"Forum of Russia 2012" Investing in art

[Dogel]

Give details .....

Troika Dialog: investing in art. Art-banking and
Art Finance
Friday, February 3, 14:30 -16: 00
"Troika Dialog: Investing in Art" - a round table discussion
contemporary art. During the discussion the key speakers
plan to highlight the international and Russian markets of art, and
also indicate their key players. Participants will be presented
conditions of the art market as well as practical tools for working with
him and on him.
Developments in Russia and the world
Due to the lengthy international trend to an increase in
well-being, along with the growth of knowledge about the art market
significantly increased the number of stakeholders in collecting
and investing in art. A number of securitized assets
acquisition of shares in such a way that individuals could have
equity fund designed to invest in art.
The attractiveness of investing in art also lies in its
low correlation with other asset classes. The Russians are showing
growing interest in the arts as a class of assets as well as to the source
for the indirect benefit, namely, getting into a particular social circle, and
acquisition of relevant links.

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Problems
As a rule, since art and antiques are a heterogeneous
goods, but an art monopolized by one owner, the
evaluation of art as an asset class problems: the objects
Art is not a long-term fixed rates, the ownership and
transaction costs are very high, and the art itself does not offer
cash dividends. Collecting Contemporary Art
Russia is a new trend in the market, which is open
there is only the last 20 years. Individuals and banks are only now
began to approach this global trend.

 Moderator
Vasily Bychkov
Director, Central House of Artists
Speakers
Backstein Joseph Markovich
Artistic director of the Moscow
Biennial of Contemporary Art
Valerie Blair
Gagosian Gallery
Blue Alex K.
Director, Troika Dialog
Aidan Salakhova
The owner, "Aidan Gallery»
Sviblova Olga L.
Director, Multimedia Art Museum, Moscow
Skaterschikov Sergey
Managing Director, Skate's Art Market
Research
Matthew Stevenson
Managing Director of Missions
Christie's in Russia
William Fletmo
Director of the private collection of contemporary
Arts, Christen Sveaas Art Collection, Oslo
Vasily Tsereteli Zurabovich
Executive Director, Moscow
Museum of Modern Art
Christine Shteynbreher
Art Director, Art Moscow, the International
Art Fair

Posted 12 minutes
MOSCOW, February 3 - RIA Novosti, Maria Ganiyants. Russian artists and
art market is poorly integrated into the global art market and are
at the periphery, according to the round table, which was held in
framework of the "Russia Forum 2012" on Friday.
At the round table "Troika Dialog: Investing in art. Art-banking and
art finance "experts discussed the problems of art education and
features of the Russian market.
"Art education - the
a weak component of the work of art
market, as the quality criteria and
professionalism of today is very blurred,
In addition, the Russian market and our
artists are poorly integrated into the global
art market, we are on the
periphery of the Western world, "- said one of the
panelists Commissioner Moscow
Biennial of Contemporary Art, Joseph
Backstein.
The round table was attended by Director of CHA
Vasily Bychkov, director of the "Multimedia Art
museum, "Olga Sviblova, Managing Director
Christie's representative in Russia by Matthew Stevenson and others.
With that in Russia there is a problem with training
Artists capable of creating high-quality contemporary art,
agrees and the owner of one of the oldest contemporary art galleries
in Moscow, "Aidan Gallery," Aidan Salakhova.
"My gallery receives about 20 - 30
portfolio every week, and qualitative
almost not: most of the scenery, or write
still life with flowers. We can somebody
select no more than once a year "- said
she said.
According Salakhova, galleries and relationships
artist in Russia, apart from the western circuit
as the absence of thorough national
legislation does not allow the gallerist
hedge against poor quality of the author.
"If I accept the Western model of working with
artist and say, I will do
several exhibitions a year. And he told me
provide a number of projects that
fail, and I will not be able to
implemented, the law is not
regulated. So I have with the artists -
gentlemen's agreement "- she explained.
The head of Sotheby's Russia and the CIS Mikhail Kamensky
decided to contribute to the improvement of
education in the arts and announced
two-year joint project of Sotheby's and
Higher School of Economics, who will prepare
specialists in art history and
art market.
Roundtable participants also discussed the issue of
that moves as collectors and
investors to invest in art.
The founder of Skate's Art Market Research,
recently bought 70%of the fair of contemporary
Art Viennafair, Sergei Skaterschikov noted
that in the construction of investment portfolios
recent years, more and more involved in things
art, because they have protective
qualities and are able to maintain capital
conditions of strong volatility in the markets. "For private investors
investing in art is a very important question: the idea of ​​investing in
Art has a very extensive development. The most expensive items
art of growing up in a good price, especially at a time when everything else
falls, "- he added.
Skaterschikov noted that most investment strategies in the
Art is personal and focused on "branding"
people. "It's a matter of what you leave behind, as will be
to position your name in your country or your city. But in our
country's brightest people are afraid to raise a flag and a branded
prefer abroad "- he admitted.
On the globalization of the art market managing director
Christie's representative in Russia, Matthew Stevenson, who noted
that by the end of last year, online auctions, the activity of participants
reached 30%.
In general, the panelists agreed that the need for more
working closely with artists and collectors of art
institutions, museums, galleries, fairs, which will help
collectors and investors to better understand the subject.

[Евгений]

Сообщение от Dogel; 1957791"

Head Sotheby's Russia and the CIS Mikhail Kamensky
decided to contribute to the improvement of education in the arts , and announced the two-year joint project of Sotheby's and the Higher School of Economics, who will train specialists in the history of art and the art market .

Useful and necessary work .. and a very good level of teachers.

[Dogel]

Сообщение от Eugene

Useful and necessary work .. and a very good level of teachers.

