Alexander Ishin, exhibition or Paradoxes of everyday banal art update

[Люси]

Exhibition from November 25 to December 11
within the "Collectors - the audience"

December 25 at 18.00, at the Moscow Exhibition Hall "Gallery A3" will host an exhibition that is timed to the 70th anniversary of the People's Artist of Russia, Alexander V. Ishin.


This remarkable master, one of the masters of the domestic arts is one of the art critics wonder just called a wizard, which converts the ordinary, everyday space into a space filled with romance oberiutov. In fact, if there's search for the sources and analogues ishinskogo space, we first come to mind Harms, Vvedensky, Z, other members of the real art of the Association. And, of course, with Viktor Shklovsky's theory of estrangement: the author, to find out the true nature and essence of even the most banal utterances and back image of the original meaning, pulls it out of the familiar, petrified, zashtampovannogo context. And then the most ordinary things appear to the audience in a different, "strange" and an unexpected appearance. Actually, Alexander Ishin shows the world around us in its original, natural form, not through the prism of backlog in the minds of each of us of prejudice.
It turns out, houses, fences, attic windows, rural households with cats and roosters, and most importantly - the people who are our contemporaries - all that fills our minds - not at all what it is. We only think that the context in which we live, exhausted and therefore not so interesting. In fact, everything around is full of mysteries and riddles, and their task Ishin artist sees it, to offer all of us to participate in the experiment of Creation. As a result, we gain the chance to look at what is happening around untroubled, unblinkered and eyes wide open and see how anxious and touching everything in the first hour and minute of birth, and - at the beginning of separation between matter and mind.
To its credit, Ishin, he managed to avoid the temptation to edification, "serious" attitude to life. Language in which the artist speaks to the audience, too ostranen - master prefers pragmatic attributes of our time - the irony, defiance, ridicule, and paradoxes. No wonder the author was at the forefront of Soviet non-conformist, was in the midst of combating a conservative system for the new art. To be understood by the authorities, pioneers and disturber of the peace had to find a weapon against the party actually varnishes with their mechanical schemes, standards and templates. Trump card in a tense and painful dialogue has become a romantic with a taste of irony. And as the field of battle perfectly dominant in the era of Khrushchev's thaw brand - communism. Before Ishin and his associates was to oppose the official, the battalion romance - an informal, frank, informal. Rigidity and mossy authorities romance building a bright future, in which by and large no one believed. Hence the ironic view of the world. Tactics and strategy born of themselves: do not give a utopia for reality, but to separate the art from the ideological environment, using the variety of styles and trends.
Like all classics of the sixties, Ishin was a lifelong romance with the ironic worldview. Communism is the actual problem of power long ago shifted to the collective unconscious, but the specter of a common cause and symptoms are still apparent in the reaction of "common people" - the main character Ishinskih canvases - to current events. And Alexander Ishin can only feel the mood and aspirations of the dear and close to his heart compatriots. Work for exhibition in the gallery provided by collectors A3: Yuri Gurov, Alexander Mironov, Andrey Pospelov, Anna Moreva, Lyusine Petrosian, Irina Shirinyan.
                                                                                                                                                                       Igor Dudinskiy.

[Люси]

Biography
Alexander Ishin was born in 1941 in Ufa, where his family was evacuated. Since 1942 lives in Moscow. He graduated from the Moscow secondary art school at the Surikov Institute, and in 1966 the Moscow State Art Institute named after Surikov in the class VF Ryndin and M. Kurilko.
Student went on a creative trip in Norilsk. In the magazine "Youth" was held on the first solo exhibition of works devoted to the life of the northern city and performed in unusual for that era naively romantic style.
He worked in many genres - from painting and graphics to the facades and interiors of public buildings in various techniques (relief, mosaic, tempera painting, wood carving).
In the first painting was influenced by the national popular prints, kitsch postcards, urban folklore, naive art. In the early stages paid tribute to the "village" theme. Over the years, decorative gave way to the spiritual and philosophical quest and expressiveness.
More than 13 years in the State Specialized Institute of Arts, where he studied creative rehabilitation of people with disabilities. For five years he was its rector. Author of many scientific and methodological articles, summarizing his own creative and educational experience.
Honored Artist of Russia.
People's Artist of Russia.
Talk of dozens of solo and group exhibitions in Russia and abroad - including the U.S. and Europe.
Works are in Gosudarstennoy Tretyakov Gallery, Russian Museum, the Assembly Ludwig (Germany), Museum of Contemporary Art of the Russian Academy of Fine Arts, Museum of Modern Art in Tsaritsyno, the Museum of Marc Chagall (Vitebsk), the Museum of Contemporary Art "Mars", as well as many museums and collections and collections in Russia, Germany, USA, France, Italy, the Netherlands, England, Israel

[Lorart]

But I recently discovered this artist. Of course , I'm on the many fine painters do not know (AI somehow fills the gaps are numerous ), but still you - well done. And at the " A week before the flight," his work sounded and he spoke , gave comments , and in the current exhibition " All faces of the Impossible " - great work is presented and Ishin again sounded. And only that he was awarded the state . Award and , most importantly, the title People's Artist of Russia - we saw him on TV (actually, only Ishin , but still Matsuev , in my opinion, the only show ) ...

[Прохожий]

Lorart, and indeed, their only and show.
That's the material state awards for service.

[манна]

Dear friends!


We invite you to exhibit a remarkable artist Ishin Alexander Vladimirovich!


Vernissage will take place tomorrow, November 25, at 18 o'clock in the Moscow Exhibition Hall "Gallery A3" Starokonyushenny Lane., 39


http://www.a3gallery.ru/index/kontakty/0-3

[Алек Сандер]

With all due respect , but I seem to be one of these secondary ? Chagall was a painter , was an artist Pyatnitsky. The second is very similar to the first, but also broke into a completely different , parallel dimension , which is essential for the artist. Pictures Pyatnitsky ( I 'm not talking about Chagall ) give a sense of belonging to some secret, to a certain otherness.

