Alberto sugi - 1928

[Тютчев]

Very talented ...

[iside]

Tjutchev, thanks for the link to the video.

This Vittorio Sgarbi, an art critic and artkritik Number 1 in Italy. And I found out about this artist, when I read an article in the news that Sgarbi has been appointed curator of the Italian Pavilion at the Biennale in Venice in 2011 (and for the Italian contemporary art is the same as the fall of the Berlin Wall) and in the interview, he told me that intends to present a picture of Alberto sugi, whose work has been discriminated against during the Achille Bonito Oliva, who as we know the group was engaged Transavangvardiya.

The video Sgarbi looks excellent, although it is also known for his eccentric behavior and in the style of Vladimir Zhirinovsky, if not pohlesche

Добавлено через 9 минут
Seema, unfortunately I live pictures not seen I write in the evening exactly what galleries you can see the pictures and where are the exhibition and will add more pictures.

Сообщение от Sima

And what art talkative!

All Italians love to talk, this is one of the few who said something really valuable.

[iside]

Seema, unfortunately I live pictures not seen I write in the evening exactly what galleries you can see the pictures and where are the exhibition and will add more pictures.

Сообщение от Sima

And what art talkative!

All Italians love to talk, this is one of the few who said something really valuable.

[iside]

Some graphics and pictures

[iside]

The critic, probably right when referring to the blue and rose period Picasso. Yes, and later Picasso liked to write a great picture in three colors-white, black, ocher.

As I suspected at the sounding of the magic words Picasso you will be able to appreciate the work of any artist

However, it must disappoint you, inattention, and (no) knowledge of English you have brought, Sgarbi did not compare these two artists, it is generally known for his "dislike" to Picasso, as well as all those who imitate Picasso, he calls them fashion stylist , which every two years, change their form letter, you personally do not like?

[Сима]

iside, thanks, I already looked at his site. In general, the current output I have devoted Alberto sugi. And about his "genesis" found on his blog:

 I felt most attracted to three painters: Degas, Munch and Bacon. In fact, I then felt an affinity between them, even if secretly, not from the thematic point of view, but as a way of confronting the canvas, a great affinity between Degas and Bacon. In fact, Bacon was influenced by Sickert, who was influenced by Degas, and had a certain way of painting nudes that could also allude to the scabrous style of Munch. http://www.albertosughi.com/f_archiv...blogs_05 . htm

Ie (their words) the proximity between them is not thematic, but in the way "to confront the canvas."

[iside]

So we go on.

In 1978, the "Dinner" was exhibited in the Manege in Moscow. Ettore Scola (Italian director) has used a series of paintings Supper as a manifesto of his movie, and it was in 1976 in an interview about the film talked about the parallels in the work of Munch and sugi.

[Seriy]

iside, thanks, very interesting!
On Bacon's little similarity-Bacon diametrically opposed attitude to work with color and composition. Closer to Auerbach.
Critic, probably right when referring to the blue and rose period Picasso. Yes, and later Picasso liked to write a great picture in three colors-white, black, ocher.
I liked very much how it works with chromium dioxide, velvety depths. In the love of chromium is similar to Nesterovoj park write the same way.

[LCR]

Сообщение от Seriy

iside, thanks, very interesting!
On Bacon's little similarity-Bacon diametrically opposed attitude to work with color and composition. Closer to Auerbach.
Critic, probably right when referring to the blue and rose period Picasso. Yes, and later Picasso liked to write a great picture in three colors-white, black, ocher.
I liked very much how it works with chromium dioxide, velvety depths. The love of chromium is similar to Nesterovoj park write alike.

As for Auerbach and Nesterova, I do not quite agree - both very important texture. The texture of Auerbach's very spontaneous and I like it, Nesterova "shapes relief", and I was a bit annoying, but in general I treat her well. A painting is flat - (just do not get me wrong - all that I want to say is that it is no relief!).
At Wyeth insist pikassinogo influence of something I do not see (for me it's a compliment!)

I would like to understand the chronology of sugi creativity - not yet quite clear: I would have taken his meals at the initial stage of his work, there are clearly observed the influence of all of this Italian metaphysical painting, but it turns out it is not so ... In short, we must understand