Старый 07.07.2008, 11:00 Язык оригинала: Русский       #1
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По умолчанию List of all artistic movements since 1945 (the contents of this section)



So this: I found a table in which the author argues that listed all the artistic direction of postwar contemporary art, and for each direction he date the names of artists.
Check the correctness of his classification, I can not, because I know no more than 25-30%of these artists.
Nevertheless, I was surprised at the absence of many well-known names - such as Sam Francis, Robert Indiana, David Hockney, etc.

But anyway, I decided to put it here - it may be useful to anyone (personally, I learned from it many new and interesting), and you can even try to add it.

Here, educate

P.S. Do not answer for the spelling of proper names, especially the Japanese


modern foreign art
artistic trends from 1945 to today


Act first. 1940 - the beginning of 1960

Title Period Artists Brief description
«Abstract Expressionism» (Dripping all over)
«Art of» (Action painting)
1940 - end of 1950 Willem de Kooning (Willem de Kooning),
Robert Motherwell (Robert Motherwell),
Jackson Pollock (Jackson Pollock), ( br) Mark Rothko (Mark Rothko),
Barnett Newman (Barnett Newman),
Ed Renhart (Ad Reinhardt),
Mark Tobey (Mark Tobey),
David Smith (David Smith)
American painting. Pictures of a very large format. Appliances drippinga (spray paint). Use different degree of abstraction, to create an emotional and expressive intensity.
«Pre-funk» (Pre-Funk) School of San Francisco1940-1950 David Park (David Park),
Dibenkorn Richard (Richard Diebenkorn),
Elmer Bischoff (Elmer Bischoff)
American painting. San Francisco. The reaction against the domination of the New York abstract expressionism. Complete rejection of abstraction; major stroke, expressive use of color. Many portraits.
«Rough (raw) art» (Art Brut)1945 Jean Dubuffet (Jean Dubuffet),
Shassiak Gaston (Gaston Chaissac)
Europe and the USA. Artists, "untainted art culture": rough (unprocessed, "nepriglazhennoe") art Dubuffet. There should not be regarded as art mad (which is madness ?..)
«Spatialism» (Spazialismo, Spatialisme) After the war, 1945 Lucio Fontana (Lucio Fontana) Italy and Argentina. This line uses a new technology resulting from scientific progress (television, neon lighting). The matter should be converted into energy, and space is filled with dynamic forms.
«School of Paris» (Ecole de Paris)1945-1960 Jean-Michel Atlan (Jean-Michel Atlan),
Bazen, Jean (Jean Bazaine),
Brien Camille (Camille Bryen),
Olivier Debray (Olivier Debre), ( br) Degotte Jean (Jean Degottex),
Jean Dubuffet (Jean Dubuffet),
Fotrie Jean (Jean Fautrier),
Hans Hartung (Hans Hartung),
Tosimittsu Imai (Toshimitsu Imai), ( br) Lanskoy Andre (Andre Lanskoy),
Alfred Manes (Alfred Manessier),
Georges Mathieu (Georges Mathieu),
Serge Poliakoff (Serge Poliakoff),
Riorel Jean-Paul (Jean-Paul Riopelle),
Pierre Soulages (Pierre Soulages),
Maria Vieira da Silva (Maria Viera Da Silva),
Nicolas de Stael (Nicolas de Stael),
Pierre Tal-CCAS (Pierre Tal - Coat),
Wols (Wols)
A term applied to artists who worked in Paris.
«informal art» (Art Informel)
«Tachisme» (Tachisme)
«Lyrical Abstraction" (Abstraction Lyrique)
1945-1960 Jean-Michel Atlan (Jean-Michel Atlan),
Pierre Soulages (Pierre Soulages), (br ) Bram Van Velde (Bram Van Velde),
Nicolas de Stael (Nicolas de Stael),
Jean Dubuffet (Jean Dubuffet),
Anthony Tapes (Antoni Tapies),
Hans Hartung (Hans Hartung ),
Shneder Gerard (Gerard Schneider),
Georges Mathieu (Georges Mathieu),
Brien Camille (Camille Bryen),
Wols (Wols)
Europe and the U.S. . Most artists are working a broad brush, the importance of gesture and /or calligraphy. Denial of figurative art, but without destroying Reference reality. Expressive use of beautiful textures and a variety of materials.
«Cobra» (CoBrA)1948-1951 Cornel Cornelis (Cornelis Corneille),
Alechinsky Pierre (Pierre Alechinsky),
Asger Jorn (Asger Jorn)
Karel Appel (Karel Appel),
Constant (Constant)
«Ko" means Copenhagen, "Br" - Brussels, "A" - Amsterdam. Nervous painting, strong color contrasts. Figurative painting, inspired by the primitive, folk art and preistoricheskim. Under the influence of Marxism, these artists reject American culture and its aesthetics.
