"Non-involvement" Project Vitaly Kopacheva and Andrei Volkov.

[таша]

23rd April 19-00 at the center of design ARTPLAY (Syromiatnicheskaya street, 10, building 3, 2nd Floor, Room Laboratoria) will open the exhibition Kopacheva Vitaly and Andrei Volkov "is not implicated."

The first exhibition of the project is not implicated Kopacheva Vitaly and Andrei Volkov. Two completely dissimilar artists represent the idea of ​​innocence - namely, the strategy group of authors who share a common position on the value of visual art.

The fundamental dissimilarity of formal methods in this case is the hallmark and the main intrigue of the project.

Large-format paintings of Vitaly Kopacheva - "prickly", hard-built, a kind of map clashes of ideas, symbols and signs. They tend particular embodiment of time - not so much to fix a particular state, as successive phases of the event, superimposed on each other. They give the impression of ongoing intense struggle, fight, spills out into the audience, pulling him into a labyrinth of internal struggles. Accidental and "technological" aspect of the work Kopacheva - five-meter formats written on the "live" a roll of canvas, stretcher without linking acrylic, ink, tempera and gouache talking about the conscious neglect of the traditional categories of painting, as irrelevant, and set them in the space of "postzhivopisi" .

By Andrei Volkov stark contrast Kopachevu almost all formal categories. They are characterized by the pursuit of stressed-minimalist depiction for the manifestation of the "materiality" of the work. The author essentially seeks to turn the canvas into an object that is not so much anything as he is revealed entity. Using traditional techniques - oil on canvas, oil paint, varnish Volkov brings the surface to a mirror, seeking inclusion of the audience surrounding the volumes of light in the space of work, which, with its own immutable content includes the transience of this.

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The strategy of innocence is determined primarily by a reduction in non-essential use of meaningful, as which shall have absolute supremacy and sufficiency of art.

It should be recognized that the product is an authentic being, which acts not in a limited form (illustration, entertainment or decoration) but is revealed in the fullness and wholeness of existence, do not darken the vain and short-term.

By creating a product, a visual artist in the first place embodies previously did not exist, showing non-verbal means of concealment. The event takes place in the works of the extent to which changes in the sanctuary unconcealedness, in demonstration of the essence.

The most complete product eliminates the possibility of interpretation or decoding by the author himself as a language of visual artist - this is self-valuable language plastics. Verbal author's treatment becomes excessive, thus proves innocence.

The finished product is removed from the website and begins an independent existence, between them there is innocence.

Works of art are not just "express time", but the essence of time, not its origin, so to actuality by experiencing innocence.

Innocence does not mean detachment from life, but emphasizes the existential nature of art itself.

Being recruited by a variety of social, political, governmental and non-governmental institutions, the art of losing their sense of "authenticity", and inevitably occupies a subordinate position. Artist forced to change the creative freedom to confirm his loyalty to support the group, and is doomed to prove its political, financial or social need. The recognition of the primacy of art by the artist and the manifestation of innocence to the inessential opens the way to achieve a creative and personal freedom.

 Andrei Volkov

Born in 1968 in Moscow. Artistic traditions of the family laid his grandfather - A.N.Volkovym known as the "Master" Pomegranate tea house "and the great-grandfather of Alexander Rybnikov - painter and restorer. The first teachers were his father and uncle - the artists Alexander and Valery Volkov. In 1993 he graduated from the Moscow Design University. Stroganov. Exhibited s1986, from 1993 to 1998 taught at the Art Institute of Creativity (painting and composition). Member of the Union of Artists since 1995. In 2003 it was included in the Arts Council Gallery A3, at the moment - head of exhibitions at the Gallery A3, the chairman of the Arts Council Gallery. Procurator "session on the Moscow artists." Works are in the State Russian Museum, St. Petersburg, at the Museum "New Jerusalem" Istra, corporate and private collections in Russia and abroad.

 Vitaly Kopachev

Born in 1963 in the city of Severodonetsk. He graduated from Donetsk art school as a monumental painting in 1983 In 1988, the Art and Technology Department of the Moscow Institute of Technology. Starting with 18 youth exhibition in Manezh, Moscow participated in numerous, Union, International and foreign exhibitions. In 1988 he joined the youth organization of the Union of Artists. In 1996, the Moscow Union of Artists (USDA). Since 1989, the director of the Moscow exhibition hall "Gallery A3". Kandinsky Prize nominee in 2007. Hundreds of works are in the public, private and corporate collections.

[Магнолия]

Сообщение от Tasha

The recognition of the primacy of art by the artist and the manifestation of innocence to the inessential opens the way to achieve a creative and personal freedom.

For comparison I would like to see "the achievements of the creative and personal freedom" of being involved in a significant.

[таша]

Сообщение от Magnolia ; 2565561 "

For comparison, we would like to see "the achievements of the creative and personal freedom " of being involved in a significant .

Magnolia, I think the essential is precisely

Сообщение от Tasha ; 2565391 "

absolute supremacy and sufficiency of art .

The rest is irrelevant. In that and is a creative and personal freedom , in conscious innocence to the inessential that leads , ultimately, to the unconscious ( bestowed over <! - ~ 1 ~ -> ) belonging to a substantial <! - ~ 1 ~ -> <! - ~ 7 ~ -> <! - ~ ~ 6 ->

[Магнолия]

Сообщение от Tasha

that leads, ultimately, to the unconscious (bestowed more) belonging to a substantial

I agree.
I call it "The Poetry of art."

[таша]

Who is independent


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