Without the ear of Van Gogh, Paul Gauguin left

[NEO]

Maroussia, can it fall aggravation?
Whom did I hurt? Who do I downplayed? I assumed that an experienced psychiatrist, not knowing anything about the author, will do what - some steps. Nothing more!
"Research psychiatrist should be shown every fifth, if not a third of us all, but only one in a million - heny" - and you are in what part? Sorry if I offended you. Among the artists are not so many schizophrenics (in varying degrees), but also among schizophrenics fewer artists (in the true sense).

Added after 14 minutes
By the way, recently, riding in the province of Samara seen the two huge fields of sunflowers! Even stopped. But the speed - it's the same!

[Posav]

Сообщение от Artem

Above the bed there are personality imprinted. Eugène Boch, and Paul-Eugène Milliet.

In the first scene, yes. Agreed. On the second and third portraits law clearly female. At one site saw that they were identified as portraits of the unknown. Although the second hairstyle is similarity with the portrait arlezianki. A red inter portretiruemyh is, for example, Mademoiselle Ravoux, but the portrait in Profile.

[dedulya37]

Сообщение от Artem

Here are the individual depicted

First a bit like the oligarch Prokhorov in a zone.

[NEO]

dedulya37, why in buschee look?

[Тютчев]

Сообщение от NEO

Among the artists are not so many schizophrenics (in varying degrees), but also among schizophrenics fewer artists (in the true sense).

Why do you think that Van Gogh was a schizophrenic?
He was diagnosed with «temporal lobe epilepsy».

[dedulya37]

Сообщение от NEO

dedulya37, why in buschee look?

Maybe there is more interesting than naschee!

[Тютчев]

Сообщение от Artem

then there'll be clear. Van Gogh made a few sketches before you make a complete song, discuss it with his brother and a friend of Gauguin. This is evident from the letters of Van Gogh.

Artem, if there be quite accurate (or to be precise as far as we allow the documents, namely the artist's letters), it should be noted that the sketches that were sent in letters to Theo first, and then Gauguin differ from each other. And if on the first sketch we can assume that his painting was part of the process of creating the picture itself (calamity reflection of the artist on the "Bedroom" while drawing and writing text messages), the second sketch was of a purely informative nature and was drawn after the writing of the picture itself. This is supported by the fact that in the first letter (to Theo), the artist wrote that is in the process of creating the painting was conceived them. A second letter (Gauguin), Van Gogh tells of an already written work, as if sharing with him on this significant event for him and illustrated his words with a sketch. And what is important to note, the second compositional sketch closer to the painting "Bedroom".

Van Gogh wrote "Bedroom" ("room") in mid-October 1888 letter was written by Theo October 16, 1888 Here is a proposal from the letter confirming the correctness of my conclusions: "At last I am sending a small sketch, which will give you at least some a presentation on progress. Today, I again took up her "

And on Oct. 17, 1888 Van Gogh wrote to Gauguin, bearing in mind the already written his work: "For my decorations, I made a new canvas sized at 30 - has been known to you my bedroom with furniture made from white wood. I was infinitely pleased to write this interior, made without any artifice, with the simplicity of a la Sera, flat and coarse, pasty brush strokes ... "

1. Letter to Theo van Gogh on Oct. 16, 1888.
2. Letter from Van Gogh to Gauguin on October 17 1888 ..

[Тютчев]

Сообщение от Artem

then there'll be clear. Van Gogh made a few sketches before you make a complete song, discuss it with his brother and a friend of Gauguin. This is evident from the letters of Van Gogh.

Regarding the work of "Van Gogh's Chair" (wicker chair with a smoking pipe and tobacco), then it can not be called sketch for "Bedroom" by Van Gogh. Because it was created after October 23, 1888, ie after Gauguin's arrival in Arles, and after writing "Bedrooms" ("Rooms"). Jobs' seat of Van Gogh "is paired with respect to the painting" Gauguin's Armchair "(chair Gauguin). "Van Gogh's Chair" - the day, and "Gauguin's Chair" - the night. The following quote both of these works:

[Тютчев]

Сообщение от Artem

 At the request of his brother Theo, he makes two paintings of equal size. And a picture of reduced size for his sister Wil with self-portrait on the wall. But the two paintings he completed in September 1889. So dear Tiutchev, you're right, but how to say.
1. Amsterdam "Van Gogh Museum, in 1888, the size 72 x 90cm.;
2. Chicago Institute of Art, 1889, size 72 x 90cm.;
3. Paris' Orsay Museum ", in 1889, size 57.5 x 74cm.

Artem, a sequence of creating options "Bedrooms" (rooms) adopted in art criticism, and is based on all the same letters Van Gogh.
 
Create two versions of "Bedrooms" occurred in a number of these events.
1. 1889, mid-April. Van Gogh painting packs and sends his brother. Among them are "sleeping". But the study was marred by dampness during the illness.
2. Vincent asked to return the "Bedroom", the work that is now stored in Amsterdam. But Theo advises not to restore, but to make option.
3. 1989 September. The artist wrote the option "Shared" (73h82), the work, which is stored in Chicago.
4. Pleased with the result, he makes one more option for the mother and sister (56,5 h74), the work stored in Paris.
 
Fragment of a letter to Van Gogh's brother Theo (September 1889):
"I redid the canvas, depicts my bedroom. This is undoubtedly one of my best sketches: sooner or later it definitely needs to be repeated. It was written and dried so quickly that turpentine immediately evaporate and the paint did not manage to properly stick to the canvas. The same thing happened with the rest of my sketches, executed with thick brush strokes in a hurry. In addition, after a while a rare tissue completely worn out and unable to withstand a thick layer of paint "

1. Vincent's Bedroom in Arles 1888 72h90 Van Gogh Museum Amsterdam.
2. Vincent's Bedroom in Arles 1889 73h82 The Art Institute of Chicago.
3. Vincent's Bedroom in Arles 1889 Museum Dr 56.5h74 Orsay in Paris.

[Артём]

My dear Theo!
I am sending you a sketch to give an idea of what it will be for work. Just today I started to it. At this time only my room. Here it is all about color! And bringing things in its simplicity of greatness, it will be circumferential thoughts about rest and sleep. One look at the picture should give peace of thought and imagination.
     The walls are pale violet, red tile floors, wooden beds and chairs are light yellow, sheets and pillows are bright, yellow-green, bright red blankets, a green box on the orange table, blue bowl, purple door - that's all, just a room with closed shutters. Massive furniture should also be reminded of rest. Portraits on the wall, mirror, towel and some clothes. Rama! Since the white in the picture there should be white.
      I will work all of tomorrow morning, but as you see the concept is simple. Shadow is not a general, uniform color and holistic. More will not write. Tomorrow morning I'll start work as soon as the light outside the window, to finish on the same day.
I shake your hand.
                                                                  Your Vincent