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Artists, artworks, art history Discuss artists, their lives and works, the history of works’ creation and other art history issues.

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Старый 25.05.2009, 16:29 Язык оригинала: Русский       #1
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По умолчанию The icon painter Yuri Kuznetsov

I recently registered on the site and want to share with you the opening of the art in modern iconography.

Yury Kuznetsov

Biography

Erosovich Yuri Kuznetsov was born in 1948 in the family of the artist Eros Vasilyevich Kuznetsov. Most of his life engaged in art - decorating work in parallel and independently studied history and techno-topology of iconography. My first icon - "Exaltation of the honest and the Holy Cross" written in 1994.
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In 1997, received the blessing of the Provost ikonnopisanie Kovrov and Kameshkovskogo area father Stephen. After 6 years in the program "Time" First Channel television showed Rossiyskogo plot, in which the icons Yuri Kuznetsov was named "iconography of the XXI century". In the period from 2000 to 2008 in the Istra Reservoir, Univ. region., was erected a temple of St. Nicholas, all the icons are made by Y. Kuznetsov. In 2005, Yuri wrote Erosovich icon "Protection of the Blessed Virgin" for the church of the Intercession on the Nerl. The icon was consecrated Bishop Eulogius - Archbishop of Vladimir and Suzdal.
March 15, 2006 a special method of iconography Yu.E. Kuznetsov was registered Rossiyskim copyright society as "Kuznetsovsk letter. Along with other prominent people in the town house painter went into the book "Our contemporaries - the pride of the Vladimir region. In 2006, Yuri Erosovich received the blessing of the 15 th Patriarch of Moscow and All Russia Alexy II.
In celebration of 850 anniversary of the Holy Dormition Cathedral in Vladimir Yu.E. Kuznetsov wrote an icon of the Vladimir Mother of God, which has donated the cathedral on Aug. 28, 2008.
              Icons Yu.E. Kuznetsov are in temples and monasteries (St. Seraphim monastery on the island of Russian, South Ussuri nunnery, Meshchovsk St. George Monastery, Cathedral of the Transfiguration Monastery Murom, etc.), museums ( Museum Nicholas Roerich, Moscow, etc.) in private collections, including the collection of the Moscow Patriarchate, the Archbishop of Vladimir and Suzdal Hammers Eulogius and in many private collections.
              For fifteen years, Yuri Kuznetsov, written over 1300 icons, more than 200 of them are larger than 1,00 x 0,75 m and 15 folding.
Yu.E. Kuznetsov is a member of the Creative Union of Artists of Russia and the International Arts Fund.

What is Kuznetsovsk letter "?

I will start from far away ...
"Icon is not only an expression of the experience of the person who wrote it, it is an expression vsetserkovnogo experience. <...> The artist did not invent the icon, he is immersed in the knowledge of God, common to the whole Church, which belongs to the <...>. It is attached through their flesh, through his heart, through his idea to the whole mystery of gradual knowledge of God within humanity "(Anthony, Metropolitan Sourozh. Proceedings. M., 2002. P. 717).
That is what "immersion in the knowledge of God" had left many years of life Yu.E. Kuznetsov, was born before a particular method of iconography, a registered copyright society Rossiyskim March 15, 2006 as "Kuznetsovsk letter."
A new method of icon painting is named after its author on the law. It is directly linked to specific refined perception, which has Yu.E. Kuznetsov. The icon painter sees and can transmit the color of any event, phenomenon or condition. Faith, goodness, holiness, - for him, these concepts are not divorced from the visible reality, but are its direct part. And this reality - the world of shimmering colors with an infinite number of combinations and colors.
Before writing an icon Yuri Erosovich in prayer appeals to the holy and selects from the colorful world, only those colors and combinations that are relevant to this image. To sort them in the image space, house painter stringing colored petals and a point on the drawn first ornament. Each point in the hologram carries information about all the image.
Carrying the holy image of the dynamic. Paint on the surface of the icon are "independently" and leave the eye to mix them as you - "According to your faith be it unto you." This unique approach helps to modern man on the way in heavenly peace.

