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Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues. |
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Опции темы | Опции просмотра |
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Язык оригинала: Русский #1 |
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I recently registered on the site and want to share with you the opening of the art in modern iconography.
Yury Kuznetsov Biography Erosovich Yuri Kuznetsov was born in 1948 in the family of the artist Eros Vasilyevich Kuznetsov. Most of his life engaged in art - decorating work in parallel and independently studied history and techno-topology of iconography. My first icon - "Exaltation of the honest and the Holy Cross" written in 1994.
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Эти 5 пользователя(ей) сказали Спасибо ArtKristy за это полезное сообщение: | Anaconda (29.05.2009), Jasmin (28.05.2009), lusyvoronova (11.06.2009), Владимир Владимирович (09.02.2013), ранжер (10.06.2009) |
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Язык оригинала: Русский #2 |
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Icons Kuznetsova, undoubtedly emit light, rather unearthly glow of the world. And how came the vision of writing style paintings by this (point), or other methods that preceded the writing of icons?
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Язык оригинала: Русский #3 | ||
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Язык оригинала: Русский #4 |
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This is precisely point - kruglyashi
![]() That's interesting, but why do people draw the icons? The artist conveys his inner world through art, in this case through the icons. Probably in my heart this man has a light and colorful and he wants to share it with people. Does she understand the art of JE the people and how they refer to such an unusual style of writing, the clergy? |
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Язык оригинала: Русский #5 | |
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![]() if we take into account the fact that the writing of icons JK there is a place (some waiting for several years), we can say that "the people" to understand. With regard to priests, I think, after receiving the blessing of Patriarch Alexy II, all issues should be resolved by themselves. |
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Язык оригинала: Русский #7 |
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With regard to pointillism in Kuznetsovsk letter "very good, said AK Yakimovich" To revive the canonical Russian icon, but to use her writing experience in French pointillism. Where, who, when he could think of this before, if not in Russia's privacy? " (Collection number 2 June, 2007, pp. 58)
![]() Some historical background may be of interest. The method of Pointillism (from the French. Pointiller - writing points) is based on the fact that "simultaneous contrast of colors contains all the modifications, which are of different color objects in the physical structure and strength of tone in their own colors when looked at the same time" ( Chevreul. La Loi du contraste simultane des couleurs, Chap. I, section number 78). This is "the interpenetration of all colors and shades in their pure form" (John Revalde. Postimpressionism. SA St. Petersburg, Moscow, 1962. P.56). This similarity "Kuznetsovsky letter" with pointillism. Prior J. Sulfur principle of optical, rather than the pigment color mixing used Impressionists, notably Delacroix. I think this is due to the fact that they were not satisfied with the result, they wanted to show greater color Spector, than the ability to transmit painting. On the complexity of this method shows how a small number of works created by J. Sera (author managed to write only seven: confused: (!) Large canvases), and a limited number of followers. Perhaps precisely because of the complexity that is unrelated to the efforts expended with the result, as it seemed to his contemporaries Jean Serra, his method has been criticized for being too scientific and rationality that is in contradiction with the principles of intuitionism Impressionists. In defense of this method performed well-known critic and admirer of creativity Jean Felix Feneon Sera: "We understand why the Impressionists, striving to convey the utmost brightness of the light, want to replace the mixture on the palette with a mixture of optical, as is sometimes done before Delacroix. And Sera gives us the first full and a systematic sample of this new technology. His huge canvas "Grand Zhatt, no matter what part of it you will not researched, is the eye homogeneous patiently woven carpet. Here, in fact, prevent accidental stroke, can not lie, there is no room glitz -- Let numb arm, but the eye should always be swift, sharp and true. " The method is very, very time consuming. Says Yuri Kuznetsov: "Sometimes there is a sense steklyashek in the eyes, then it is impossible to write, have a rest. What does not make for the sake of art. ![]() |
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Этот пользователь сказал Спасибо ArtKristy за это полезное сообщение: | Синица (12.06.2009) |
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Язык оригинала: Русский #8 |
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And I liked the icons. Technique is very rare and wonderful. From them comes an unearthly radiance and the soul is revealed toward the divine light and images Svtyh become even closer still dearer. When I saw them, then felt something that words can not vyskazat.Eto something cosmic and little known, I think when something in 17 or 18 century technology was a bit similar. Points take some galograficheskoe image and do not see them, and you see something quite different, as though you are in three-dimensional measurement. Give God the author of health and success in his work. And as you can get icons?
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Язык оригинала: Русский #9 |
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Регистрация: 03.06.2008
Адрес: Москва
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I think that in an address to a canonical way and means of letters primarily contains the absolute denial of the artist from her and I turn it into a tool with which we are given an icon.
Of course, with the blessing of Patriarch Alexy II, all questions disappear. Many years ago I had some time is familiar with the amazing artist, a man of faith. In her small room stood an ancient wooden loom, on which she wove veils and other work - exclusively on orthodox subjects. What I saw, is unique. Amazing faith, beauty and dignity of things. And then, one day, she let loose all the unfinished work, saying it was wrong and so it is impossible. We have not seen more than 20 years, I know that now she does not live in Moscow, wrote the icons, banners weaves, does a great job, but only the canonical. |
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Язык оригинала: Русский #10 | ||
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As for some of the stylistic features, they just need (I am a little late, just you do not have the book, give a statement on the subject of Metropolitan Anthony Surozh), otherwise the icon's image or an event from the Gospel will not be experienced by a painter and an icon in this case would not be alive. With regard to the canon (thank you for your comment, Allena, as for me very important different views on the icon Yuri Kuznetsov), then just today I spoke about this with VV Konadeykinym - head. exhibition-exhibition department Mordva Republican Museum of Fine Arts SD Erzya (after 2 weeks I have opened a site on which I lay out this interview and then give the link). There is now undergoing Exhibition "Orthodox icon. Tradition and Modernity. "The exhibition features icons XVIII - XIX centuries from the museum collection, icons, XVII - XX centuries from the collection of the Moscow icon painting restoration workshop" Canon ", as well as contemporary icons, including 3 icons by Yuri Kuznetsov. So, in our conversation, I asked Victor Konadeykina as visitors and museum workers react to the icon, and that the specialists said. He said that staff had initially wary, but then penetrated, the spectators of the icon's liking, but the head of the above-mentioned workshop "Canon" AV . Regine said that nothing in the canon are not. [color="# 666686"]Added after 7 minutes[/color] Цитата:
Soon I'll open a site on which the matter will be assigned an individual page, but for now I suggest you write your personal message and I'll answer your questions individually.: ) Allena, add the promised quote from the book works of Metropolitan Anthony Surozh (Practice, 2002), chapter "Ways of God", section "I want to share with you the fact that the accumulated ...", pp. 733: "I remember Leonid Ouspensky told a beginner students:" Remember that the icon can not invent, but the icon is also not slavishly copy, because that icon should be your experience within vsetserkovnogo experience, which has already found expression in the icon " . And so when we look at various lists of the different icons: Vladimir, Iver, Kazan, we are seeing some differences. More than that, some icons have acquired the second name of the place, where they had made a copy. The same truth that went through the soul of another person, has found its true, vsetserkovnoe expression in the new features. |
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Этот пользователь сказал Спасибо ArtKristy за это полезное сообщение: | Allena (02.06.2009) |
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