«Assemblage» (Assemblage) Since 1950 Joseph Beuys (Joseph Beuys),
Louise Nevelson (Louise Nevelson)
particularly common in the United States. This - a kind of spatial collage with the inclusion of real objects. Inspired by cubism. Mainly used banal everyday objects.
«rotten art» (Junk Art) In general, starting 1950 Cesar (Cesar),
John Chamberlain (John Chamberlain),
Tengeli Jean (Jean Tinguely)
Europe and the USA. A sculpture that uses industrial waste, united in "assemblages. Flattening (Cesar), rusty machines (Tengeli )...
«Guta» (Gutai)1954-1972 Hiro Yossikara (Jiro Yoshihara),
Kattsuo Shiraga (Kazuo Shiraga),
Sadamasa Motonaga (Sadamasa Motonaga)
In the translation from Japanese - "Association of a specific group of Japanese artists art. They begin to experiment with performance art, as well as deal with kinetic art.
«Funk» (Funk) from 1951 Roy De Forest (Roy de Forest),
Ken Price (Ken Price)
This trend is mainly developed in California. Artists opposed to formalism, and intellectual claims of Art in New York. Using random found objects. Working with ceramics, which were placed in the facility. Painting, blende, still life. The provocative art, willing to go to an accumulation of no relation to each other things.
«Multiple Arts» (Multiple) from 1955 Yaacov Agam (Yaacov Agam),
Tengeli Jean (Jean Tinguely)
works, reproduction limited edition. These artists challenge the dogma of the unique work of art.
«Kinetic Art» (Art Cinetique)1950-60 Tengeli Jean (Jean Tinguely)
Jesús Rafael Soto (Jesus-Raphael Soto),
Alexander Calder (Alexander Calder),
Paul Bury (Pol Bury)
Europe, South America, the U.S. and Israel. Work with real and apparent movement: the machine, illuminated by moving objects. Also includes working with the virtual, fictitious movement - these experiments may be called "Op-Art».
«Color Field Painting» (Color-Field Painting) 1950 -60 Morris Louis (Morris Louis),
Sam Gilliam (Sam Gilliam),
Jack Bush (Jack Bush),
Gene Davis (Gene Davis)
United States and Canada. Abstract Expressionism. Working with color. In pictures reasoned two-dimensionality of painting. Often used by large color fields, of which completely banished any illusion of depth. Spontaneous compositions.
«Art of acute angle» (Hard-Edge Painting) 1950 -60 Josef Albers (Josef Albers),
Ellsworth Kelly (Ellsworth Kelly)
United States. Abstract painting, resist the influence of abstract expressionism with its cult of the artist's gesture. Pictures are geometrically organized surface. Artists this direction tend to completely impersonal art. Limited, often monochrome palette.
«Neo-Dada» (Neo-Dada) 1950 -- 60 Robert Rauschenberg (Robert Rauschenberg),
Jasper Johns (Jasper Johns)
United States. Artists, "opened" Ljusha. Proximity to Dadaism, the love of paradox and ambiguity, the use of random found objects, "sculptures" of everyday objects. Images of everyday life. Cultivated gesture of the artist. Pictures of large sizes. Gaskets are often used colors that would provide a special texture.
«Aesthetics of instant photography» (Esthetique de l'Instantane)1950-70 Fridlyander Lee (Lee Friedlander),
Robert Frank (Robert Frank)
is especially popular in the United States. The simplest form of photography. Banality of subjects, the simplicity of style.
«Aktionnizm» (Actionnisme) around 1960 Otto Mühl (Otto Muehl),
Hermann Nitsch (Hermann Nitsch)
Vienna. This direction is preceded by corporeal art. It is characterized by the use of erotic violence. An attempt to comprehend the Freudian themes through ritual performances. The artist has a value as a member of creativity, it is rather as a witness creativity than as a creator.
«Happenings» (Happening) Start 1960 Karpov, Allan (Allan Kaprow),
Claes Oldenburg (Claes Oldenburg),
Al Hansen (Al Hansen),
Jim Dine (Jim Dine)
A certain public act. Collage of action, simultaneous produced in different places and at one time or at different times. When happenings combined elements of painting, music, dance, poetry, and often is - an improvisation, an important role is played by the audience, who become real actors in action.