But the contemplation of paintings by the artist did not feel , but " it was already " and " but this is clearly the work of the mind." Painting should still go on something hidden, and not from the " eq I then cleverly turned ."

But maybe something I do not see it. Explain in this case. I would be very grateful. Really want to understand. Maybe I will understand better painting . Thanks in advance .

[Люси]

Сообщение от Alec Sander; 1861781"

There was a painter Marc Chagall was a painter Pyatnitsky. The second is very similar to the first, but also broke into a completely different, parallel dimension, which is essential for the artist. Pictures Pyatnitsky (I'm not talking about Chagall) give a sense of belonging to some secret, to a certain otherness

I poklonitsa Pyatnitskiy creativity, and work of Alexander Pyatnitskiy have in my collection, but I have a job let E.Kurochkina.I here in this thread who will arrange debates of them is primary and the secondary one. and who influenced whom.? And where does such an analogy with Pyatnitsky? .. With Chagall, may well be something in the earlier studies have Shagalistoe so what? '. analogy here a few others should be .. from A. Ishin went a lot of our eminent hudozhnikov.Kotorye come to congratulate him tomorrow.
Well, like I do not like is your honest pravo.Aleksandr Ishin hudozhnik.Ya anyone prove nothing going.
I've give you the words of artist Dmitry Zhilinskis-
"We met with Sasha Ishin in the 60s. I then taught at the Surikov Institute, and he studied it. It was in his happiest time. We liked the old art, the real masters of their teachers. Young, just graduated from university, competed, who better to do its job, keeping in mind the commandment of Leonardo da Vinci: "The worst thing - to lose integrity."
For many years I was chairman of the youth and I remember vystavkoma of Ishin. He was always bright and varied praised the Russian countryside, its people and was sincere in his work, expressing what he saw and felt while having and abstract thinking. Ishin work - this is not plein air "as if the forehead." Much thought and expressed in terms of the subconscious, based on years of experience and "creative baggage." Even in his paintings I like to open, the local color - on the verge of the child's perception and in the spirit of his favorite artists primitives. Of course, he is entitled to his vision, his glorification and protection. This valuable work and Ishin. And yet they are valuable because they always seem powerful and expressive. As my mentor taught me, Vladimir A. Tabor: "That the work was not good, and the" Thing "and" thing "with a capital letter. Now, alas, many young artists are more focused on the commercial success of his work - this is their main purpose. Many are engaged in all sorts of "kinky" to "impose" a kind of pseudo-a "different sauce." For example, to score a nail, hung his boots and write: "Mum's shoes" and expose it. Beauty? In general, it can and funny, as an anecdote, but I am to this very hard. However, I believe and understand that true art is never lost, but it must be sustained. How did Obrosov, Andronov, Vasnetsov, and this support should be continuity among the younger artists - the main thing in any kind of art to love what you do and do it honestly. Ishin, of course, and has both - and love for his work, and skill, and honesty. "

[Алек Сандер]

Сообщение от Lucy

I poklonitsa Pyatnitskiy creativity , and work of Alexander Pyatnitskiy have in my collection , but I have a job let E.Kurochkina.I here in this thread who will arrange debates of them is primary and the secondary one . and who influenced whom . ? And where does such an analogy with Pyatnitsky ? .. With Chagall, may well be something in the earlier studies have Shagalistoe so what ? ' . analogy here a few others should be .. from A. Ishin went a lot of our eminent hudozhnikov.Kotorye come to congratulate him tomorrow .
Well, like I do not like is your honest pravo.Aleksandr Ishin hudozhnik.Ya anyone prove nothing going .

A small correction , Pyatnitsky - Vladimir.

And I'm having with the analogy , what is there to do about it. Only want to understand. I just wanted to hear other opinions. Thank you.

[манна]

Сообщение от Alec Sander ; 1861781"

With all due respect , but I seem to be one of these secondary ? Chagall was a painter , was an artist Pyatnitsky. The second is very similar to the first, but also broke into a completely different , parallel dimension , which is essential for the artist. Pictures Pyatnitsky ( I 'm not talking about Chagall ) give a sense of belonging to some secret, to a certain otherness .

Maybe you are not alone. I personally do not see any association with Kurochkin , Pyatnitsky . In general, this announcement of exhibition. There will be photos, you are welcome.
From SW.

[Люси]

Сообщение от Alec Sander; 1862071"

small correction, Pyatnitsky - Vladimir

Of course, he Vladimir.Eto I sleep with. >

Сообщение от Alec Sander; 1862071"

only want to understand. I just wanted to hear other opinions.

Alec Sander, there is no hard feelings and can not be, we each have our own taste and I have mnenie.Naprimer A. Ishin like something smaller, something more and this is normal, there is no minus or something in otritsatelnogo.No that it is secondary and not interested, I can not agree with you .. he's very humble .. All his life he fled from the ranks, and he saw nagrad.Svoyu mission that became a teacher for many artists ..
Alexander Ishin fully deserves the title-folk artists.
And then look at the list of the museum where his work and this is his modesty and the fact that he had not a public relations:

Works are in Gosudarstennoy Tretyakov Gallery, Russian Museum, the Assembly Ludwig (Germany), Museum of Contemporary Art of the Russian Academy of Fine Arts, Museum of Modern Art in Tsaritsyno, the Museum of Marc Chagall (Vitebsk), the Museum of Contemporary Art "Mars", as well as many museums and collections and collections in Russia, Germany, USA, France, Italy, the Netherlands, England, Israel