M. Gelman and Sochi

[Hollandup]

its "Fly Swatter-Obamka" too cool <! - ~ 1 ~ ->!
shpen, and no nuisance ..

[Кирилл Сызранский]

Сообщение от Hollandup

its "Fly Swatter-Obamka" too cool <! - ~ 1 ~ ->!
shpen, and no nuisance ..

Yes, there it except Obamaboyki there are many others, for every taste and color, as they say.
<! - ~ 1 ~ ->

[Hollandup]

Elephants about the dismissal of Marat Gelman from the museum PERMM

" The wildest situation . My exhibition « WELCOME! SOCHI 2014 " - this is an anecdote . Turns out , the man was fired for what the artist told the anecdote . What will happen? Knows one God ... "

true anecdote ! <! - ~ 1 ~ ->

I also liked in FB "John , Israel with you!" <! - ~ 1 ~ ->

" Every event is clothed in visual form and so remains in the stories . "

Second , even from Vasi - Kontemporari .. "Officials everywhere with some wary of innovation. And when there is no creative courage , then left alone birch with a basket . "

[Кирилл Сызранский]

Statement of Victor Bondarenko of the situation with the closing show in Perm

Statement of Victor Bondarenko - philanthropist, curator, honorary member of the Russian Academy of Arts, the owner of one of the world's largest collections of modern art, part of which is shown at the exhibition "Russian New York" - about the situation at the festival "White Nights in Perm"

In recent years, attempts to censor the exhibition of contemporary art from violent reactionaries and going at them on occasion some of the authorities. Just the other day, "censors" again stepped up and trying by all means to interfere with the exhibitions at the festival "White Nights in Perm" - in particular, the personal exhibition of Vasyl Slonova, group exhibition "New Barbizon" installation Sergei Stone "Russian Baroque" and the project " Monstration in Perm. "
I would like to say in connection with what is happening their position. It consists in the fact that art in general and contemporary art in particular, are the vanguard of human culture, the key to the development of modern civilization, which is based on the ideas of progress, empirical knowledge, scientific approach to reality, freedom of conscience, of expression and opinion. Contemporary art - a kind of cultural-anthropological laboratory in which both artists and audiences to voluntarily put themselves in a situation of risk. Yes, it can provoke different feelings, have different consequences - both for their creators, and for those who are familiar with their works. However, the risk can not be achieved without anything new. Without a new meaningless existence of art, culture immersed in a situation of stagnation. Where else but in the arts for the first time a new can express yourself? After all, the territory of the museum, gallery area - it's marked territory, specially fenced from other segments of the culture and society (such as a school, popular culture, or a classic example).
During the XX century, we have experienced a cultural catastrophe of 1917, when it was disrupted the normal development of Russian culture. Only at the end of the past century, we have been able to get rid of its effects. It seemed more creative freedom does not limit any party nomenklatura, no valuation by an authoritarian state. And now, instead of what to support and further the regime of free competition between different creative areas of contemporary culture, we once again offer a "manual mode".
You can say only one thing. Contemporary art is one of the few islands of high living, creative free culture in today's Russia, the situation in which a rapidly arhaiziruetsya, reproducing reality of feudalism and satirical images of Gogol and Saltykov-Shchedrin. One of those who has consistently defended the freedom and creativity of the artist all these years in Russia, is my long-time friend and collaborator on many art projects Gelman. His educational activities in various regions of the country and, above all, in the Perm region causes resentment among those authorities, who yesterday in leather jackets NKVD were caught and executed the priests, and today as the team turned to the zealots of Orthodoxy and "traditional values." Is it because they are so hated Gelman, his projects have a ray of light in the darkness of obscurantism? What festivals and exhibitions that it organizes, awaken independent thinking, the ability to analyze reality, to question everything, to seek, to find new and surprising? It is these people are afraid of those who want to return us to the era of feudalism, serfdom to the directives of, top-down, and those who would like to see around you (and preferably under a) are not citizens, and a crowd of spineless toadies and lackeys.
If we do not want that dream come true born-again despots, let's support Marat Gelman and his face present and future of contemporary Russian art.
Let us remember that the censors, bigots always crucify those who openly proclaimed "love your enemy" or jailed those who claimed that "the earth moves." And it ... despite all their attempts, revolves.
(c)

Добавлено через 20 минут

Сообщение от Hollandup

"John, Israel with you!"

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[Кирилл Сызранский]

Сообщение от Hollandup

"John, Israel with you!"

