Alexander Deineka exhibition at the Tretyakov Gallery - Страница 6 - Форум по искусству и инвестициям в искусство

artcol · 20.03.2010, 20:52

Цитата:

Сообщение от Cyril Syzransky

And you are there too ...

Let's really no "protocols, biographical data, arguments about socialism and other political education" ...

But without this something?

Кирилл Сызранский · 20.03.2010, 20:55

Цитата:

Сообщение от artcol

Well, as without this something?

Well, apparently, as a possible ...
Desire is, in any case, there is ...

Цитата:

Сообщение от Berth

the Lord "nonconformists," someone able to talk about creativity without Deineki extracts from the minutes, biographical data, arguments about socialism and other political education?

Added after 2 minutes
And what you want to about you said so?

Цитата:

Сообщение от Berth

You can not even imagine how your words like "Lectures on the Marxist-Leninist aesthetics"

It's time to change, all of socialism is no more, dissolved the Gulag, "all free, all thanks."

dedulya37 · 20.03.2010, 21:04

Цитата:

Сообщение от artcol

Well, as without this something?

Agree!
Paraphrasing can say that our lives? " - Politics! (unfortunately)

Tana · 20.03.2010, 21:14

Цитата:

Сообщение от Cyril Syzransky

or merely "changed his style? Or style itself has changed? Why? How did this happen?
Why way have changed the ladies, for example?

Cyril Syzransky Well it's still "mother and sister, as some of their bare write ....

a sad sight, because some were ...

Peter · 20.03.2010, 21:22

I think ideology is not the main problem in the handwriting of the artist. Here are two momenta.Chasto is that having achieved certain heights artist understands that for its further development requires a change in its zhivopisi.Tak varied painting Pissarro, Monet, Renoir, Serov, Grabar, Falk and drugih.Novye quest can get both positive and negative rezultat.Vtoroy-time artist's work in the course of life is undergoing a period of prosperity and uvyadaniya.Skorost of an individual process and does not depend on the willingness of the artist himself, here and health, and the circumstances zhizni.Byvaet that influenced both of these points.

Кирилл Сызранский · 20.03.2010, 22:00

Цитата:

Сообщение от Tana

once their naked write ...

OK, that's not very dressed different periods:

artcol · 20.03.2010, 22:38

Цитата:

Сообщение от Cyril Syzranskiy

Or here are two portraits of a friend. Comrades, it is the same, and by one-A. Deineka, and the difference in there.
Why?
I'll be honest I can not explain it "without extracts from the minutes, biographical data, arguments about socialism and other political education."
And you can?

I am the way second portrait more like a lie ... The first kind of imitation is present, receive, and because - some empty. A second outwardly beziskusen, but - full and fission.

If no policy, the period ends, and artists in an era tied (genius of the time), uholdyat with them.

fross · 20.03.2010, 22:39

That such work was at TEFAF and afar Deineko recalled, was:
Hommage à Raoul du Gardier, and it seems dated to the mid-50's, more can be found in the gallery JEAN-FRANÇOIS HEIM.

dedulya37 · 20.03.2010, 23:11

fross,

We Deineki beautiful woman.

K-Maler · 20.03.2010, 23:29

Цитата:

Сообщение от Cyril Syzransky

about creativity Deineki,

I wonder how he depicts a man who is still young and all - in front of him. No matter what he called "Tractor" or "Milkmaid". I even seen in these names is a challenge, a challenge even with a hidden polemic with the authorities who ordered the so-called. First, this man is beautiful! He was attached to a kind of greatness (lower horizon). Whether he is or she is dressed in anything, no matter what Rukh in a bucket ... All these little things, such as a fan in the hands of "Mahi on the balcony" Goya ... For Deineki a trifle, just a reality of the day, that's a ... And it is not clear that this "tractor" will continue to do what they are, these beautiful people ... Deineka led the line art in spite of everything, with his "hidden resistance" was expressed, perhaps, that he spoke on "material of this power, so you" Milkmaid "...
He lived long in America, they brought out some work. Anybody can read more about this?

20.03.2010, 22:39	Язык оригинала: Русский #58
fross Гуру Регистрация: 16.06.2008 Сообщений: 3,418 Спасибо: 2,915 Поблагодарили 5,168 раз(а) в 1,142 сообщениях Репутация: 13013	That such work was at TEFAF and afar Deineko recalled, was: Hommage à Raoul du Gardier, and it seems dated to the mid-50's, more can be found in the gallery JEAN-FRANÇOIS HEIM. Миниатюры

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20.03.2010, 21:22	Язык оригинала: Русский #55
Peter Гуру Регистрация: 27.01.2010 Адрес: Москва Сообщений: 1,168 Спасибо: 5,106 Поблагодарили 4,046 раз(а) в 921 сообщениях Записей в дневнике: 4 Репутация: 8102	I think ideology is not the main problem in the handwriting of the artist. Here are two momenta.Chasto is that having achieved certain heights artist understands that for its further development requires a change in its zhivopisi.Tak varied painting Pissarro, Monet, Renoir, Serov, Grabar, Falk and drugih.Novye quest can get both positive and negative rezultat.Vtoroy-time artist's work in the course of life is undergoing a period of prosperity and uvyadaniya.Skorost of an individual process and does not depend on the willingness of the artist himself, here and health, and the circumstances zhizni.Byvaet that influenced both of these points.

20.03.2010, 23:11	Язык оригинала: Русский #59
dedulya37 Гуру Регистрация: 24.05.2008 Сообщений: 5,017 Спасибо: 5,605 Поблагодарили 6,167 раз(а) в 1,669 сообщениях Репутация: 9525	fross, We Deineki beautiful woman.