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Язык оригинала: Русский #1 |
Гуру
Регистрация: 21.06.2009
Адрес: Санкт-Петербург
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For Sale:
Vladislav Bronislavovich Gutsevich, Silent Night (Fire Bull), 2010, 80 x 90 cm, oil on canvas /oil In "New Artists" Gutsevich jokingly referred to as "Elder Youth Society": he really was a generation older than the type and was considered as a link between the "old men" of the underground 70's, and the young, the latest generation of nonconformists, was friends with some arefevtsev out, but ultimately chose the company Novikov Bugaev Africa, Kotelnikov, Ovchinnikov and others. One can understand why. Gorbachev's perestroika shared informal artists, if not two camps, then as if on two formations are making about one underground, in relation to the very underground, as to the environment, are very different. "Old", feeling that the once unbreakable system gave up the slack, to celebrate, tried to break it almost head. "New Artists" classic period of the underground are not caught, and therefore the intensity of hatred was much weaker, and if there was a hope to agree - agreed. This suited Gutsevich. Being neither a desperate fighter, or a collaborator, he preferred stance, perfectly described Maugham: "Try to be free, but with an eye to police around the corner." Perceiving what is happening as if some scenery own way, trying to maximize Gutsevich adjust conditions for themselves. When some proud stints for parasitism - a job as a fireman: time and complete, and does not fall under the article. To his art treated as quietly, working as much as they wanted. In the late 80's, for example, a few years exhibited the same pattern, because that is not in the mood to write. And throughout life alternated hobbies, gusts forgetting about painting in general and then returning to it. And passions were many: in youth Gutsevich once sewed pants themselves - and so well turned out, that for a time he closed up the fashion and avant-garde half sheathe Leningrad, another time Timur Novikov forgotten harp away, then made more than a hundred Gutsevich Varganov and other oddball instruments (homuz, shankbyz, drymba) some time in charge of the literary section of the Club of Friends of Mayakovsky, worked in the restoration workshop, where still strive for masteries, restoring the historic stucco, etc. In the painting, however, he did not so diverse, one nyuveyverskuyu having developed the idea of "the artist can be anyone" to "Do not try, you still do not seem to happen." It seems that he really did not particularly want, doing things solely primitivist, endlessly repeating and varying the bright pictures without a single superfluous detail, where the plot is only a basis, a certain mandatory - like form, which you can use as many as you want modeler. These works captivate the ease with regard to himself, which, if found by the artists, it was only a primitivist, but the ease associated with a certain seriousness, without yuk "New stupid" and even without Mitkovskaya smile. Vladislav Bronislavovich says that when painting, how would forks. One Gutsevich puts strokes, another stands nearby, until the picture is finished, and then said that it came out very well. And the first ever agrees. |
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Этот пользователь сказал Спасибо bykinist за это полезное сообщение: | belmar (15.11.2012) |
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Язык оригинала: Русский #2 | |
Гуру
Регистрация: 21.06.2009
Адрес: Санкт-Петербург
Сообщений: 4,810
Спасибо: 1,493
Поблагодарили 2,734 раз(а) в 1,333 сообщениях
Репутация: 5000
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![]() Цитата:
Vladislav Bronislavovich Gutsevich, Silent Night (Fire Bull) 2010 - 50,000 p |
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