Fool (Alex Petrov). Painting.

[Auditeur]

Born in 1972 in downtown Moscow. In addition to any art classes has not. Since 2001 , the picture of each sign a creative nickname fool . Scenic method: inspiration, in the left hand rag, in the right spatula on primed canvas first randomly deposited oil paints, lying on the palette. Out of this chaos in the image of nature in one day going on the picture .

[Us-tin]

Сообщение от Auditeur

... From this chaos in the image of nature in one day going on the picture.

Universal recipe for contemporary art ...
:-) ...

[Игорь Гурьев]

Things do not seem to nature and not by imagination, and by following some pictures out of magazines ...

[Auditeur]

Non-distilled REALITY
 
    Alex never gave a reason to think that he was unaware that the artists in the world, no less than the cars on the streets of Moscow.
Actually as brilliant in this regard, the fact is that it is not valid either overwhelmingly or ogranichivayusche.
In other words, all the advantages, possible because it is as if the world was the only artist, Alex has managed to retain. That is - no specialization. There is no genre or style "niche". Unconditional open look at everything that comes.
On the other hand, it is not aggravating, but rather promoting and inspiring the benefits associated with the manifold achievements of other artists, Alex also managed to retain ... That is - if all the colorful achievements of other artists during his own artistic act can be converted unless a fair wind, just untying her hands on a colorful future achievements.
Specific hygiene and the special procedure of the art he has so organized that stagnation, emasculation, stillbirth are possible by virtue of the only approach and method. Since this method is especially the fact that it completely excluded the very conditions and preconditions for the emergence of anything like that.
It was as if a refreshing and life-giving breeze blows nomadic perception and action whenever it is taken for it.
So the method of Alexei could be called pretty tricky when viewed in relation to other, more common methods of image around. If this method is considered in itself and in fact, the contrary - there is just simple-mindedness, the degree of which is clearly above the ordinary ...
Naturally, this is not no mystery hidden conditional tricky, but certainly bezhitrostneyshy method does not guarantee that any attempt to turn a picture of something to write wonderful. But it gives the guarantee (which can not possibly give the other more common and popular methods of itself), that if not this, then some other times a great picture of the required work.
(To be continued)

[Auditeur]