Act Two. 1960-1970-e

Title Period Artists Brief description
«Attribution» (Appropriation) 1960 Artists directions "new realism" and
«Neo-Dada»
France. Fundamental activity of the new realists. Attribution to the use of quotes.
«Fluxus (devastation)»
(Fluxus)
1960 Nam June Paik (Nam June Paik),
Machunas Georg (Georges Maciunas),
John Cage (John Cage),
George Brecht (George Brecht),
Yoko Ono (Yoko Ono)
An international team of artists. Direction close to the Performance Art, Happenings. Much attention is paid to the case. Most experiments require the participation of the audience.
«Canvas in the form»
(Shaped canvas)
1960 Frank Stella (Frank Stella),
Richard Smith (Richard Smith)
United States and Europe. Cut canvas. Minimalist painting. Painting gets autonomy.
«new realism»
(Nouveau Realisme)
«Otkleivanie» (Decollage)
« Accumulation »(Accumulation)
1960 Yves Klein (Yves Klein),
Arman (Arman),
Cristo (Christo) ,
Cesar (Cesar),
Mimmo Rotella (Mimmo Rotella),
Francois Dufresne (Francois Dufrene)
Ben (Ben)
France. The fundamental gesture of appropriation of reality. Living Brush "Yves Klein, flattening Cesar ...
«Pop Art» (Pop Art) 1960 Andy Warhol (Andy Warhol),
Richard Hamilton (Richard Hamilton), (br ) Roy Lichtenstein (Roy Lichtenstein)
United Kingdom and the United States. Paintings and drawings. Popular art. It uses forms such as advertising, science fiction, illustration and "car style».
«Videos» (Video) Since 1960 Ent Pharm (Ant Farm),
T. R. Utko (TR Uthco),
Paul Kos (Paul Kos)
United States, Canada, Western Europe, Australia. Use as a technical tool, the video that is included in performances and installations.
«semiotic conceptual art» (Art Conceptuel Semiotique) 1960-70-e Oppenzaym Dennis (Dennis Oppenheim),
Les Levine (Les Levine)
Kosut, Joseph (Joseph Kosuth)
Europe, United States, Australia, Japan. The idea is more important than the object, so the implementation of a particular product is not required.
«Art of the body» (Body Art) 1960-70-e Gilbert and George (Gilbert & George),
Gina Payne (Gina Pane) ,
Chris Burden (Chris Burden)
United States, Europe and Australia. The body is used as a medium of artistic expression. Shares are held with the audience.
«Art and Technology»
(Art et Technique)
1960-70-e Vassiliakis Takis (Vassilakis Takis),
Otto Pina ( Otto Piene)
United States, Western Europe. The work of artists in close collaboration with scientists.
«Hyperrealism»
(Hyperrealisme)
1960-70 -e Malcolm Morley (Malcolm Morley),
Behtl Robert (Robert Bechtle),
Kloz Chuck (Chuck Close),
John de Andrea (John De Andrea), ( br) Istes Richard (Richard Estes)
United States. Painting and sculpture, filled with such detail that the picture seems a reality. Giperrealistov paintings resemble photographs, and sculpture - on real objects.
«Minimalism»
(Minimalisme or Minimal Art)
«Formalism» (Formalisme)
1960-70-e Richard Serra (Richard Serra ),
Agnes Martin (Agnes Martin)
United States. This style is characterized by impersonality, the simplest geomerticheskimi configurations and material transformed by industrial methods. Form equals content.
«Art Outdoor»
(Land-Art)
1960-70-e Robert Smithson (Robert Smithson),
Michael Haytser ( Michael Heizer),
