size of the first 22h31, 19h30 second. Both written butter on thick cardboard, or fiberboard. Very grateful.

[SergeiSK]

Сообщение от Alex6775

two paintings

Author, I think, and I do not know ... Weak painting, at the amateur. But the birds by loved In every picture almost does not fly in flocks. And if the first scene is something of Aivazovsky, it is only an idea.

[Alex6775]

Another photo, with regard to Platonov. Painting consists of three frames. The first frame of the extreme-frame, the second-and third secondary framing, painting directly. So the second, any inscriptions.