In fact, as Alex makes his works (or rather, - promotes occurrence), the majority, having learned all the details and specifics, prefer not to believe. Or, believing (for example, yielding to the first wave of confidence in dealing with it), quickly forgotten. That is, each tends to lose any submission is in accordance with the internal pressure of their own individual properties. This is because too many of its previous value the experience already gained about life and about art, about how it happens and it does not happen. And instead take this opportunity to expand and deepen this experience further, preserve it. Thus, defending his suddenly shutting the "experience" of "threats", really just to protect the very limited experience of this from any possible expansion and deepening.
The method of Alexei storm peaks similar to those reached other artists, but on the other hand, almost the reverse side. The approach to these peaks, in some way, is quite well, on the other roads than those in which mutations were master of expressive possibilities of painting in a linear historical time, driven by the efforts of activists and pioneers, working purposefully in paving ways for the realization of its objectives.
We can say that the method of Alexei - a method of transferring the entire database of the maximum potential for success in the artistic realm of pure providence. But do not become acquainted with the paintings might think that nothing extraordinary in this: rampant assumptions of avant-garde and all kinds of freedoms of expression, past and present any freebie permits. However, in the paintings by Alexey any differences and see the very subject-matter environment in which we are immersed all the time. In all its complexity, and a color blooming freshness. And now, having become acquainted with these paintings still believe that they are made this way and not another, for many is already "too much" and they do not believe it. And many of those who believe at first, quickly forgotten.
***
     Ways to image visible from Alexis different than all the few options provided in the conventional art education.
In most of the education of himself and, much wider, not many people about the depth of this formation there are just as stable as it is unreasonable idea of ​​him as a universal and almost the only option approach to an adequate picture of the environment.
In fact, this is just one approach. In practice, it is kind of murky and rather academic symbiosis of Western New Age, with its black and white three-dimensional constructions of priority, plus much vulgarized "Cézanne" is usually manifested in assumptions otvyaza more color than that observed in the "tea leaves" pure academics. And this despite the fact that the actual creative achievement Cezanne is precisely to overcome the dualism of black and white colors of total composition (but without any certainty of the victim voltage and the shape and size) ... And this murky symbiosis issued almost a universal foundation of a real artistic skill.
Alex from the very start of his went to the image around a completely different way. And brought this method to the maximum operational elegance.
Accordingly, if he had at the time of its formation and intensive self-education would have come from and learn from the conventional system (official or private, or independent manner), it would be easy to digress from the path idea.
***
     Alex better than many realize how much we may be given initially, and all his fine movement organized so that the losses that may incur the initial datum for the final result, to reduce to a minimum.
The original reality as he sees it, replete with gifts and special providential coincidences. As if they do not pass go, do not mess up your own already-strong-willed individual artistic action ... How to implement in the best form of all prior to this providential intervention of individual advances, sensitively incorporated use of coincidence ...
Specifically, the original given to the artistic process is the direct underpainting. Alexis has a role and meaning of underpainting, not only does not the same as usual, that is, when it is done as the first stage of a specific target program. The role of the underpainting had just the opposite of what usually happens.
Quite spontaneously, and is strictly unintentional any paint smeared into a state of revelry stopped. Condition - the complete personal interference of the artist in what would be the underpainting. Kind of like a reality without hands prior to the actual artistic process and the process is carried out. In short, any good unrefined non-uniform surface.
Underpainting, of course, no way to fit that and then want to portray. On the contrary, he, with all its combinations of different textures of the Universe is the first of what later portrayed.
Then something is prescribed for him, something unobtrusive and just adds to it, something is left untouched. In any case, the priority of minimizing interference is observed. The ideal - do not make a single stroke, that would not really necessary. This is when each stroke at a time, on the one hand, it justifies what he saw in the chaos (underpainting), on the other hand, the same smear results seen in the chaos also in line with those observed in nature, catching up with the chaos underpainting to the similarity of this kind.
And here it is almost certain, more or less generous, the magic begins to work some of the coincidences and correspondences. According to the testimony of the Alexis, as well as the testimonies of those who have ever closely watched process, from somewhere comes an incredibly rapid assistance. This help (with minimal effort of the artist) enables primary chaos underpainting soon appear quite distinct and recognizable picture of reality. That is what the artist has undertaken to portray looking somewhere other than underpainting.
"I could never write so quickly," - says Alexei, alluding to this incredibly rapid assistance. Thanks to a completely original nesootnesenny with fine motive chaos underpainting organically nonviolent turns completely real convincing and heartfelt depiction of atmosphere. Irrational, wonderful moment, built in a proven effective method. Somehow, though very vaguely akin to the systematic convergence of the sacred fire in Jerusalem on Orthodox Easter.
If the issue of participation of a miracle to go deeper, we should remember that even if for some particular individual at a certain point scenario, they found a miracle way or another ever played, it's not so much a miracle as evidence of absolute inferiority and unjustified closure of our ideas about patterns of expression.
It seems that the method of Alexis in the purest form of evidence of things that could well be of interest to scientists, if ...
If ... scientific knowledge in general would not be now so rastaskano and split into separate narrow discipline.
In conclusion, it should be added that any artistic method, organic for a specific person, and is entirely consistent nature of this man - he will inevitably be what the man himself. Quite possibly, the method is purely objective Alexis his part of the right somebody else who is on the internal composition corresponds to a similar method. Perhaps someone writes the same way (and of course it is, or will have a different painting). But in any case, according to such method involves the one hand, deep samodoverie, on the other side - the greatest, a religious trust in the outside world. Only in the present and unconditional availability of the subjective conditions of a method to objectively rezultativen Alexis.
 
                                                                                      Paul Leela.

[Barbi]

Reminiscent of something Petrov-Vodkin.
Not bad for an amateur.

[Auditeur]

Сообщение от Auditeur

Since 2001 every year, now signed by the creative pseudonym fool.

It contained errors.
Right: With twenty-one years each painting signs creative pseudonym fool.