How to unleash the artist

[artcol]

Сообщение от Cyril Syzransky

Ilya Kabakov is by far the author of the most expensive work of living Russian artists.

Kabakov propose to assign to the distinguished title of "Citizen dear boss."

[NATA NOVA]

Сообщение от Cyril Syzransky

beetle.
1982

 
It's probably on the design of 1982?

(Or the work of 1982?)

[Кирилл Сызранский]

Сообщение от NATA NOVA; 2651491 "

(or 1982 work ?)

The work was written in 1982.

Incidentally, the price of Kabakov :
 Roman Abramovich and Daria Zhukova bought the most important collection of works by Ilya Kabakov - 40 works (paintings and installations ), most of which were created before the artist's departure from the Soviet Union in 1987 and that more than 20 years collecting the famous American collector John Stewart for $ 60 million

[NATA NOVA]

Сообщение от Cyril Syzransky ; 2651531 "

The work is written in 1982 .

Back in the Soviet Union?
An interesting provenance . Someone bought it in the Soviet Union?

And more interesting to know about the great work Faibisovich ( where the soldiers are eating ice cream, dated 1974 ) She, too, was written in the Soviet Union , too, and someone bought it ( the Soviet Union ) ?

[Кирилл Сызранский]

Сообщение от NATA NOVA

Her someone bought in the Soviet Union?

I do not know when it was bought, and may even in the Soviet Union, but rather - is there a lot of Kabakov sold on arrival and the cheap, they then tried to redeem a long time ago have been taken out of the Soviet Union.

Добавлено через 27 минут

Сообщение от Pavel

They have a dollar tree in the garden?

" dollar tree " - Zamioculcas, get it yourself, then you might get lucky with sales and money, and you, the poor fellow
, will cease to finally look into other people's pockets.
<! - ~ 7 ~ ->

[Pavel]

Сообщение от Cyril Syzransky

Do not know when it was bought, and may even in the Soviet Union , but rather - is there a lot of Kabakov sold on arrival and the cheap, they then tried to redeem a long time ago have been taken out of the Soviet Union .

When selling cheap, with the money badly , as they " tried to buy out ." Over here is the money , what you call it? They have a dollar tree in the garden ?

[Кирилл Сызранский]

Сообщение от Pavel

They have a dollar tree in the garden?

" dollar tree " - Zamioculcas, get it yourself, then you might get lucky with sales and money, and you, the poor fellow
, will cease to finally look into other people's pockets.
<! - ~ 7 ~ ->

[NATA NOVA]

me something interesting .. (practical , financial side , so I'm asking )
At the time of writing such a huge (and I Faybosovicha , I think at that time there was a workshop and a "not so bright financial situation " ) , what's the point if there is no particular purpose , or customer confidence? ( And if you were , customers and goals , who and what ? )
What was the internal logic to spend money on such a huge canvas, such vremeneemkie , painstaking work , giclee and since then there was no trace ...... ? ?

Dollar tree :
http://en.wikipedia.org/wiki/Zamioculcas
( Russian version is not in Wikipedia )
it is necessary to have , probably .. (maybe the truth will help .. < ! - ~ 1 ~ ->

[Кирилл Сызранский]

Сообщение от NATA NOVA; 2651821 "

What was the internal logic to spend money on such a huge canvas

"Bug " is generally written on the tree - it's the first thing.
And second, before the departure of the Soviet Union in 1987, Kabakov was already very famous in the West by the artist. And with the studio it was all OK - since 1968 he has held a studio loft house 6/1 , formerly owned by the insurance company " Russian ."
And I do not know about the logic ...
Maybe there is not in the logic of the case , and in the works .
The purpose of creative commitment,
And no hype, no success.
Shamefully does not mean anything ,
Be the talk on everyone's lips . ( c) < ! - ~ 7 ~ ->

Добавлено через 16 минут

Сообщение от NATA NOVA; 2651731 "

interesting provenance .

See :

Provenance
 Livet Reichard Company, Inc., New York
Exhibited
 New York, Ronald Feldman Gallery, Ten Characters, 30 April - 11 June, 1988;
 Washington DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Ten Characters, 1990;
Prato, Museo d'Arte Contemporanea Luigi Pecci, Contemporary Russian Artists, 10 February - 14 May, 1990;
 Hamburg, Deichtorhallen, Ilya Kabakov - Der Lesesaal (The Reading Room), 19 April - 28 July, 1996
Literature
A.Alexeev, A.Kosolapov, I.Shelkovski (Eds.), 'In the Studio; Ilya Kabakov', in a (AYA), Contemporary Russian Art, Unofficial Russian Art Review, Paris, 1984 , no.6, p. 33 (illustrated);
M.Tupitsyn, Margins of Soviet Art, Milan, 1989, p. 43 ; B.Groys, Gli artisti russi degli anni ottana: La bella vita senza il complesso di Edipo, Contemporary Russian Artists, Prato, 1990 , p.75 (illustrated);
A.Wallach, Ilya Kabakov, The man who never threw anything away, New York, 1996 , p.158 (illustrated);
 B.Groys, 'The Movable Cave, or Kabakov's Selfmemorials', Ilya Kabakov, 1998 , London, p.55 (illustrated);
Z.Felix, Ilya Kabakov, The Text as the Basis of Visual Expression, Köln, 2000 , p.149 (illustrated)

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[Кирилл Сызранский]

Сообщение от NATA NOVA; 2651731 "

interesting provenance .

See :

Provenance
 Livet Reichard Company, Inc., New York
Exhibited
 New York, Ronald Feldman Gallery, Ten Characters, 30 April - 11 June, 1988;
 Washington DC, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Ten Characters, 1990;
Prato, Museo d'Arte Contemporanea Luigi Pecci, Contemporary Russian Artists, 10 February - 14 May, 1990;
 Hamburg, Deichtorhallen, Ilya Kabakov - Der Lesesaal (The Reading Room), 19 April - 28 July, 1996
Literature
A.Alexeev, A.Kosolapov, I.Shelkovski (Eds.), 'In the Studio; Ilya Kabakov', in a (AYA), Contemporary Russian Art, Unofficial Russian Art Review, Paris, 1984 , no.6, p. 33 (illustrated);
M.Tupitsyn, Margins of Soviet Art, Milan, 1989, p. 43 ; B.Groys, Gli artisti russi degli anni ottana: La bella vita senza il complesso di Edipo, Contemporary Russian Artists, Prato, 1990 , p.75 (illustrated);
A.Wallach, Ilya Kabakov, The man who never threw anything away, New York, 1996 , p.158 (illustrated);
 B.Groys, 'The Movable Cave, or Kabakov's Selfmemorials', Ilya Kabakov, 1998 , London, p.55 (illustrated);
Z.Felix, Ilya Kabakov, The Text as the Basis of Visual Expression, Köln, 2000 , p.149 (illustrated)

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