Продано: Inal Savchenko, "School"

[bykinist]

For Sale: Inal Savchenko School 60h90sm, canvas /oil, 1980s (picture bilateral)

Inal Savchenko - one of the very few artists whose paintings have become a symbol of the revolution. When, in 1988 published the first youth magazine "Art" is a picture from the cover of Savchenko sent a signal the beginning of a new time. New time always begins with the revolution in consciousness: the philosopher L. Karsavin noted that the Christian call to "Repent!" Should sound like "changing your mind!" Because "repentance" - is an inaccurate translation of the Greek "metanoia" or "umoperemena." The restructuring of the mind in the mid-1980s meant output youth radically Reload brains into a new space from the Soviet-anti-Soviet confrontation. If the Soviet space involves the construction of communism, and anti-Soviet criticism of this order to show up on-site project of the century "fire breathing cesspool" (I.I.Kabakov) released new youth creation of normative hierarchy staring up and rushing into the deep verticals.
Space Inal Savchenko - is a boundless environment in which the planets-hummocks, on clouds and platforms interact characters cyberpunk fiction era. Terrestrial and cosmic worlds artist fundamentally distinguishes between: on the edge of the month silhouettes stick trees, sun sag rasteksheysya egg and by resting on the beach moving monsters aliens. "New Artists", which carried Inal Savchenko revolutionary transition of the 1980s, opened the free movement in all directions of the real and virtual worlds in search of actual images of modern times. Savchenko first joined the extreme point in the current historical transavangardnoy world model, likening the Egyptian hieroglyphic writing cyberpunk images of monsters, astronauts and divers, animals and birds.
Of the "new" Savchenko was and is the most consistent artist and animator. Unlike the founders of Timur Novikov, Ivan Sotnikov, Oleg Kotelnikov, who moved from the expressive "wild" painting "adult" type - urban landscapes and portraits, Savchenko immediately started with the "child" dialect comics and animation. In 1978, when not only in the USSR, but also in the West are just a few thought about the ongoing postmodern revolution, cultural studies Lotman predicted strengthening of the role of animation, because its language allows to represent an ironic view of the world and full of diverse elements fused to new synthesis. Soon, these signs are understood as generic features of postmodernism, and the language of comics, the further in 1990 and zero, the more obvious it began to displace the language of "adult" European culture. And now there is not a language, a limited set of rules and professional practices, but live speech, native territory is expanding, including to and from the reality of growing up in the pictures Savchenko.
Savchenko interplanetary space resembles theater attraction where visitors are going through transformation, not always voluntarily and safely, but always fun and unexpected. Transpersonal morphing artist performs on a large scale and the historical continuity of more than a quarter century by the normal means: canvas, acrylic paints, markers and scissors if necessary to make cartoon shestnadtsatimillimetrovoy film and all that will fall under the arm - from doors bookcase to cover the iron box. Space attraction Savchenko interesting and understandable internationally. Evidence of this - the international success of his fellow "School of Engineers of Art" (1987) by Franz Rotvalda sculptor, who worked as a designer of scenery Terry Gilliam. Savchenko himself so far traveled, wrote his works in the psychedelic Petersburg, where once sent a dozen songs by swimming the river to the Baltic Sea as the first Russian-Swedish art exhibition. The best vantage point of the exhibition on the waves of the Neva was, of course, the space orbit.

[bykinist]

Locked.
Thank you.