Myra and miracle acting.

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Exhibition of four modern Crimean artists. The exhibition will take place in the CHA in the hall № 18 from 24th January to 3rd February, all the exhibition will feature about 50 works .

Presentation of the exhibition on January 24 in 18 hours. We invite all interested persons.

The exhibition will feature approximately 50 works of 4 modern Crimean artists I.Zaytsevoy (Zira), Yu.Lapteva , S.Matyasha and V.Panchenko .



1. Irina Zaitseva , " wren "
2. Yu.Laptev " Free distribution of desires in the mirror of the world ."

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Magic Theatre Irina Zaitseva. Art critic Vitaly Patsyukov.
"I like the appearance of tissue ..."
Osip Mandelstam
"... Was a strange beauty magic theater"
Alexei Tolstoy

Art Irina Zaitseva located in a unique area - between sleep and waking, just at the point when the mind has not yet come into its own, and the soul continues its way in an ideal world, the realized desires. This artistic reality permeated ideas concord and love, it celebrates the universal language understandable to people, animals, plants, the elements and stars. In fact, we see a "golden age", its interior dimensions, filled with angels and flowers, are present in all cultures fundamental as childhood of our civilization that contains a natural relationship and a sense of immediacy. His light living in the state of vibration of the tides - from light to orange, fiery red, and again back to ultramarine, filled with blue, heavenly in its higher hierarchies.

Irina Zaitseva characters close to the heroes of the early Italian Renaissance, rather it is always the same character, living in a variant of its guises - as in dreams, always manifesting his bright face, radiating energy of compassion to all living creatures, with whom she comes in contact. Her body plastic invariably associated with the environment, it is inseparable from the natural world, the state of awakening a new birth of a blue sky and flowering trees. Her image is connected to Kerollovskoy Alice and perform miracles and naturally appear in the world through the mirror. Perhaps it has a prototype of the artist herself, her discovery of the high poetry, its right to specific dialogues with animals and her amazing property to lose gravity, have bezvesiem, soar over the planet Earth. Sometimes heroine Irina Zaitseva back to our strange world, experiencing nostalgia for the lost ideals of humanity, the true values, plunging into the wrenching reality, fixing a mysterious touch to it - like a butterfly hurt you with his transparent wings and left a mark on her cheek, magical ornament magic pollen clear evidence of the existence of a "real" world. This world has no folds and shadows, he appears in all its extraordinary waking - "flowers in August," "April in a verdant garden" or "the last leaves of autumn." Created by an artist, it is not susceptible to collapse even in its extreme points. His inescapable living tissue, its life-giving flickers in his humble and at the same time organic beauty.

Composition Irina Zaitseva unaware perspective reductions, they are given to us in its pristine, as if turning over to us as the space of any ikonologicheskogo, sacred works. The artist refers to the absolute unselfishness to his subjects as a child perceives the world in its original integrity. It was a great feeling baby lets Irina preserve the cultural memory in which lurks the future.

Before us is an art that carries a healing properties, it can put a bandage on the wound, its images live by the laws of festive culture, stopping time and saving all the possible meanings of the nascent reality, turning any object in the spiritual organism, a living thing. Pushkin's "Science Club" naturally begins to live in the space of art Irina Zaitseva, coming along with her character in the magical world of the game, in the layers of child wisdom, caring for her, hinting that it may be in the form of hidden little prince. Fiery red deer with transparent wings cherish the fragile world of fairy tales artist, representing the integrity of our universe, its stability, hope and moral dignity.

Irina Zaitseva artistic reality is slowly moving in solemn silence, as a turning circle of children's carousel and a star chart. It naturally goes out of our empirical reality in the world of real harmony and fulfillment of dreams, in the wonderful dimension, where a simple brush of the artist becomes a magic wand that turns ordinary into a magical theater, and us, the audience, to its members.

Irina Zaitseva "blessing."

Добавлено через 2 часа 36 минут

Yuri Laptev: In Search of Lost Time

Nocturnes dead musicians lull the city has slept forever

André Breton, Philippe Soupault

All this is so clearly points out the ubiquitous presence of the Soul

Vasily Aksenov

Multi-layered and paradoxical culture of Crimea officially located in the space of myth and legend. It is inseparable from the dream of antiquity, its images are living breathing and rocking the Mediterranean reality in the magical voice of Homer. Ancient Hellas, its ruinirovannye worlds, coupled with the archetypes of surreal strategies formed the basis of visual philosophy Yuri Laptev. The artist, a virtuoso who owns technology of drawing, of course as an archaeologist, is immersed in a horizontally layered our post-history, seeing it from the distance of the observer from the future. "The Island of Crimea", sung by M. Voloshin, A. Green and V.Aksenovym turns into compositions Yuri Laptev in the restoration of the lost memory, collage certificate frozen after the crash time. As an epigraph to his own creative artist consciously quotes famous work of Salvador Dali "Dream caused by the flight bee around a pomegranate one second before awakening," emphasizing defenseless break, gap, an elementary particle of space-time, which may soon be our reality. Another moment, and it will lose its balance, hung in the traumatized, and the train time will go in a completely different direction - in anticipation of the future of the lost past.