 The concept of the master's program
The concept of the master's program
Offering a new concept of academic art history
education, this program takes into account both the positive aspects of
national traditions and experiences of several series of Western institutions
(Courtauld Institutes, and Warburg, Harvard and Yale universities,
School of Fine Arts and the Graduate School of Social Sciences).
This program was developed jointly with the Institute of Arts
Sotheby's (London) - one of the largest and most reputable
international training centers for the art-
work on the art market that has more than forty years of experience
in the educational field.
The purpose of the master's program - to fill the professional
gap, to offer an education that is not giving up
Art and historical foundations of fundamental academic
in general, will allow students to gain relevant, connected with the arts
profession.

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The professional competence of future graduates include:
examination of works of art, antiques, "rheology";
scientific activities in the field of art history and art criticism,
teaching;
commercial activities in the field of art ("art business");
professional art criticism;
organization of exhibition space and museum design;
formation and implementation of state and municipal
policy on culture and art;
protection of historical and cultural heritage, cooperation with private
investors, public and religious organizations.
Curriculum Master's program "History and Culture
art market, "drafted in such a way as to give students
sufficiently thorough professional knowledge of the history
arts, to prepare them to work much wider cultural and
economic profile than it has been possible until now.
It is essential that the proposed upgrade not only the general
structure of learning, but also the content of courses.
New in relation to the existing methods of teaching in Russia
history of art are the following approaches:
the main work of the students transferred to the research
seminars and workshops which are a kind of elaboration
skills to work with certain types of
Fine and Applied Arts;
history of art is truly universal, not history
Masterpieces of European and Russian art: attention
paid to the mainstream and ordinary works, borderline phenomena,
Art of Islam, Buddhism, Iberoamerica, ie. those great events
world culture, which in the existing art history
offices studied sporadically and superficially, but play an important
place on the global art market. In this history of art,
presented in the next program of problem-oriented courses
studied as an element of culture of different epochs and peoples, as an expression of
inherent aesthetic and ethical notions, in turn,
closely associated with the material world and the historical context.
This approach focuses on the formation of "synthetic"
interdisciplinary knowledge, which makes it possible to evaluate different
the verge of cultural monuments of art and artistic ideas.
the study of art is in constant contact with him through
museum, restoration and architectural practice. The combination of theory
with a living experience with artifacts of historical and theoretical turn
training in real znatochestvo and abstract knowledge - in
fruitful love of the subject's own occupation;
study of management and governance sphere of art,
legislation in the field of cultural policy, heritage protection and
copyright, the economic and legal foundations of the functioning
art market actually carried out in close collaboration with
relevant parts of the NIU School of Economics.
The structure of a joint master's program provides
several possible paths of study:
A. Students are taught to first year graduate HSE, and the second year in
Sotheby's Institute of Art in London, one of the proposed
Institute annual Master's programs:
Art Business
Fine and Decorative Arts
Contemporary Art
Photography: Contemporary and Historical
East-Asian Art
Contemporary Design
These programs are designed Sotheby's Institute of Art for three
semester (September-December, January-June, June-October). After finishing two
of them, the student receives a postgraduate diploma, and defended in the HSE
Master's thesis, Master's degree history. The third semester
Sotheby's Art Institute is designed for writing master
thesis in English, defended the student receives
Diploma of Master of Arts. (The student has the right to limit training to the
Sotheby's Institute of Art in two semesters and, accordingly,
receiving only a postgraduate diploma).
Two. Students enrolled in master's HSE within two years and
receive only a Russian diploma.
Three. Students are taught to first year graduate HSE, half
the second year in a Sotheby's Institute of Art and half to the HSE. In
Under an agreement with Sotheby's Institute of Art, they
receive the diploma of HSE and the postgraduate diploma.
Since training at the Institute of Masters of Arts Sotheby's
requires thorough training in art history, in BUP
master's program courses are appropriate in the first year
training.
By teaching in the graduate faculty of the Institute are involved in
Sotheby's Art.
Graduate training program is presented in the following form
blocks:
A. The cycle of the common areas of disciplines (discipline standards), development
which gives a general historical and humanities professional
training. In this program of relevant courses will be
adjusted in accordance with the profile of the master's program.
Two. The cycle master's program includes the disciplines of discipline,
form the basis of training in the profile
Master's programs and the acquisition of skills and competences
associated with the description and analysis of works of art.
Three. The cycle of disciplines at the choice of art is characterized by three
market: a) history, b) the practice, and c) legal and economic aspects.
Mastering the subject of this cycle, students must learn how to
theory and history of the art market, cultural legislation
Russia and abroad, and with the real conditions of operation
these spheres of life.
4. Research Seminar - a kind of laboratory work.
In parallel, under the master's program will operate
two or three research seminar (depending on the size of the set)
each of which will be dedicated to a certain type of
Fine, decorative or applied art or
a certain type of antiques (for example, furniture, porcelain, weapons, and
etc..). To speak at a research seminar will
involve others specialists, experts, museum
officers, heads of research projects.
Five. Practice. Successful implementation requires graduate work in
working closely with museums, art galleries,
restoration workshops, manuscript departments and divisions
rare book libraries and museums in Moscow, St. Petersburg and the Russian
province, which will be practical exercises, and where
students will take practice.
Knowledge and competence
Graduates of the program must:
possess fundamental knowledge on the history of world culture;
able to independently detect, analyze and use
professional information in Russian and foreign languages;
to tour and teach the history of art;
able to evaluate the artistic works of both past
(Classical heritage) and the present;
professional expertise to carry out works of art and
artefacts;
have knowledge of legal and ethical foundations of the functioning
the art market;
be skilled in organizing exhibitions, exhibitions of gallery affairs.