Exhibitions

1996, September - "Father and Son. Eros and Yuri Kuznetsov ". International Fund for UNESCO, Gogol Boulevard, Moscow.
1997, October - Exhibition of Artists, the Kow-ment, the House of Culture named after Lenin, Kovrov.
2003 September - Exhibition of contemporary artists cosmists "Beauty will save the world. International Center-Museum. Nicholas Roerich, Moscow.
2004, August - Solo exhibition of icons at the Center for Fine Arts in Vladimir.
2004, September - Solo exhibition of icons "an introduction to the spiritual light. Highland Historical and Memorial Museum, Kovrov
2005, January - Personal exhibition of icons "Icon of the XXI century". International Center-Museum Nicholas Roerich, Moscow.
2005 September - Solo exhibition of icons "And the light reaches the soul." Murom Historical and Art Museum, Moore.
2008, March - art project "12 very good work. Theme - "The Miracle of St. George and the Dragon". Annual Art Salon 08 Central House of Artists, Moscow.
2008, April - art project "12 very good work. Theme - "The Miracle of St. George and the Dragon". Artgalereya "Tree", Moscow.
2008 August - Retrospective exhibition of works Yu.E. Kuznetsov (icons, pictures) "And the light reaches the soul" to honor the 60 th anniversary of the icon painter. Culture Palace ON TOCHMASH, Vladimir.

Awards
  • Laureate Diploma City Award "Recognition" in the field of culture, art and literature.
  • Letter of thanks from the adminis-ADM of Vladimir "for his great contribution to the art of icon painting, aesthetic education of the population of the city and in connection with the creation of a thousandth of the icon.
  • Medal of sacrificial service "and" Peter's charter "Pan-Russia public movement" Orthodox Russia ".
  • The silver medal for contributions to the fatherland, a quantitative culture of "Creative Union of Artists of Russia.
  • Medal "Russian land" Obscheros post-age social movement "Orthodox Russia".
  • Honorable sign the All-Russia public organization of veterans.
  • Malachite medal "For his contribution to the implementation of programs to protect maternity and childhood" and a Golden Diploma international public associations-tion of charitable funds, "Mama."
  • The letter "For the active creative work, a great contribution to revive and preserve the traditions of native spirituality.
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ArtKristy вне форума   Ответить с цитированием
Эти 5 пользователя(ей) сказали Спасибо ArtKristy за это полезное сообщение:
Anaconda (29.05.2009), Jasmin (28.05.2009), lusyvoronova (11.06.2009), Владимир Владимирович (09.02.2013), ранжер (10.06.2009)
Старый 26.05.2009, 12:18 Язык оригинала: Русский       #2
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По умолчанию Good day to you!

Icons Kuznetsova, undoubtedly emit light, rather unearthly glow of the world. And how came the vision of writing style paintings by this (point), or other methods that preceded the writing of icons?



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Старый 26.05.2009, 22:12 Язык оригинала: Русский       #3
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Icons Kuznetsova, undoubtedly emit light, rather unearthly glow of the world.
It is precisely point, Ilyinase. Although in reality, tsifrvoe image conveys only a very small part of the radiance. In the space of real icons (they are quite large 75x100 cm), it is reinforced by the fact that the colors blend optically. And, says Yuri Kuznetsov, mixed "by faith" prayer that is depending on his mood.
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But how came the vision of paintings by this writing style (point), or other methods that preceded the writing of icons?
The first icon was painted in the traditional manner, and follow-up has already written to the ornament and the subsequent filling of the space points. But no meaningful transition to "Kuznetsovsky letter" Yuri was not (I am very detail rasprashivala) just began writing icons so. Explanation came later. Example is: "Everything is made up of dots: whole life, all the action. And it points out - "kruglyashov" rather than lines or squares. Because only kruglyash can live independently - it is round on all sides and therefore protect himself. He has a border, and they should be round, to be the same everywhere. And if there were a smear, then he would have been different in length and width of this already have a kind of insecurity. A kruglyash - "stalwart". Nobody will say: "Here comes burly tall and thin." Stalwart should be round. " And yet, Yu.E. Kuznetsov said that our world - is an infinite number of interpenetrating spheres that exist simultaneously. So.