Our layered memory comes alive in the compositions Yuri Laptev, it becomes flesh in the details, unexpected angles and details of the past - the glass and mirrors, antique watches arrows, cars, lost their relevance and the remaining in other dimensions. Her images are transformed into a message that is stored in an unopened bottle, and rhyme with drained wine vessel, from which there will never appear gin. Dreams unfulfilled, which have become objectified unnecessary, trinkets, burnt on a gas stove. Dream boy who reflects on the opening of Columbus, transformed into petrified bouquet, where the statue of Liberty represents a metaphor lost and undiscovered civilization.

Imaginary game, lost values, illusions, mirages goes Yuri Laptev the majestic scene of total disaster. Her energy, living in reverse perspective, opens the cyclic law of the Renaissance and the death of culture, its ups and downs. Imagery artistically identified, fragile and at the same time stable in the immutability of the artist's vision, to the limit reveals the history of modern times, including the human figure in its archeology, stated as an objective space. The formula of the ancient philosopher Protagoras' man - the measure of all things "in the topography of the artist turns passive voice, revealing different meanings of our vanishing reality where the thing becomes the measure of man. That thing in this surreal concept reincarnation experiences and becomes a subject. She had lost its previous functionality into existence in the metaphysical coordinates. Her face has changed, but its contours have found a coherent, albeit paradoxical structure, they will no longer submit to decay, entropy, drawing closer to the objective world, Alberto Morandi. The artist carefully preserves the image of the thing, identifying all the niches and the relief of its post-catastrophic body. His optics captures those moments in history when omen begins to exist in its certainty, implementing local or total events predestined. In these events, it was surreal predictions come true, where the apparent escape from reality in a dreamlike state of reality opens magically verisimilitude. That allogicheskoe and paradoxical is capable at the moment impossible to describe our world as it is. Surrealist tradition, Yuri Laptev restored in modern culture, again filled with urgency. They, unlike their primal 20-ies of the last century, are not directed from art into life, but instead of life moving in the direction of art, allowing us to see the picture of the world in the archetypes and the real and impossible. The image of "snail on the side" of the Strugatsky brothers, has a unique literary phenomenon in visual poetics Yuri Laptev translated into specific natural event that carries with it the threat of destruction of culture and civilization. Hidden tactile visual form allows the artist to literally physically experience this incredible world, their dreams and prophecies, "touching" to the surface of the image Simferopol railway station, a snail shell, flying castles, sunken ships, dried bouquet, antique mirror, feeling the warmth and the fundamental reality of the particular world human memory. Objects and events in this system open label fate border with surreal and yet absolute blur distance between the world of everyday life and its symbolic meaning.

Yuri Laptev actually moves along the lines of his compositions, touching every point belonging to it, forming a personal structure determined by its own internal gesture. In e space played a modern Divine Comedy, the curtain opens and the characters come to life, signs of lost time - petrified computer pyramid of useless car, tired piano - a favorite object performances Surrealists. Brikollazha technology, combinatorics, as indicated by Claude Levi-Strauss, "polar artistic testimonies" allow Yuri Laptev discover the third dimension: the true image of time, not living according to the law "either-or", but in the new logical system, "both at the same time" . This universal dialogue and mutually antithetical Yuri Laptev incompatibilities highlighted a unique phase of our history, reminiscing about this reversal of the universal human feelings - to the past as the future, combining the visual sense dragging it with taboo social drama, only recently, but already "lost time."

Vitaly Patsyukov

[sur]

Yuri Laptev: In Search of Lost Time

Nocturnes dead musicians lull the city has slept forever

André Breton, Philippe Soupault

All this is so clearly points out the ubiquitous presence of the Soul

Vasily Aksenov

Multi-layered and paradoxical culture of Crimea officially located in the space of myth and legend. It is inseparable from the dream of antiquity, its images are living breathing and rocking the Mediterranean reality in the magical voice of Homer. Ancient Hellas, its ruinirovannye worlds, coupled with the archetypes of surreal strategies formed the basis of visual philosophy Yuri Laptev. The artist, a virtuoso who owns technology of drawing, of course as an archaeologist, is immersed in a horizontally layered our post-history, seeing it from the distance of the observer from the future. "The Island of Crimea", sung by M. Voloshin, A. Green and V.Aksenovym turns into compositions Yuri Laptev in the restoration of the lost memory, collage certificate frozen after the crash time. As an epigraph to his own creative artist consciously quotes famous work of Salvador Dali "Dream caused by the flight bee around a pomegranate one second before awakening," emphasizing defenseless break, gap, an elementary particle of space-time, which may soon be our reality. Another moment, and it will lose its balance, hung in the traumatized, and the train time will go in a completely different direction - in anticipation of the future of the lost past.

