Natalia Kaspirovich exhibition "Mist"

[таша]

From September 15 to September 25 in the gallery A3 (Starokonyushenny lane, 39), an exhibition of Natalia Kaspirovich "Mist."
Exhibition opening September 15th from 18-00 to 21-00

"This exhibition is about the state of" between "-between heaven and earth, between good and evil, between life and death. That is a state of" mirage "of fog, the state of prostration bordering on autism. When space becomes familiar landmarks-entangled concepts of" top "" low, "" far "- close" and the surrounding reality appears as if seen through a kaleidoscope tube-fragmented into many pieces and re-folded into a fancy picture of the world.
This reality seems to be sufficiently structured and organized but it is unstable and changeable, it is enough to turn the kaleidoscope image and emerge in a different pattern, but consisting of similar elements-dots. colors, overlapping lines of different characters and shapes. Unfortunately, the range of shapes is very limited, but the signs do not mean anything in this coordinate system, the study of society in all its manifestations is impossible, and the relevance of place. "Here and Now" are substituted for "nowhere and never" or "always and everywhere."
Being able to "between" a man is a hostage of unreality. Each hostage-terrorist himself, but the imprisonment can not be called voluntary. After all, to get "from the bottom" interfere with fear, despair, a sense of powerlessness and futility. . They quietly shines in the darkness, and the world around them is covered for grid pattern, converting it into a realm of shadows. The concept of time loses its meaning. Looking minutes or time stretches infinitely, it does not matter. Time passes and time stands still does not matter. Conclusion is lifelong.
Sometimes we meet with them, look, and then leaving on his own business and leaving them to "shine" and to consider their own distorted. reflection on the walls erected by themselves in towers of the well. "

[Кирилл Сызранский]

Tasha, and many things will be on display?

[таша]

Сообщение от Cyril Syzran

Tasha, and how things will be on display?

 
Cyril 25rabot or so, felt.
> But a bit of painting-12, the rest of the objects, graphics and photos.

Added after 31 seconds
Seriy, Thank you, come to the opening.

[Seriy]

Tasha, thanks!
with great pleasure to have, but I until mid-October, in a village near Kiev.

The next will come first!

[Кирилл Сызранский]

Сообщение от Tasha

But some art-12

If a size, this - normal.

A triptych is

[таша]

Cyril Syzran, no such size as the "Flower Girl" is only "Flower Girl" >, the other canvases.
mostly 100x120, 100h90.
Deliberately did not want to overburden the exposition.
>

[Ninni]

Today the opening of "Mist"!
>

Tasha - congratulations and very much looking forward to your photo essay and story about the show!!
> >

[Glasha]

Tasha , my dear, I sincerely congratulate with personal exhibition !
God knows, was going to come today , but it turned out that the start run for ninth hour of the October field on Starokonyushenny not make sense.
I hope the opening day today was a success, and also waiting for photo essay .

( however, try to visit, chirknite , please, what days /hours you 'll be there if it is predictable , of course. )

[таша]

Сообщение от Ninni; 1773073 "

Today is the opening of the exhibition " Mist "!
Tasha - congratulations and very much looking forward to your photo essay and story about the exhibition !!!!

Dear Ninni, and all who could not come at the opening , but was sick and worried about me ! With a little late I want to tell about the discovery. People had a little bit , I certainly expect that there will come more, but who came to my mind are satisfied , everything was interesting. The exhibition consists of two parts - in one room paintings, drawings, and in another project , " Hostage ," In the hall where the "Hostages off only one light bulb above your photos, creating a feeling of some emergency lighting, illuminated three akrilayta ( engraving on acrylic glass with edge lighting ) and light -seekers hostages therefore slightly mysterious atmosphere and mystical >
Photos from the opening lay closer to the night or tomorrow morning , because camera from my wife and husband at work >
The exhibition catalog was published , which turned a small, but cute. The catalog includes two articles , Vitali and Vladimir Bogdanov Patsyukova .
While the spread of the photo catalog :

[таша]

For some reason, photos loaded to 130 kilobytes, although loads the 600kb >

Articles Directory:

    Ultimate reality NATALIA KASPIROVICH

                                                   You have eternity hostage of time in captivity.
                                                                                       Boris Pasternak