Richard Long (Richard Long),
Christo and Jeanne-Claude (Christo and Jeanne-Claude),
Walter De Maria (Walter De Maria),
Daniel Buren (Daniel Buren )
United States, Netherlands, United Kingdom. The works are created directly in nature. The size of the sculpture corresponds to the scale of the landscape. Usually set up in remote areas, far from human settlements - in the wilderness or in abandoned places. Viewers can see the product in the form of preparatory sketches, photographs or films.
«new realism»
(New Realism)
1960 -70-e Alice Neal (Alice Neel),
Lucian Freud (Lucian Freud),
Pirlstin Philip (Philip Pearlstein)
United States, United Kingdom. Great format, a simplified color, flat surface of the picture.
«Postminimalizm»
(Postminimalisme)
«Process-Art» (Process Art)
«Anti-Form» (Anti-Form)
Late 1960 Hans Haacke (Hans Haacke),
Eva Hesse (Eva Hesse),
Robert Smithson (Robert Smithson)
United States, Western Europe. Used "poor" materials, such as felt-tip pen or latex. The works are characterized by ephemeral aspect.
«Op-Art» (Op Art) End of 1960 Victor Vasarely (Victor Vasarely),
Bridget Riley (Bridget Riley), ( br) Anuskevich Richard (Richard Anuszkiewicz)
Europe, the United States. This - an abbreviation of «Optical art». Practiced as an optical illusion that creates a sense of movement. This sense of motion caused by interplay of black and white lines and motifs.
«Cybernetic Art»
(Art Cybernetique)
Since the end of 1960 Frank Herbert (Herbert Franke),
Wen-Yin Tsay ( Wen-ying Tsai)
Europe, the United States. The form of art, using the latest technology - computer science, lasers, holograms, fax, photocopy and satellite communications.
«Descriptive Arts»
(Art Narratif)
«Personal Mythology»
(Mythologies personnelles)
«New figuration»
(Nouvelle Figuration)
Since the end of 1960 Adami Valerio (Valerio Adami),
Telemachus Herve (Herve Telemaque),
Bruce and Norman Yonemoto (Bruce et Norman Yonemoto),
Gilles Ayo ( Gilles Aillaud),
Arroyo, Eduardo (Eduardo Arroyo), Leonardo Cremonini (Leonardo Cremonini),
EKIP Kronik (Equipo Cronica),
Kueko Henri (Henri Cueco),
Arrow (Erro), ( br) Peter Clasen (Peter Klasen),
Monor Jacques (Jacques Monory),
Ransiyak Bernard (Bernard Rancillac), Rekalkati Antonio (Antonio Recalcati),
Gérard Tisserand (Gerard Tisserand)
Europe, the United States. Creates a visual display of any stories, sometimes based on literary work. Uses all forms of plastic art: installation, painting, video. Two trends: "The new figuration" - highly politicized, and "Personal Mythology" is a more intimate nature.
«Art performance»
(Performance Art)
Since the end of 1960 Laurie Anderson (Laurie Anderson),
Robert Wilson (Robert Wilson )
Europe, USA and Australia. The holding of shares in the presence of spectators, using the art of sound, dance, poetry, theater and video.
«Aesthetic picture»
(Favouring aestheticism
photography)
Since the end of 1960 Robert Mapplethorpe (Robert Mapplethorpe),
Irwin Penn (Irving Penn),
Helmut Newton (Helmut Newton),
Bruce Weber (Bruce Weber)
United States, Western Europe. Penetration of aesthetics in fashion photography. Often sings the female body, but the plot and photographs may be garbage. Destroying boundaries between art and advertising.