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[Wladzislaw]

Сообщение от Konstantin

ay Cossacks

Retired cornet Cossack Ataman province children's counting rhyme about a Cossack for pre-school education with in-depth study of the foundations of the Cossacks

[манна]

Сообщение от Seriy

manna, here's another view of the Russian gallery owner, not mine, but similar to the my-
Daniel Tamplon
Gallery Daniel Templon, member of the advisory board of Art Basel
Why is not Russian Art Basel galleries? It's very simple: you do not have the contemporary art market. And there is no market because there is no serious gallery that truly works with artists. Not just a store that sells art, and promotes, the organization of exhibitions, work with museums and curators, publication of books, monographs ... I tripled over the past decades has been in Russia and did not find any major galleries. Hope filed gallery Stella Kesaevoy, but it turned into a fund. To participate in Art Basel are applying about 1 thousand galleries, and places - 270. From someone should give up. Do not go through the gallery, in an asset that is not at least a dozen well-known artists. To participate in Art Basel to work from 20 artists, offering little-known names, develop, solidify the market. Today, apart from the classics such as Kabakov and Bulatov, you will not find a Russian artists with big names, especially the generation of 30-40-year olds. Just because the galleries are not doing their "unwinding". - SS

Seriy, that's right - we do not have the market sovriska (like a civilized market in many areas) and will not in the foreseeable future.

D. Tamplon - "three times over the past decades has been in Russia", and you are living here, come to our gallery business with TZ Western standards, without taking into account our realities.

In this case, your criticism Gelman (and our gallery owners in general) purely theoretical, not constructive and not objective.

Сообщение от Seriy; 2642671"

The name of the gallery or the gallery owner in itself does not mean anything, then the list that stands behind the name and the list is usually in the range of ten names. Gelman might say, I will expose 150 artists and 150 other new exhibit. Well?

Seriy, I understand that you would refuse Gelman setted (list too long. <! - ~ 7 ~ ->.). And Saatchi or Gagosian? Suffice it to name only? The decision, happen is, or will be on the list by the name of the gallery owner /galleries take? <! - ~ 1 ~ -> <! - ~ 7 ~ ->

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Сообщение от Pavel; 2644661"

I do about it just did not sing.

That's what you did not sing, right?:

Сообщение от Seriy; 2644441"

But there is no market because there is no serious gallery that is really working with the artists. Not just a store that sells art, and promotes, the organization of exhibitions, work with museums and curators, publication of books, monographs ...

In this case, you think (and repeatedly "singing") that

Сообщение от Pavel; 2645081"

If you like it and I'm sure you have to buy from the artist.

You know Pavel, I do so. Go to the gallery, watching the exhibition, please, ask the price. Then I go to the shop and buy a couple of times cheaper price with the gallery's artist (failing to comply with an agreement with the gallery owner) directly. And then ..... and then .. the artists express their negative

Сообщение от Seriy; 2644441"

opinion on Russian gallery owner

Сообщение от Seriy; 2642671"

If gallerists no power even to a simple get-together, part of what they have power? If they close their gallery in Moscow and abroad, what you want to hear?

Someone closes. And someone opens:

Balls (gallery 11.12) - in Singapore.
Popov - in Berlin.

Away from the stifling atmosphere of the Russian (and also, away from the artists, which is also a plus).
 

Сообщение от artcol; 2645301"

This business Gelman, not Slonova.

My God, all the cares of business Gelman. Yes, in our country, "business" in each ZhEKe (by Tajiks). And you all the rest Gelman with a salary of ten does not rest! Yeah .... and he profited from Slonova. <! - ~ 7 ~ ->

Themselves do anything, critics Holy smoke ...

PS: No, it's totally hopeless country ... hopeless ... no future ... I do not protectress "Gelmanov" ... Well, I (a simple Russian woman) do not understand how you have brains are .... damn. <! - ~ 2 ~ ->

[Seriy]

