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Старый 02.01.2011, 07:14 Язык оригинала: Русский       #1
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По умолчанию The double helix of Vladimir Tatlin

The double helix of Vladimir Tatlin

the Father of Russian constructivism, Soviet design and the forerunner of modern bionics - 125 years

Guzel Agisheva

Argued that Tatlin came to the art of self-taught. Probably it was written in the virtual tables sovdepovskoy lumpen-bohemian somewhere near the landmark "Gabriel was an exemplary husband ...". In fact, Vladimir Tatlin, the son of the king's engineer, from 1902 to 1910-th albeit with interruptions, but he received a classical art education - in the Moscow School of Painting, Sculpture and Architecture Serov and Korovin. And in the pauses sailor sailed the Mediterranean, admiring the soaring birds, wrote in teams, the icon was a decorator in the theater and had a full course of the Penza Art School.

All these bizarre experiments repeated later in a tight spiral of his fate. He began to spin it in 1908, leaving the audience with an impressionistic portrait and landscape, and by the early 1910's found his artistic language that distinguishes all his later paintings and drawings. Having - in the spirit of the times - a tribute to primitivism and cubism, he felt constrained in two dimensions of the canvas and ... released in 3D: invented his famous "material selection" - figurative works in which the plane of the canvas are the pieces of treated wood, wire, nails, wallpaper. Then began and his confrontation with Kazimir Malevich, who sought the truth about art there. Fearing a "leak" Tatlin did not raise the blinds in his studio, he was afraid that Malevich would see him work out the window. But soon their creative vectors strongly diverged, Malevich "left" in the depths of non-objective and became the father of Suprematism, Tatlin same, tending to the art of in rem and constantly opposing Malevich in the struggle for leadership in the van, gave birth to constructivism ... Known historical anecdote about how one opening day, he pulled out from under Malevich's chair, offering to sit ... on geometry and color.

In 1920 Tatlin creates the most famous of his creations: 25 - meter high model of the 400-meter monument III Internationale ("Tatlin Tower") - an angled architectural design, inscribed in a double helix, which either represents an unprecedented rise of revolutionary thought, or predicted its inevitable decline. It is symbolic that we were reached only her picture, rastaskannaya on theatrical clichés. Like the fact that the winner at that time was Constructivism people in a truncated - utilitarian-production version, making its creator, the father of the Soviet school of imaginative design. "Father", meanwhile, makes sketches of furniture, utensils, clothes and even efficient stoves, but it's probably not the projects of things, and ideas materialized, it is hardly designed for practical implementation. With two exceptions: child drinkers in the form of the breast and ... Project Ornithopter, which he called the filing Khodasevich "Letatlin. It is believed that this is a brilliant embodiment of the essence of constructivism - as an elusive dream of organic unity of human and machine. But we know, Tatlin passionately wanted to fly! And to the extent believed that his unit would fly that first flight was going to take a young son ... Yes, contrary to his expectations, "Letatlin" never rose into the sky. But he anticipated the discoveries of modern bionics and is still a challenge of engineering.

In the 30's with the defeat of formalism, which counted Tatlin Social realism in the tradition of accessible public art space shlopnulos, and until his death in 1953 he worked in an unknown ordinary "scoop" area "quiet" non-art. That's really amazed to his revolutionary fans, getting them in the early 50's in his apartment on the Upper Maslovka: the man who called himself Velimir Khlebnikov in 1917 in "The Government Chairmen of the globe," wrote still lives in the temperate style of impressionism, playing homemade Bandura and sings like a country Shevchenko.

http://www.izvestia.ru/culture/article3150126/



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Старый 02.01.2011, 11:21 Язык оригинала: Русский       #2
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По умолчанию

In February, due to open an exhibition devoted to 125 years Tatlmna which promise unpreserved reconstruction projects, including Monument III International.



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