Act Three. Mid 1960 - late 1980's

Title Period Artists Brief description
«Temporal and I Group»
( Equipo Cronica)
1964-1981 Manolo Valdes (Manolo Valdes),
Rafael Solbes (Rafael Solbes),
Juan Antonio Toledo ( Juan Antonio Toledo)
Spain. Characterized by the use of figurative images, borrowed from the pop-art (quotations), the content of the active political and social nature, aimed at the beginning of the movement against the Franco regime.
«poor art»
(Arte Povera, or Art Pauvre)
1967-1971 freezing Mario (Mario Merz),
Giuseppe Penone (Giuseppe Penone),
Pistoletto Michelangelo (Michelangelo Pistoletto)
Italy. Group of artists who tried to eliminate the dichotomy between art and life through the creation hepeningov and sculptures made from commonplace materials.
«Basis /Surface»
(Supports /Surfaces)
1969-1972 Vialli Claude (Claude Viallat),
Hantaï Simon (Simon Hantai)
France. Artists demonstrate the reality of the canvas without a stretcher and the frame by folding, stamping or wetting ...
«Bad Art»
(Bad Painting)
1970 -e Jenny Neal (Neil Jenney)
Joan Brown (Joan Brown),
Malcolm Morley (Malcom Morley),
Robert Longo (Robert Longo),
David Ca (David Salle),
Neil Jenny (Neil Jenney)
United States. The reaction against political correctness of minimalism and conceptualism, as well as against the predictions of the death of painting. Figurative, joyfully baroque painting. Generous use of paint, color dissonances. No respect for the classical rules, compositions with a displaced center ...
«Mono-Ha» (Mono-Ha) 1970 -- e Nobuo Sekine (Nobuo Sekine),
Shingo Honda (Shingo Honda),
Kisio Suga (Kishio Suga)
Japan. The name means "object of the school. Natural phenomena - trees, stones, earth. Crafts - wooden beams, concrete, paper, glass. Important relationships between objects or between objects and the space they occupy.
«Installation»
(Installation)
Since 1970 -- x Daniel Buren (Daniel Buren),
Pistoletto Michelangelo (Michelangelo Pistoletto)
United States, Western Europe. Installations intended to identify a specific interior. The active participation of the audience.
«Aesthetics of Communication»
(Esthetique de la Communication)
Since the 1970 Fred Forest (Fred Forest),
Gerlz Guerrilla (Guerrilla Girls)
United States, Western Europe. Critical study of the CMM and techniques of manipulation of public opinion. Study of the press, television programs, promotional posters ...
«manipulated picture»
(Handled Photography)
Co second half of 1970 Arnulf Rainer (Arnulf Rainer),
Lucas Samaras (Lucas Samaras),
Brooks, Ellen (Ellen Brooks)
U.S., Europe . Technique manipulate photographs.
«Neo-Expressionism»
(Neo-Expressionnisme)
1970-80 Georg Baselitz (Georg Baselitz),
Julian Schnabel (Julian Schnabel),
Garust Gerard (Gerard Garouste),
Karl Horst Hedike (Karl Horst Hodicke) ,
Lüpertz Markus (Markus Lupertz),
A. AR Penck (AR Penck)
United States, Europe, Australia. Figurative painting, expressionism, using intense colors. Return to traditional forms of painting and sculpture.
«Painting a new image» (New Image Painting) 1970 -- 80 Gaston, Philip (Philip Guston),
Jonathan Borofsky (Jonathan Borofsky),
Jennifer Bartlett (Jennifer Bartlett),
Robert Moskowitz (Robert Moskowitz)
United States. The return to figurative painting, characterized by simple composition and almost childlike technique.
«Art Designs»
(Pattern Painting)
1970 -80 Shapiro, Miriam (Miriam Schapiro),
Zhodon Valerie (Valerie Jaudon),
Zakanich Robert (Robert Zakanitch),
Robert Kushner (Robert Kushner)
United States. Group of artists who refused to rely solely on Western art and inspiring crafts and culture around the world, which they studied and that affect their work ...
«Postmodernism»
(Post-modernisme)
Since the 1980 Artists of the following lines:
Free figuration» (Figuration libre),
" Simulyatsionizm »(Simulationnisme) ,
« cultured Painting »(Pittura Colta),
« New fauvists »(Nouveaux Fauves),
« Academic Arts »(Art Academique)
Return to figurativu. Erasing all the outdated distinction between "scholar" art and popular culture.
«Free figuration»
(Figuration libre)
«Graffiti» (Graffiti)
Since the 1980 Keith Haring (Keith Haring),
Kombas Robert (Robert Combas),
Kinones Lee (Lee Quinones),
Jean-Michel Basquiat (Jean-Michel Basquiat),
Speedie Graphite (Speedy Graphito),
Kenny Scharf (Kenny Sharf),
Tsvillinger Rhonda (Rhonda Zwillinger)
France and New York. Figurative painting - spontaneous, primitive, and the bright color, starting from a comic book and rock.
«Neo-Geo» (Neo-Geo) 1980 -- e Jeff Koons (Jeff Koons),
Meyer Vaisman (Meyer Vaisman)
New York. Abbreviation of «Neo-Geometric». Using everyday objects as material for sculpture.
«Transavantgarde»
(Trans-avant-garde)
1980 Kuchchi Enzo (Enzo Cucchi),
Remo Salvadori (Remo Salvadori)
Italy. Figurative paintings and sculpture. Borrowing images from art history, from popular culture and primitive cultures.
«Simulyatsionizm»
(Simulationnisme)
1980 Sherrie Levine (Sherrie Levine),
David Sall (David Salle)
United States and Europe. Use of isolated images, still or moving, out of context, as an abstract sign. Assigning a subject which is represented again.
«Neo-Kitsch» (Neo-Kitsch) 1981 -- 1987 Kenny Scharf (Kenny Scharf),
Tsvillinger Rhonda (Rhonda Zwillinger)
New York. Clumsy work, in which fun mix different styles. They joyfully celebrate bad taste in all its forms.