Our layered memory comes alive in the compositions Yuri Laptev, it becomes flesh in the details, unexpected angles and details of the past - the glass and mirrors, antique watches arrows, cars, lost their relevance and the remaining in other dimensions. Her images are transformed into a message that is stored in an unopened bottle, and rhyme with drained wine vessel, from which there will never appear gin. Dreams unfulfilled, which have become objectified unnecessary, trinkets, burnt on a gas stove. Dream boy who reflects on the opening of Columbus, transformed into petrified bouquet, where the statue of Liberty represents a metaphor lost and undiscovered civilization.

Imaginary game, lost values, illusions, mirages goes Yuri Laptev the majestic scene of total disaster. Her energy, living in reverse perspective, opens the cyclic law of the Renaissance and the death of culture, its ups and downs. Imagery artistically identified, fragile and at the same time stable in the immutability of the artist's vision, to the limit reveals the history of modern times, including the human figure in its archeology, stated as an objective space. The formula of the ancient philosopher Protagoras' man - the measure of all things "in the topography of the artist turns passive voice, revealing different meanings of our vanishing reality where the thing becomes the measure of man. That thing in this surreal concept reincarnation experiences and becomes a subject. She had lost its previous functionality into existence in the metaphysical coordinates. Her face has changed, but its contours have found a coherent, albeit paradoxical structure, they will no longer submit to decay, entropy, drawing closer to the objective world, Alberto Morandi. The artist carefully preserves the image of the thing, identifying all the niches and the relief of its post-catastrophic body. His optics captures those moments in history when omen begins to exist in its certainty, implementing local or total events predestined. In these events, it was surreal predictions come true, where the apparent escape from reality in a dreamlike state of reality opens magically verisimilitude. That allogicheskoe and paradoxical is capable at the moment impossible to describe our world as it is. Surrealist tradition, Yuri Laptev restored in modern culture, again filled with urgency. They, unlike their primal 20-ies of the last century, are not directed from art into life, but instead of life moving in the direction of art, allowing us to see the picture of the world in the archetypes and the real and impossible. The image of "snail on the side" of the Strugatsky brothers, has a unique literary phenomenon in visual poetics Yuri Laptev translated into specific natural event that carries with it the threat of destruction of culture and civilization. Hidden tactile visual form allows the artist to literally physically experience this incredible world, their dreams and prophecies, "touching" to the surface of the image Simferopol railway station, a snail shell, flying castles, sunken ships, dried bouquet, antique mirror, feeling the warmth and the fundamental reality of the particular world human memory. Objects and events in this system open label fate border with surreal and yet absolute blur distance between the world of everyday life and its symbolic meaning.

Yuri Laptev actually moves along the lines of his compositions, touching every point belonging to it, forming a personal structure determined by its own internal gesture. In e space played a modern Divine Comedy, the curtain opens and the characters come to life, signs of lost time - petrified computer pyramid of useless car, tired piano - a favorite object performances Surrealists. Brikollazha technology, combinatorics, as indicated by Claude Levi-Strauss, "polar artistic testimonies" allow Yuri Laptev discover the third dimension: the true image of time, not living according to the law "either-or", but in the new logical system, "both at the same time" . This universal dialogue and mutually antithetical Yuri Laptev incompatibilities highlighted a unique phase of our history, reminiscing about this reversal of the universal human feelings - to the past as the future, combining the visual sense dragging it with taboo social drama, only recently, but already "lost time."

Vitaly Patsyukov

[Магнолия]

sur, Thank you!
To Moscow!
To the exhibition!

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Here are a few from among the works on display.



1. I.Zaytseva "The Gift ."
2. I.Zaytseva " blessing ."
3. I.Zaytseva "Friend for the fall ."
4. Yu.Laptev "Garage " ( Tower).
5. Yu.Laptev " July glass of sherry ."
6. Yu.Laptev "Yuri Gagarin " and " Man in Space ."
7. Yu.Laptev "Valery Chkalov plans to fly under the arch of the Emperor Titus ."

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Something , I'm the first post of the topic ( being sick > ) is not quite all neatly written. More information about the work of artists represented in the exhibition can be found at : http://art-crimea.ru/index.php?m=home&lang=ru and http://crimeapainter.ru/

I will add video presentations I.Zaytsevoy : http://www.youtube.com/watch?v=eBzDgtMnhEs
                                              

                                               Yu.Lapteva : http://www.youtube.com/watch?v=XdZRenvdtjc

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In conclusion, this temy.Takoy's movie with an exhibition turned out.
Too much in it for me (I think it is not correct), but, sorry, really did not order.
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