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Costs, valuation, attribution Discuss artworks’ prices and attribution. |
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Опции темы | Опции просмотра |
25.06.2008, 14:51 | Язык оригинала: Русский #1 |
Новичок
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A pair of paintings "Sea"
Good day!
Please help us to evaluate paintings. Seascape (day and night). These paintings from the collection sovetstskogo diplomat, who acquired them in the 50 years in the antique shop as a school Aivazovsky. I bought paintings to decorate the interior and investing money, because it takes dignitaries. Unfortunately, no signature. I have consulted with experts about the paintings, they attributed as kon.19-beg. 20c., A professional painting. Good condition. |
25.06.2008, 15:35 | Язык оригинала: Русский #2 |
Авторитет
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To properly assess the need to collect pictures of them
complete information. The name of the author, that it is shown (Perhaps this is the legendary ships or historical event) name of the diplomat, too, can affect. Artistic value picture does not seem to have, or it is not significant. Sales price determines the gallery, but they mean to you will cost just a few. Without specific authority You can even Gauguin did not manage to sell more than 20-30%of real value. |
25.06.2008, 16:00 | Язык оригинала: Русский #3 |
Гуру
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You have not specified the size.
But if these rabrty no less than 30x40 cm and real 19 century. It cost $ 7000-8000. |
25.06.2008, 17:28 | Язык оригинала: Русский #4 | |
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Цитата:
If he has a Gauguin, everything is very simple - it comes in contact in a primary auction and the money in a hat, or rather on the bank account: p |
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25.06.2008, 18:17 | Язык оригинала: Русский #5 |
Гуру
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LCR, 1. To sell to work with impeccable provenance no authority and no need to close, even to understand the artist's works do not, well, just to see how a picture can be worth it.
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25.06.2008, 19:03 | Язык оригинала: Русский #6 |
Гуру
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And what about the price and the primary auction house to inflate can?
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25.06.2008, 19:07 | Язык оригинала: Русский #7 |
Гуру
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I do not think they are interested to sell as dearly as possible. But better to be in the know than not?
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25.06.2008, 19:11 | Язык оригинала: Русский #8 |
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be aware of the price of something than you possess
Certainly better, but it's hardly possible before the end of auction. Moreover, and in one or the other way. Or is it still possible? And if so, how exactly?
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25.06.2008, 19:34 | Язык оригинала: Русский #9 |
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Cook, frossinka and Master,
Disputes can arise only at the reserve price, but that - in theory, in practice, as the Master. |
Этот пользователь сказал Спасибо LCR за это полезное сообщение: | fross (25.06.2008) |
25.06.2008, 19:36 | Язык оригинала: Русский #10 |
Гуру
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See, each work is a market price, which is determined largely on the basis of sales at auction, the significance of the artist, his works are available on the market and numerous other factors. But the auction sale can not be the sole criterion for determining the prices of similar work, because sometimes it is too high, and sometimes the opposite is understated. And, if the work is not sold at auction, this does not mean that it is not worth the money. That's why I say it's better to be in the know.
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Этот пользователь сказал Спасибо Meister за это полезное сообщение: | fross (25.06.2008) |
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