In the annex - the same table in the file.
Вложения
Тип файла: doc Современное искусство 3.doc (154.5 Кб, 1234 просмотров)



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Старый 07.07.2008, 11:18 Язык оригинала: Русский       #2
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LCR, science fiction, how much work you put in the search and preparation of quality information, thank you.



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Старый 07.07.2008, 11:38 Язык оригинала: Русский       #3
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Yes, LCR, thanks to huge, for a constant source of new knowledge))))



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Старый 07.07.2008, 11:57 Язык оригинала: Русский       #4
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Indeed, very interesting, a lot of new unfamiliar names. It would be all the world to understand the details, pick up images to evaluate. It may be a unique material. And in parallel to do the same for Russian art.



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Старый 07.07.2008, 12:41 Язык оригинала: Русский       #5
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A parallel to do the same for Russian art.
Please start with the Russian!

Admin And it can be somehow organize and unite?



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Старый 07.07.2008, 12:56 Язык оригинала: Русский       #6
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And it can be somehow organize and unite?
Already begun. But this is not so fast can get. The site has more than 3500 Russian artists. Although a full list of all the artistic trends in Russian art, and I myself would like to see.



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Старый 08.07.2008, 09:35 Язык оригинала: Русский       #7
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I made a few (some) areas - of course I chose the easiest and the ones that I like more - "Cobra" and "Neo-Expressionism." This gave me an opportunity to review the picture - in my opinion, much obsolete, but there are really great artists, such as Pierre Alechinsky.

In general, I give a very brief description of trends, the list of artists and pictures of 3-4 on each of them. The only interest of all this - let someone look at these artists and, if a hunt, to continue an acquaintance already own.



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Старый 10.07.2008, 15:51 Язык оригинала: Русский       #8
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And in a separate post, I sincerely want to thank our dear LCR for the huge contribution she has made and continues to contribute to the development forum and the whole site!

LCR, Thank you very much - from me, from all the participants of the forum and from the whole team site artinvestment.ru!



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Старый 10.07.2008, 15:52 Язык оригинала: Русский       #9
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And in a separate message, I want to sincerely thank our dear LCR
Fully agree with you, very interesting and practical (for collecting business) information.



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Старый 14.07.2008, 10:30 Язык оригинала: Русский       #10
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Greetings to all!

I've put a new version of the attachment, there is color denotes areas that are already "made".
My problem is that with the exception of pop art, remained, as told to distinguished Maxmyd, a crap - that is, movement in art, which I can not stand.
Maybe there are volunteers who take them over?



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