Rostand Tavasiev at Aidan Gallery, Postlosizm in begemotopisi

[Vladimir]

Tomorrow, March 22, closes "Postlosizm in begemotopisi" Rostand Tavasieva Gallery Aidan (http://aidangallery.ru/news/26-02-2011/7). Cheerfulness recognizable ivy compensated spleen author's interpretation. To helluva lot of fun is not - "The girls always go, but the hares are!".
All begemotopis made in 2011. Execution, at first glance, ascetic: ikeevskie soft toys (elk postlosizma and hippos begemotopisi), but traces of acrylic on a white canvas and everything. Milky Way was much richer. But if you think about it, neither subtract nor add. Any addition would be superfluous. Who creeps who hobbles, who is heading downhill - every one designed for their speed.
Fragments of the text of the Rostand:

«... sketching, and thinking again. And then, finally, late, rainy autumn of last year, while in the country in Abramtsevo, I stopped thinking, he took a hare, dipped it in paint and held on the canvas. What I saw struck me as curious. Stopped time, frozen motion, sort of like an abstract painting - but if you leave a toy on the canvas, here he is quite a figurative character, all clinging to the canvas between past and future, as the Mesozoic midge, frozen in a chunk of amber. And the character himself has a little picture of the author.
Rapidly gleamed Italian Futurism, seeking to represent all stages of motion simultaneously. Osmolovskii, crawling on the Triumph Square, Paul McCarthy, is also creeping, but on the floor, and pulverizing a paint somehow flashed Kabakov's installation of a man flown away into space, and the latter flushed Yves Klein, forcing (perhaps even for money) naked girls , izvozyukannyh in "international blue" is applied to the canvas ... But the girls always go, but the hares are !!!»

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Two other samples, "begemotopisi.