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Старый 28.05.2009, 15:42 Язык оригинала: Русский       #4
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This is precisely point - kruglyashi they are in life kinder. Another interesting fact is that each point of the icon gives information of the whole image - as in the universe.
That's interesting, but why do people draw the icons?
The artist conveys his inner world through art, in this case through the icons. Probably in my heart this man has a light and colorful and he wants to share it with people. Does she understand the art of JE the people and how they refer to such an unusual style of writing, the clergy?



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Старый 29.05.2009, 15:30 Язык оригинала: Русский       #5
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That's interesting, but why do people draw the icons?
The artist conveys his inner world through art, in this case through the icons. Probably in my heart this man has a light and colorful and he wants to share it with people.
As far as I know from experience with the artists and painters all have different motivations for creativity. Of course, tvorchesto is an expression of inner peace, but in the case of the iconography is the case a little more complicated, because (I quote Anthony led Surozh) house painter must join vsetserkovnomu experience and observe the canon. Depends on the personality of iconographer penetration into the world of the saints and the possibility of significantly (true) to transmit their pictures on the icon so that and was able to share the prayer for this world. It depends on the strength of his faith and, if you will, of holiness. As for the icons, Yuri Kuznetsov, the interest in them, I came across at the very moment when I first saw the image of the Virgin of tenderness (in blue) felt an unusual maternal care emanating from its image, and even shed a few tears
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understand whether the art of JE the people and how they refer to such an unusual style of writing, the clergy?
if we take into account the fact that the writing of icons JK there is a place (some waiting for several years), we can say that "the people" to understand. With regard to priests, I think, after receiving the blessing of Patriarch Alexy II, all issues should be resolved by themselves.



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Старый 01.06.2009, 19:46 Язык оригинала: Русский       #6
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very similar to pointillist ...?



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Старый 01.06.2009, 22:07 Язык оригинала: Русский       #7
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is very similar to pointillist ...?
With regard to pointillism in Kuznetsovsk letter "very good, said AK Yakimovich" To revive the canonical Russian icon, but to use her writing experience in French pointillism. Where, who, when he could think of this before, if not in Russia's privacy? " (Collection number 2 June, 2007, pp. 58) need to break the ... continue later ...

Some historical background may be of interest.

The method of Pointillism (from the French. Pointiller - writing points) is based on the fact that "simultaneous contrast of colors contains all the modifications, which are of different color objects in the physical structure and strength of tone in their own colors when looked at the same time" ( Chevreul. La Loi du contraste simultane des couleurs, Chap. I, section number 78). This is "the interpenetration of all colors and shades in their pure form" (John Revalde. Postimpressionism. SA St. Petersburg, Moscow, 1962. P.56). This similarity "Kuznetsovsky letter" with pointillism.
Prior J. Sulfur principle of optical, rather than the pigment color mixing used Impressionists, notably Delacroix. I think this is due to the fact that they were not satisfied with the result, they wanted to show greater color Spector, than the ability to transmit painting. On the complexity of this method shows how a small number of works created by J. Sera (author managed to write only seven: confused: (!) Large canvases), and a limited number of followers. Perhaps precisely because of the complexity that is unrelated to the efforts expended with the result, as it seemed to his contemporaries Jean Serra, his method has been criticized for being too scientific and rationality that is in contradiction with the principles of intuitionism Impressionists. In defense of this method performed well-known critic and admirer of creativity Jean Felix Feneon Sera: "We understand why the Impressionists, striving to convey the utmost brightness of the light, want to replace the mixture on the palette with a mixture of optical, as is sometimes done before Delacroix. And Sera gives us the first full and a systematic sample of this new technology. His huge canvas "Grand Zhatt, no matter what part of it you will not researched, is the eye homogeneous patiently woven carpet. Here, in fact, prevent accidental stroke, can not lie, there is no room glitz -- Let numb arm, but the eye should always be swift, sharp and true. "
The method is very, very time consuming. Says Yuri Kuznetsov: "Sometimes there is a sense steklyashek in the eyes, then it is impossible to write, have a rest. What does not make for the sake of art.



