Продано: German Egoshin - "Gladioli"

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For Sale:

German Egoshin, Gladiolus, 1960, oil on canvas /oil, 73 x 57.5 cm


Herman P. Egoshin was born in Leningrad in 1931. He studied in 1949-1950. at the Leningrad Art School. VA Serov, then the Leningrad Art School (1950 - 1953 gg.). In 1959, he graduated from the Institute of Painting, Sculpture and Architecture. Ilya Repin Academy of Arts of the USSR in the studio BV Johanson. Since 1961, G.Egoshin - a member of the Union of Artists of the USSR, an active participant of exhibitions in Russia and abroad. He - one of the creative leaders of the northern capital of the 1960s, one of the initiators and active participants of the "Eleven", created in the Leningrad Union of Artists. In the period from 1959 to 1999. Egoshin was a member of more than 70 exhibitions in various cities of the country and abroad - in Austria, Belgium, Germany, Spain, Italy, Canada, Czechoslovakia, the United States and Japan. Even his first independent steps in art characterized by a departure from academic tradition, from the stereotypes. From the very beginning of his career, he showed a strong interest in the art of 1910-1920's, first of all, to the masters of "The Jack of Diamonds" - P. Konchalovsky, Mashkov, A. Lentulova, was a follower of style "Russian Cezannism" in understanding color composition space concept "thinghood" nature. His inspiration has always been postmodernism. His painting, "Mayakovsky", created in the mid-60s and became the program, was a prime example of the "severe style". Almost immediately, his work came to the attention of spectator interest due to the variety and richness of color solutions. In the 60's - 70's, marked a significant rise of the creative energy, the search for values, the artist experimenting a lot, referring to the different versions of avant-garde art, often resorting to the active deformation of the shape to a primitive and other early works Egoshina marked a schematic images which later gives way to the top of the active picturesque, acquire the basic meaning and interaction of colorful silhouettes of the masses. Famous work of that time is the "Family Portrait" in which he portrayed himself at ease with the newspaper lying on the couch in his hands in a circle of his closest people, thus demonstrating his apparent reluctance to write on topics of the day. Out of all the wide range of expressive means Egoshin selects only the color. His subtle nuances, graduations, flickering form a complex pictorial field, built on the juxtaposition of color patches. The choice of the color palette is generally related to the objects and phenomena of the world. Nature is always present in his work as a source of inspiration. His paintings are characterized by a diversity of sometimes, sometimes sustained in a single-tone harmonies of color gamuts, it is smooth, then the invoice, but it's always - his style, his way, the ability to see the world differently. Of a wide variety of subjects the artist chooses what is close to him that fits his conception of the world, his desire to join the superior nature, its mysterious aspects. G.Egoshin, after passing the phase of experimentation and different searches, beginning with 1970's running in a single creative manner, a certain degree of integrity. For it is very important sense of ensemble interaction colorful masses that do not emit light, not reflected in each other, however, is drawing closer in line with the requirements of the general color, strokes interpenetrate each other. It seems that the light going into depth, lights a fire inside a special form of varying degrees of intensity, perceived as a bundle of energy, flowing from the form to form, showing the dynamics of the picturesque masses. Pure color is missing, throughout various mixtures, all expressed in a variety of textures. Does not appear on the canvas objects and things, but rather to the Center of the colored energy is converted into matter - spots that are fused together, then spread over the surface of them, then give way to the likeness of hatching. Virtually no background as such, all of a unit, a single visual image, a kind of vibrating flesh colors. His art is like balancing between the sign and the reality. Creativity Egoshina generally optimistic in its emotional charge. Ease of air and the severity of the primary matter organically combined in his work thanks to the skill of the artist to build composite structures, where each image object representing a particular interest, finds full sound in juxtaposition with other objects, for example, in his still lifes - "Still Life. A mug and a cigarette "," Still Life with a lantern "," Finnish secretary "," Rowan ", etc. The interest in the silhouette to the combinatorics of the many forms that make up the whole image, helps to identify signs and generalized forms themselves are full of life. In his work he often refers to the self-portrait that provides a glimpse into the inner world of the artist, to trace the development of the personality. The exhibition includes two self-portraits with a difference of ten years, performed in a generalized manner. Emphasis is placed on the portraits of his wife: "Under the umbrella", "Portrait V.I.Rahinoy." In landscapes of different motifs images are connected more closely, nature live in them their feelings, it is chaotic - "February day in the Crimea", "Sara", "Windy Day in Losev" and other urban landscapes, patios, views from the windows - "Old Courtyard by Zagorodnyj "," old yard. Rain "," Flowering Trees "and others, created as a result of traveling around the country and abroad, sometimes undergo a major transformation of the paintings, they are in tune with the creative and philosophical quest of the artist. Egoshin pays a lot of attention in the interior scenes, he is interested in the world of lived-in, where the tangible presence of the people, as, for example, in "Interior with a figure." In his works, G.Egoshin, artist complicated attitude, combined with the skill of emotion in the best traditions of the visual culture of the twentieth century. G.Egoshina work are in the collections of the State Tretyakov Gallery, the State Russian Museum and other museums in the country, as well as in foreign collections (Museum Albertinum, Dresden, the National Gallery, Bratislava; meeting P. Ludwig, Cologne; meeting S.Shtekkerta, Munich; private collections in the United States, Japan, France, Spain).

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