What should be a museum?

[Игорь Гурьев]

The museum should be large and nemnogolyudnom.
The best museums that I visited with pleasure - a Berlin gallery of old art, Museum of Fine Arts in Antwerp, New Tretyakov Gallery.
Why not? Because there are few people and they do not like the Soviet period, the GUM or the supermarket pre-holiday, when the herds of tourists go.

A small museum, too, perhaps it is also good.

In general, the museum should be a great-great. Well, as the GUM.

So I imagined the GUM, which would give the Tretyakov Gallery.
Say, where you will find many nurses and so on.?

It's very simple: set the abyss of things, with minimal gaps between things and between the walls and room to tighten all the glass - and no nurses do not.

And that in fact delusional it turns out - for decades: the things that are worth hundreds of thousands if not millions, gathering dust in storage, they are almost nobody sees. And what's the point, in the dusting?

Maybe funds should sell the Tretyakov Gallery?
Is not the answer.
Then they will see only collectors.

The only way out - to give the Tretyakov some huge building and set it a significant part of the funds.

[artcol]

Сообщение от Guriev, Igor

The only way out - to give the Tretyakov some huge building and set it a significant part of the funds.

Digitize everything.
Then do a good opportunity to order printed copies.
And the money and benefits in all senses.

[Игорь Гурьев]

Сообщение от artcol

digitize everything.

The figure does not replace the dialogue with the painting.


A scan all long overdue, and put - well, in the amount of type 300 pixels.

For people to know and see.

[artcol]

Сообщение от Guriev , Igor

Digital is no substitute for communication with the picture.

A scan all long overdue , and put - well, in the amount of type 300 pixels.
To let people know and are able to see .

First, digitize . This will improve accessibility. And in general - the velocity of funds. And then , and physical contact. For that part, I want to- .

Radishchev Museum in my opinion all funds digitized and published on paper. Can not wait for the third volume - published, but can not be allowed on the market .

[Кирилл Сызранский]

Сообщение от artcol

can not wait for the third volume - published, but can not be allowed on the market.

And I'm still waiting for the second.

Do you have one?

[iside]

Сообщение от Guriev , Igor ; 2063571"

museum should be large and nemnogolyudnom .

Somewhere there was an article online about the activities of foreign museums ( can anyone find a link? ) In 2011 , as increased attendance , etc.

I think that the museum in modern conditions must be not only a place to store and display objects of art , but above all the place -oriented audience, and implying offer interactive participation .

How to say artcol, everything should be digitized , but this is how It lets a minimum , the program has no maximum limit in fantasy , in addition to financial constraints , for further action in reality.

PR machine should be powerful , you just need to look for sponsors to give a money - sponsors have to offer something interesting and unprecedented , etc.

Therefore, a museum, not being a commercial enterprise, should nevertheless not only to survive in a market , but also feel very good.
Creativity - the engine of progress. <! - ~ 1 ~ ->

[artcol]

Сообщение от Cyril Syzran

And I'm still waiting for the second.

Do you have it?

No.
I'm talking about the latter - in which the 20th century.
The second - the Russian, the first - Zap.Evropa.
Although I can be wrong, correct.

Added after 4 minutes

Сообщение от iside

was an article somewhere online about the activities of foreign museums (can anyone find a link?) In 2011, as increased attendance, etc.

I think that the museum in modern conditions must be not only a place to store and display objects of art, but above all the place-oriented audience, and implying offer interactive participation.

How to say artcol, everything should be digitized, but this is how It lets a minimum, the program has no maximum limit in fantasy, in addition to financial constraints, for further action in reality.

PR machine should be powerful, you just need to look for sponsors to give a money-sponsors have to offer something interesting and unprecedented, etc.

Therefore, a museum, not being a commercial enterprise, should nevertheless not only to survive in a market, but also feel very good.
Creativity - the engine of progress. <! - ~ 1 ~ ->

Who talked to the director of the Lenin Memorial. Huge funds, a good show (for example, is now "Reform and Reformers"), but who will see it? Even in Ulyanovsk, let alone outside it. A business-that ... They are terribly far he is the internet ...

[Кирилл Сызранский]

Сообщение от artcol

I'm talking about the latter - in which the 20th century.
The second - the Russian, the first - Zap.Evropa.
Although I can be wrong, correct

Open the folder, read:

Russian painting

XVIII - the beginning of the twentieth century

catalog

VOLUME 1

[artcol]

Сообщение от Cyril Syzran

Open folder , read :

Well, I do not have to read I can not , with ... <! - ~ 1 ~ ->

Zap.Evropa probably the second volume , and the third - the Russian 20th century .

Publications issued by the organization:
       " Russian Painting XVIII- early XX century." General directory. V.1 . M., " Shamrock ", 2004 .
  
    " International art . Painting, drawing , sculpture , tapestries ." General catalog of the collection . T.2.Saratov , 2008 .

[Кирилл Сызранский]

Сообщение от artcol

Zap.Evropa probably the second volume, and the third - the Russian 20th century.

Just Russian twentieth century - the second volume.

And what about the West.
Europe in the Saratov Museum of you talking about?