Benoit? Bilibin? Or anyone else?

[Homoludens]

Сообщение от Cyril Syzransky

This monogram could put a signature of the owner.

I mean, you, Cyril, do not suppose that this monogram Bilibina believed the former owners?

[Homoludens]

Сообщение от U_Z

signature is very good. zamorochennaya for the owner. In reality , with signatures , notes holders , etc. situation was much more prosaic .

Also another question about what the owner of it . Cyril has in mind , as I understand , A. Benoit , wife of N. Kuznetsova. So he at the time when she was living in Spain , has long passed away. Discrepancy . Personally, it seems to me unlikely that the author did not leave the monogram , but someone else . As well as absolutely fabulous hypothesis seems to me that the figures relate to the period of the life of the Barcelona Kuznetsova - why should remark on the sketch for Barcelona's dresser in the middle of the twentieth century would be carried out in French? I stand by my opinion , concurring with the opinion of the heirs of N. Kuznetsova - the work related to 1900-1920 - th year, the period of close cooperation NM Kuznetsova Parisian theaters . But here Bilibin the author of works - is still an open question .

[Игорь Гурьев]

You have not verified Bilibina about Alexander?

He has worked for the company in particular Fokine.

[Homoludens]

Сообщение от Guriev, Igor

you have not checked about Alexander Bilibina?

He has worked for the company in particular Fokine.

The son of Ivan Bilibin?
So in fact, at the time he was a heroic yet extremely small.
Or am I wrong?
Please specify what period you have in mind.

[Игорь Гурьев]

Сообщение от Homoludens

The son of Ivan Bilibin?
So in fact, at the time he was a heroic yet extremely small.
Or am I wrong?
Please specify what period you have in mind.

Generally, he was born in 1903.

Only now it works I do not know and have not seen.

Look, it may be that ye shall find.

[Homoludens]

Сообщение от Cyril Syzransky

He skanchalsya in the 30th year .

That's it . His wife completed a stage career in the mid -1930s .

Сообщение от Cyril Syzransky

But you do not like my posts - OK , I can be silent at all in this thread. Themselves floundering .

Instead of taking offense , Mr Cyril, could explain why , in your view , for Spanish costume makes the French inscription on the sketches - or refuse a guess . Solely for the purpose of

Сообщение от Cyril Syzransky

attack some appropriate version of authorship sketches

Added after 21 minutes
And I would appreciate if moderators explain to me why the theme of lost messages that were there an hour ago.
This is such a unique way of doing dikussy on your forum?

[Homoludens]

Strange, though, this is a forum, and strange people here (judging by some guru).
It is a pity that the level of self-esteem and anger is not matched against their level of professionalism.
My first attempt to discuss here the story of art criticism, no doubt, will be the last.
Good luck to everyone!

[Борис Кон]

"And there is not the fellow running the show!"
(C)

to paraphrase Vladimir Semenovich.

[I-V]

Сообщение от Homoludens; 2566391 "

We considered watercolor sketch, whose photo I posted at the request of IV.

Homoludens, where you request , then see? <! - ~ 11 ~ ->

Сообщение от Homoludens; 2565901 "

At the same time I send a sample of handwriting , which carried the inscription on the sketches . Maybe this will help .

Сообщение от IV; 2565931"

Homoludens, will help if you lay out the drawings themselves , the signature is not the first thing , believe me

[Sergey11]

Towers to look like Bilibina
As for the first picture.
Is there any idea of ​​what the opera (or more likely the ballet ) in question and then we can say with confidence , because the creativity of Benoit very well studied and published many materials including his letters where you can immediately identify the author
And could this be the son of Alexander Benois, who work for theaters in France and Italy? ?
Certainly not about what Alberta ( older brother Alexander is not out of the question )
In any case, a very, very valuable things and if they are in an amount and on one piece ( opera or ballet) was up to 100 of these sketches , the speech wearing a very decent money
It is better if they ever try to sell one lot

[color="#666686 " ]Added after 4 minutes[/color]
Benoit was very serious about their work and each paid much attention to the colors
in the figure below in French painted all the colors of the costume so much like the sketches for suits