Artistic reality Natalia Kaspirovich exists in the nonlinear equilibrium. Its harmony is built of the paradoxes and contradictions of fiber spaces, living in formal opposition, but at the same time acquires a new unity and harmony. It's a world of deep layers of the subconscious world, present in us in the passive voice, he turned over on us, forcing him to dive, losing gravity, both in space and oriented system of coordinates. His phenomenal determined by limiting the presence of us, are absolutely identical with us, where there is, as the artist herself says, "no top or bottom," and everything turns into a "substance, totally surrounding us." Actually, the work of Natalia Kaspirovich should be considered and - extremely close, as required to do this Mark Rothko and Wassily Kandinsky, not a distance, without seeing the edges of the track, leaving in its internal dimension. Metaphysical space of the artist at his absolute proximity to our optics and consciousness, obviously is our true reality that we are not inclined to recognize and accept only at critical points in the revelation. She recalled, as evidenced by Natalia Kaspirovich, "a children's kaleidoscope" its endless variations, instant change, discreteness, the inability to see its boundaries. But at the same time, its images are realized by us as a singular integrity, disturbing, and sometimes brings the concern for its beauty and, ultimately, to its very bottom, is experienced as a genuine reality, relentlessly demanding his confession. She flashes her "mirage" of its form recognizable images of our deepest, remote memory, as if it belongs to our pre-natal states, and therefore has no name, no categorical apparatus that it can be put into one of the niches of our intelligence.
Before us is a true art which has not yet separated from the vital matter of its plasma is not formed its iconology, but at the same time, of course, has high aesthetic qualities.
Attitude that is present in the pictorial composition Natalia Kaspirovich, gets its certainty and clearly the creative artist in a gesture of its facilities in the project, designated as "hostages." Where the earlier series of works was to "hang" phase, in the blink of an in states of Zen calm, the "hostages" manifest our existence in the "hard contours," as Kasimir Malevich. Each of the "hostages" in the present postistorii, when time itself ceases to be detected, or it, materializing, symbolizes his ruinirovannost. Time in the space of existence, living "hostages" absolutely traumatized, and the "hostages" are with him in captivity, however, just as a prisoner of the space. Restriction of degrees of freedom "hostages" is realized only through their own efforts of these "characters" of their personal destiny. They are immersed in the very threshold of the limit of the lower layers of existence, of which can come only by people who openly want to leave this world the "bottom" and "depth". Fear, helplessness, futility of any action, any positive actions accumulate, gather in the "weight" in the gravity of the "hostages" were looking at us from their "closeness" of existential pipes where there is no horizon and the world opens a black hole in space. Light entering the tube habitat hostage, no longer able to return to our ordinary human dimension. It is an illusion, a hollowness, a reflection of the shadow, in the deformed pattern, distorting the face of a hostage and, at the same time, locating it as a simulacrum.
Who are these hostages, living within, on the edge, or, perhaps, in our understanding of them lies the mistake? Maybe it's the guards of human capabilities and limitations of ascetic, which Boris Pasternak styled as a "hostage of eternity" that are "at the time in captivity," the doomed, but the "doomed" to salvation and the salvation of us all?

                                                                                    Vitaly Patsukov


             INNER SPACE NATALIA KASPIROVICH

To tune in to the work of Natasha, to catch the right wave to them, you may need to return more than once. So it should be. Her things are not meant for "quick" review. The point, of course, not only in their fullness and busy (another vanishing virtue in our fastest time). Just the viewer must first thoroughly shaken in a zone of turbulence, meaning that precedes entry into a dialogue on a new level.

In Kaspirovich almost never "frozen" scenes, the emotional static. All derived from the state of rest. Most often we see surreal Morph - digest "dreams", and broadcast stories states "between" through an auxiliary system of branded pervosimvolov. In her abstractions Kaspirovich recognizable figurative elements - fish, faces, flowers, birds, hands, tree roots - is almost never play an active role. They ask only point of twist tie of the corridors indicate that slowly filled with energy flows. Rod same topic works by the artist - just those complicated "in between": conversion states, mysterious inner space and perpetual transit.

An important feature of works of Natalia Kaspirovich - the need for dialogue. Not by chance from all works of the artist's eyes look upon the symbolic characters. The design is such that the paintings themselves are looking at the viewer, as if trying to catch a counter-opinion. In the calculation, rather, on a quiet dialogue emotions. The eyes of these semi-abstract figures are almost never touch the smile, but if they somehow miraculously radiant. Inner light is transmitted in a special way. Sometimes a flower - the symbol of purity, hope and rebirth. Sometimes the stream as a symbol of the movement. However, here the most wrong - is considered the composition of the artist as a puzzle, trying to dissect the story and analyze the individual elements. Before us is not a puzzle, but truly humanistic works in which the emotional message put above any sign. Such a pure translation of kindness and love from a man with a rare ability to write profound tale for adults.

I am glad that its "Mist," has turned out. How can get not one, but really the software exhibition. We can only envy those who are just in a better time for the first time meets with the work of Natalia Kaspirovich - talented artist, but also smart, strong and bright person.

                                                                                  Vladimir Bogdanov