manna, I am a practical man, and my brain is very simply-written image, sold, bought materials, has written a new, sold, bought materials, rearranged things in the studio. All external phenomena I appreciate the principle-and how they can influence this is my simple process? If something tried-work, and I go there once, I tried, does not work, just leave and forget. T e I made the most objective and constructive. Here's an exhibition at the Gelman mentioned "The United States of Siberia", I read the chronicle of the main exhibition of the artist, he and his work very nice to me. I know the prices of its sales, see how he lives, his workshop. I is not necessary - any such prices or such a workshop. Conclusion, it is not necessary to participate.
 But look, the commune is formed Russian artists in and around Barcelona, ​​they participate in all European fairs according to the schedule for their money. So in the black. It suits me, that I would work out.
 Because life is short, and I'm not at the beginning, then on any Gagosyanom I do not dream, and discuss the possibility of such ridiculous.
And to think, how would I transfer the experience of 100%of the sales at auction for the rest of my work - that's most of it, but then I did not go through the apartment, do not drive. I'm supposed to be completely satisfied the European average level of prices of artist without a name for a large percentage of sales. What a pity to sell, would leave itself, but it is 10%. And you look at the last Under The Influence Phillips-how many Russian and Ukrainian artists, and most of the work is presented through the gallery, and themselves. So what is the general trend of our times, gallery owners do not work, the artists themselves are engaged in, and I, for practical meaning, better zadruzhus with these artists, what I will become in some lists to the pompous gallery owner.
 Returning to our gallery owners-I for the fact that Russian were present at all fairs, auctions, etc., because it is systematic work - to pave the way, to show that the work does not sell Russian for "a bottle of vodka," and at normal prices. To Russian were not outsiders, perpetual novices. Someone has to do the same?
 But why would you personally with friends and colleagues not to bring their artists to the same Basel, just as you did in the Arena, the CHA? to be honest, I rely on you, you are young, energetic, practical - so, at least, will not earn money right away, so enter the world elite of the art market. Moment, it is necessary to use the interest in Russian art remains unmatched, IMHO, many fairs would react positively to the question of closing a white spot on the map art market what is now Russia.

[Pavel]

Сообщение от artcol; 2645331"

This reminds me of the Soviet political cartoon, and now the opposite order.

I totally agree. And it seems people are engaged in the same or well, but the result is the opposite.

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Сообщение от Cyril Syzransky; 2645491"

honorary member of the Russian Academy of Arts,

Honorary members are the members appointed without elections scheduled.

Added after 14 minutes

Сообщение от manna; 2645531"

PS: No, it's totally hopeless country ... hopeless ... no future ... I do not protectress "Gelmanov" ... Well, I (a simple Russian woman) do not understand how you have brains are .... damn.

But you it works like a simple Russian woman.
Buy the artists in the studio - Shchukin bought from Matisse on the recommendation of the Vollard. Then Matisse Matisse was not, as was the hooligan artist, but on a large scale and prospects have seen, not all gallery owners. Even when he worked with the gallery Petit he had the right to sell their work.
Gogosyanam quite enough of England. They have their own artists. Most importantly they have their own customers. They work with clients and for her. The same Vollard had Incarcerated its clientele and its got to him, besides even his friendship.
The first time I went to Paris and was offered in the gallery. Everywhere I meet one that is hanging in a gallery exhibition of young artists for free, and live in the gallery that sells it to customers liking, and they bought it at auction Drouot. and all selling the Impressionists. Of the difference between the auction price and the gallery for a client they had enough. The gallery is always more expensive.

[artcol]

Сообщение от manna

My God, all the cares of business Gelman. Yes, in our country, "business" in each ZhEKe (by Tajiks). And you all the rest Gelman with a salary of ten does not rest! Yeah .... and he profited from Slonova. <! - ~ 7 ~ ->

Themselves do anything, critics Holy smoke ...

PS: No, it's totally hopeless country ... hopeless ... no future ... I do not protectress "Gelmanov" ... Well, I (a simple Russian woman) do not understand how you have brains are .... damn. <! - ~ 2 ~ ->

In fact, the phrase "it's his business," does not imply that I have to deal him, but exactly the opposite. And unlike forumnyh kritikanov I'm always doing something. "And now ... I'm sorry, that is not even stressed ..." <! - ~ 7 ~ ->

I once spoke that Gelman as a business person - deserves respect, because he get, and that's what he's doing, informative content that - dishwater and slag (or rather say - [ URL="http://www.slovonovo.ru/term/%D0%A2%D1%80%D0%B5%D1%88"]trash[/URL]), and therefore the outcome is predictable. Well, it's his taste preferences, probably.

So if we talk about contemporary culture, prodyussiruemoy Gelman, then you need specify - a modern trash-culture.


Russian, Chinese, American etc.

http://forum.artinvestment.ru/showthread.php?t=206501

So, wash your hands, not only "up to", but "when." Here it is - the culture. ggggg

And here is the Catechism of ... kulturtreggerov:

... Forget what you've read in all the other magazines. The only thing "progressive" element of society - it perverts, mutants. Look at the evolution - a fish that is not perverted, will never be an amphibian, frogs that have never been mutated, did not reptiles, snake-conformist failed to become a mammal, etc. Normal people will people will be enslaved and binary monsters next Goals.