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Старый 02.06.2009, 11:13 Язык оригинала: Русский       #8
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And I liked the icons. Technique is very rare and wonderful. From them comes an unearthly radiance and the soul is revealed toward the divine light and images Svtyh become even closer still dearer. When I saw them, then felt something that words can not vyskazat.Eto something cosmic and little known, I think when something in 17 or 18 century technology was a bit similar. Points take some galograficheskoe image and do not see them, and you see something quite different, as though you are in three-dimensional measurement. Give God the author of health and success in his work. And as you can get icons?



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Старый 02.06.2009, 13:14 Язык оригинала: Русский       #9
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I think that in an address to a canonical way and means of letters primarily contains the absolute denial of the artist from her and I turn it into a tool with which we are given an icon.

Of course, with the blessing of Patriarch Alexy II, all questions disappear.

Many years ago I had some time is familiar with the amazing artist, a man of faith. In her small room stood an ancient wooden loom, on which she wove veils and other work - exclusively on orthodox subjects. What I saw, is unique. Amazing faith, beauty and dignity of things. And then, one day, she let loose all the unfinished work, saying it was wrong and so it is impossible. We have not seen more than 20 years, I know that now she does not live in Moscow, wrote the icons, banners weaves, does a great job, but only the canonical.



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Старый 02.06.2009, 14:40 Язык оригинала: Русский       #10
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I think that in an address to a canonical way and means of letters primarily contains the absolute denial of the artist on his own and I turn it into a tool with which we are given an icon.
Since it was difficult not to agree. So this is what distinguishes the icon painter from the artist. If you ask Yuri Kuznetsov as he writes an icon, he says: "By the will of God."
As for some of the stylistic features, they just need (I am a little late, just you do not have the book, give a statement on the subject of Metropolitan Anthony Surozh), otherwise the icon's image or an event from the Gospel will not be experienced by a painter and an icon in this case would not be alive.
With regard to the canon (thank you for your comment, Allena, as for me very important different views on the icon Yuri Kuznetsov), then just today I spoke about this with VV Konadeykinym - head. exhibition-exhibition department Mordva Republican Museum of Fine Arts SD Erzya (after 2 weeks I have opened a site on which I lay out this interview and then give the link). There is now undergoing Exhibition "Orthodox icon. Tradition and Modernity. "The exhibition features icons XVIII - XIX centuries from the museum collection, icons, XVII - XX centuries from the collection of the Moscow icon painting restoration workshop" Canon ", as well as contemporary icons, including 3 icons by Yuri Kuznetsov. So, in our conversation, I asked Victor Konadeykina as visitors and museum workers react to the icon, and that the specialists said. He said that staff had initially wary, but then penetrated, the spectators of the icon's liking, but the head of the above-mentioned workshop "Canon" AV . Regine said that nothing in the canon are not.

[color="# 666686"]Added after 7 minutes[/color]
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And I liked the icons. Technique is very rare and wonderful. From them comes an unearthly radiance and the soul is revealed toward the divine light and images Svtyh become even closer still dearer. When I saw them, then felt something that words can not vyskazat.Eto something cosmic and little known, I think when something in 17 or 18 century technology was a bit similar. Points take some galograficheskoe image and do not see them, and you see something quite different, as though you are in three-dimensional measurement. Give God the author of health and success in his work.
Larissa, thanks for the warm feedback.

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And how can we get the icons?
Soon I'll open a site on which the matter will be assigned an individual page, but for now I suggest you write your personal message and I'll answer your questions individually.: )

Allena, add the promised quote from the book works of Metropolitan Anthony Surozh (Practice, 2002), chapter "Ways of God", section "I want to share with you the fact that the accumulated ...", pp. 733:
"I remember Leonid Ouspensky told a beginner students:" Remember that the icon can not invent, but the icon is also not slavishly copy, because that icon should be your experience within vsetserkovnogo experience, which has already found expression in the icon " . And so when we look at various lists of the different icons: Vladimir, Iver, Kazan, we are seeing some differences. More than that, some icons have acquired the second name of the place, where they had made a copy. The same truth that went through the soul of another person, has found its true, vsetserkovnoe expression in the new features.



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