Продано: Tatiana Glebova - "Portrait of Jonathan"

[bykinist]

For Sale:

Tatiana Glebova, Portrait of Jonathan, 32 x 24 cm, 1980., Cartney /oil


Tatiana Glebova was born in St. Petersburg. She attended grammar school in MN Stoyuninoy.
In 1918-1921. lived with his family in the estate Korotnevo [1] (Andreytseva) Mologa district of the Yaroslavl region. She studied at the School of Music at Rybinsk, winter 1920-21. held in Rybinsk. In the spring of 1921 returned to Petrograd, and was admitted to the Conservatoire. Met with musicians MV Yudina, IA Braude, who became her friends for many years. In 1922, left the Conservatoire and to work as an artist at the State Porcelain Factory them. MV Lomonosov Moscow State University. In 1924 she studied at the private studio of A. Savinov.

In 1925 he turned to the artist Pavel Filonov with a request to take it to the disciples, and in 1926 began working under his direction. In 1927, together with a team of "Masters of Analytical Art" (MAI) under the direction of Pavel Filonov designed the Press House (her work was the large painting "Prison"). She participated in exhibitions MAI. In 1932-1933. participated in the exhibition "Artists of the RSFSR for 15 years" in the timing and the State Tretyakov Gallery (work "Cut our house"). In 1932, together with other members of the MAI participated in the design of the publication of the Finnish epic "Kalevala".
In 1926 he began working in book design, making the illustrations for the first children's book. Collaborated with the Leningrad and Moscow publishing houses. Since 1926, began working in book design, illustrating books for children. Many of the books issued in collaboration with the artist AI whips.
C 1928 to 1941, before the war, was friends with the poets Vvedenskii AI and DI Harms.
In 1931 he designed the opera by Richard Wagner "Die Meistersinger" at the Maly Opera House. Continued to work as an artist and theater until 1943
In early 1934, a creative union Glebova and whips over.
In 1941, after the outbreak of the war, remained in Leningrad, survived the first winter of the siege. Kept a diary [2] and the daily creative work. In December 1941, buried his father and his teacher, Pavel Filonov, in the spring of 1942 lost her mother (she died in the evacuation).
In the summer of 1942 was evacuated to Alma-Ata. In the evacuation worked a lot and participated in exhibitions. She married the artist VV Sterligova (1900-1973). Returned to Leningrad at the end of 1945
In the fifties, wrote a lot of paintings, but they rarely exhibited. Was friends during those years with the painter VP Yanovoy (Traugott), EK Livshits, YS Druskin, VN Petrov.
In 1960. VV Sterligov developed new structural plastic bases figurative language of painting. T. Glebova shared with him a job in a new art form. In 1963-1966 years. She, along with Sterligov, gathered a circle of like-minded artists and created them "Staropetergofskuyu school."
In 1968, after years of efforts T. Glebova, VV Sterligova, P. J. Salzman, opened the first post-war exhibition of Pavel Filonov in Leningrad. [3] For this event T. Glebova wrote memories of his teacher: "What we learned from Pavel Filonov". [4] In 1970. wrote the memoirs of M. Yudin (1973), Anna Akhmatova (1975), DI Kharms (1975-76).
In 1971-1973. Glebova, along with Vladimir Sterligov, spent in his workshop (Lenin Street, 52, Apt. 43) "apartment" of the exhibition. In 1973 she became a widow, but she continued to support this exhibition activities before 1985
T. Glebova died March 4, 1985 She was buried at New Trinity (Babigonskom) cemetery in Peterhof.

Creation

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In the 1926-1941 years. Glebova worked according to the analytical method of Pavel Filonov, without giving up their individuality. She was considered with the basic principles and does not derogate from the end of life.

"Creativity T. Glebova dear to me because I appreciate and am looking at art - the synthesis of the picturesque qualities, originality of thought and feeling, on the one hand, and the deep scent of life, truth and sincerity - on the other. Independence of thought, integrity and, of course, talent ensure a long life of her works "(VV Warriors).

In the work Glebova is dominated by three themes. The first issue raised in the 1920 - s - genre scenes: street musicians, accidents on the street and in the home, the child's funeral, women's saunas, hair salons, children's games, fights and quarrels, murders, trading in the market, people with disabilities and other urban scenes life.
The second theme of creativity Tatiana Glebova - a "man and his future changes." The artist writes numerous portraits, some of them are not written to the outside, and "with internal similarity." The artist also depicts the transformation of individuals, says the head of marble statues ("Gatchina"), wood sculpture ("Gothic Madonna"), the pagan gods ("Vindication of paganism"), persons with early Christian mosaics, the Fayum portraits.
The third theme Glebova defined by itself as a "mystery religions." This includes an "icon of the abyss" of her work 1920-30's., And serious religious and philosophical works of the last years of his life. She depicts the "abyss expressed color", "raznoprostranstviya" and "spiritual geometry." After the war, in the works Glebova occupies an important place ihobrazhenie nature, landscape. She supports the idea of ​​Filonov's "organic connection", but develops its peculiar

Since the early 1960s, Tatiana Glebova shared the idea of ​​Vladimir Sterligova "chashno dome-being of the artist's consciousness," The artist has not seen her in conflict with the principles of Pavel Filonov, which he considered to be the main and which consistently enjoyed life. Working together Sterligov, Glebova participated in the creation and development of structural plastic bases figurative language of painting. Analytical method Filonov she joined with the principles of the new additional element directly related to the Suprematism of Malevich. It is a fusion of two seemingly conflicting teachings about art, distinguished art Tatiana Glebova.

In an open Sterligov chashno-dome idea Glebova appreciated "some architectonic strengthening of chaos", building their work on a new understanding of space. Chashno-domed space, spherical, curved, pronounced color, creates a spatial structure of her work. The second important part of the idea of ​​Vladimir Sterligova - paramount color Tatiana Glebova was maintained and developed to perfection. Painting was carried out for her ability to "observe the existence of the universe color." All color quality inherent in an open plastic Sterligov space, are always present in the work of the artist.

Works made in the last decade Glebova life quite peculiar. This period of the artist calls "the free use of all and look at the past with an objective assessment." In her work develops a mystical-religious subjects, there is a new state of "touch of God's consciousness." Developed symbolism (Christian) colors and shapes. His discoveries in the art of the artist leads in connection with the depth of her spiritual life. Discoveries related to the theme of "hidden geometry", "spiritual geometry", she reveals her deeper and finds in it a "flying form" and color depths, emerging from a "purely spiritual vision." Symbolic images fill the space works by Tatiana Glebova.